In a lot of ways, Garbage Pail Kids: Mad Mike and the Quest for Stale Gum demonstrates how far the homebrew market has come. Here we have a licensed game released nearly 30 years after the end of the NES lifespan. It contains all the graphical trickery and polished gameplay of a latter-day title, and you could almost believe that it really is a lost prototype brought back to life. It may be gross, but if you’re a fan of the console or the Garbage Pail Kids, you should definitely find some way to rub it all over yourself.

Sprint Vector definitely does more right than it does wrong and its unique form of movement in VR is something I think we'll see used by other developers going forward. It had me wanting a Mirror's Edge VR, but I don't see that happening anytime soon.

While Halloween Forever is simple, I think the developer achieved what it set out to do, which is to make a fun, pick-up-and-play platformer that would feel at home on the NES. As someone who loves the console and still goes back and plays its games, I can appreciate this spooky little game. It's cute, it's easy, it's colorful, it has a decent chiptune-ish soundtrack, and it illustrates perfectly how we all feel about candy corn (barf).

Normally, I could forgive Pokémon for so poorly handling a fairly legitimate moral issue, but the plot has been so deeply integrated, and spans such a large portion of the game that I really can't let it go.

Though The Wise Monkey is not all it could have been, it's a strong second episode. Much of it, however, felt almost like filler.

A fun game that feels good to control, looks impressive and delivers some classic arcade racing that's perfect for quick bursts of portable play.

A game with 9.5/10 ideas delivered in a 6/10 package.

The planes feel right, and the combat, while not exactly in-depth, provides for some fun moments. This game may not be the best of its class, or put forth any noteworthy new concepts, but it shouldn't be allowed to slip into obscurity, either.

My complaints with Mechstermination Force are straightforward because that's really what the game is, a boss rush shoot-fest. If the stars align and you can find someone who really enjoys 2D shooters, give the game a go: even its fleeting joy is worth the entry ticket. Hell, it's worth it if you go alone, so long as your expectations are in check.

What Monster Hunter Stories as a whole truly offers is an expansive look into the Monster Hunter universe through a more welcoming lens.

While underwhelming from a gameplay standpoint, it's easy to see how FBC: Firebreak could become a fun experience for friend groups looking for a good time in PvE co-op.

Though the game ends on a rather disappointing note, everything else up until then exudes that WayForward je ne sais quoi. A wonderful female lead, an inventive game mechanic, and a friggin' T-Rex that shoots laser beams are enough for me to recommend Mighty Milky Way.

I might sound down on a lot of aspects of The Old Hunters, but ultimately, it will satiate most fans out there.

With better targeting, and less mentally sub-normal allies, I could very well find myself in Heaven. Until then, Strike Suit Zero will undoubtedly help you scratch that space combat sim itch you must have by now.

I can't fathom a situation where fans of the franchise will be disappointed with Dillon's Dead-Heat Breakers. The music is fantastic, the world well-realized, Dillion has never looked better, and the shift away from predominantly touch controls is a wise decision. This is a solid adventure through and through, and it gives me slight hope we'll see other forgotten eShop gems get another chance to shine in the future.

The refinement of the combat has gone a long way to mitigate the tedium of the first game, but the humor and plot won't do much to keep you engaged.

I love the game in a fetish sort of way, in a way that I don't expect most people to relate with.

Despite the padding, there's plenty to do, and it should ultimately send the fans home happy.

Super Stardust Delta isn't a revelation, and it doesn't do anything truly spectacular. It is, however, a solid and enjoyable experience that will keep players returning, providing simple arcade action perfectly suited to a portable system.

Capturing the breadth of the Dragon Ball Z franchise is no small feat, and Ultimate Tenkaichi does an admirable job. While combat can be a bit on the repetitive side, there's still that hint of satisfaction when you decimate your foe with an canyon-creating power move. There's a lot here for fans to enjoy, and while the story may be streamlined for new fans of the franchise, I can't really recommend it to anyone but the hardcore.

BoxBoxBoy! has a simplistic elegance to it. You can look at one screenshot or watch several seconds of video and understand what it's trying to convey. For that reason, it never really dives into new territory in any significant way, but it does everything so well that you won't really notice it.

It’s a complimentary piece to Backbone, which can stand before or beside it but shouldn’t be set apart from it. However, in context, it’s a terrific addition to the series. While it isn’t as compelling or fully featured as the first act of Backbone, it is a much more solid experience. The series, as it is currently, is a lot stronger with the inclusion of Tails: The Backbone Preludes. It’s a great collection of fiction. But without Backbone, it completely lacks the ability to stand on its own.

If Contra 4 was too frustrating for you, this could end up being your favorite Contra game of this decade. Fans of the series and the run-and-gun genre should pick this up without hesitation. Contra ReBirth is both a nice tribute for fans and the perfect place to start for those Contra virgins who've ever wondered what the series is all about.

Warhorse Studios took a big risk with this game and hopefully in the long run the technical issues can be addressed, because as of right now, they prevent Deliverance from reaching greatness. If you can climb over the mountain of jank and poor optimization then you'll be in for an incredibly authentic experience, that when it works, truly puts role-playing front and center in a fabulous way.

With They Bleed Pixels, Spooky Squid Games tried to cleverly blend hard-as-nails platforming with beat-em-up mechanics. Though the end result is not the perfectly balanced fusion the team was aiming for, it's still an intense adventure for anyone who doesn't mind repeated death and dismemberment.

Whether you are a Battlefield fanatic or a series scrub like me, you’ll get your money’s worth from Battlefield 1943, as well as an unrivaled experience in the realm of download-only games.

Some technical and control issues aside, I still think the 3DS version of Luigi's Mansion is a solid option for newcomers or for people looking to revisit this GameCube classic. Catching various ghosts and completing Professor E. Gadd's gallery is a perfect time burner on the go and Grezzo have done a solid job bringing Luigi's Mansion to the 3DS. I just don't know if I'd prioritize playing the 3DS version over the GameCube version in the future.

What's remarkable is that No Goblin took what had all the makings of a gimmick mechanic and turned it into something that feels like a legitimately useful staple, something that requires patience and skill to figure out. Roundabout manages to be simultaneously cumbersome and stiff, and brilliant and endearing -- chances are you'll go 'round and 'round.