Denver Post's Scores

  • TV
For 300 reviews, this publication has graded:
  • 64% higher than the average critic
  • 1% same as the average critic
  • 35% lower than the average critic
On average, this publication grades 4.5 points higher than other critics. (0-100 point scale)
Average TV Show review score: 72
Highest review score: 100 Fargo: Season 2
Lowest review score: 0 Rob: Season 1
Score distribution:
  1. Mixed: 0 out of 221
  2. Negative: 0 out of 221
221 tv reviews
  1. Unlike "X-Files" and "VR.5," however, Sliders wants to be humorous while offering an exciting weekly quest. It tries to be cute while the heroes struggle to find a way "home." The cuteness quickly becomes a liability. At times, the comic element turns weak and the characters risk seeming cartoon-like. In the end, "Sliders" may appeal to a younger audience, an audience less concerned with science and fantasy than with comedic adventure. And that will be just fine with Fox. [21 March 1995]
    • Denver Post
  2. Not a brilliant effort, but worth a look.
  3. A worthy new configuration - the side-splittingly sad sitcom. [2 June 2005, p.F-01]
    • Denver Post
  4. What could be a trite pitch for togetherness is probed for deeper meaning in an hour that has a big heart behind its hip stance.
  5. The cast is stunning, the music enticing. Yet Black Sails lands too quickly on an island (shot in Cape Town) and the best parts of the spectacle--the open sea vistas and the claustrophobic shipboard scenes--run aground.
  6. The film doesn't reinvent the Biblical fiction format but it is interesting enough to move you to read Diamant's take on ancient sisterhood.
  7. While the hour is entertaining and moves briskly, it lacks the subtlety (not to mention violence, great opening credits and bad wigs) of The Americans.
  8. The 13 episodes are fun, not groundbreaking, but slickly produced and accented with musical comedy. Like the two stars, the series is endearing, loud and desperate for attention, but ultimately a love letter to comedy and comedy history.
  9. 12 Monkeys won't hook those who aren't already fans of the genre. The characters are mostly two-dimensional. The philosophical conundrums are secondary to the action. The dialogue is terribly earnest.
  10. Trump's narrative skills are as grating as his accent, but the hook is undeniable: With peeks into The Donald's penthouse, boardroom, helicopter, limo and his taste in hiring and firing, this debut has solid entertainment value. [8 Jan 2004]
    • Denver Post
  11. The yin and yang of stardom are on display here: The footage from her in concert is breathtaking. The cliches from her interviews are cringe-inducing.
  12. Both ["Killer Women" on ABC, Intelligence on CBS] feel like paint-by-numbers hours, unsatisfying offerings that are difficult to recall an hour after you've watched them.
  13. The extremes of smart and wacky writing styles have never been so much at odds.
  14. The Scotts have held onto enough of the memorable 1978 movie adaptation of Robin Cook's novel to pay tribute, but added enough to make it feel contemporary.
  15. When the programming strategy is more compelling than the drama itself, that's a bad sign. [4 Apr 2000]
    • Denver Post
  16. While it's enjoyable enough watching Malkovich sneer and gloat and threaten torture, the overall adventure isn't as enticing as recent frontier/mob/dirty-cop outings.
  17. Creator-executive producer Mitch Glazer draws a loving and critical portrait of the awesome and awful fantasyland that actually existed in that time and place.
  18. Truthfully, a little bit of this fun farce may go a long way.
  19. Grand special effects, impressive acting by the young Sequoyah and an enduring interest in all things supernatural may help Believe to catch on.
  20. Not funny enough to be campy, not smart enough to be serious, NBC's Dracula is an incomprehensible mishmash in period costumes.
  21. She [Allison Williams as Peter Pan] pulled it off, but the whole was slick rather than enchanting, well rehearsed rather than goosebump-y.
  22. The series is packed with intriguing characters and great performances in a mostly untapped period. If only we could tolerate watching through covered eyes, cringing and fast-forwarding through the goriest scenes, we'd probably be in for a rich and rough drama.
  23. Viewers won't feel entertained so much as dismayed by the oddity. [5 Oct 2000, p.E-03]
    • Denver Post
  24. The cinematography is stunning, the music and atmospherics are immersive. With occasional hiccups the acting is mostly subtle. Suspension of disbelief will be required (how else can Bassam/Barry slip out of his father's palace in the middle of the night to rendez-vous with an old journalist buddy?) But Tyrant is worth the effort.
  25. It's a strange amalgam of behind-the-scenes imagining, video simulations, archival footage and patriotic odes to the military regarding a rather recent event.
  26. Two sweet, funny, even poignant dramedies ["About a Boy" and "Growing up Fisher"] launch on NBC this weekend, both helping midseason feel richer than the meager offerings of the network's fall slate.
  27. Carrie Underwood isn’t an actor and Stephen Moyer isn’t a singer and together they lacked chemistry as Maria and Captain Von Trapp..... The highpoint of the evening was Audra McDonald’s rendition of “Climb Ev’ry Mountain,” and Laura Benanti as the Baroness lit up the screen.
  28. Judging by the first two hours, Deception is not as seductive as "Revenge" and contains even more clunky acting and just as much melodramatic music.
  29. The first time I watched the pilot episode of FX’s Married, I found it to be crass, sad and pessimistic, a not-funny comedy about the tribulations of marriage. The second time I watched, just to make sure, I found it less appealing.
  30. As the lead character, actor Kevin James has a certain something. We just hope it's not contagious. [21 Sept 1998, p.G-05]
    • Denver Post

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