Despite our objections, On Pointe is still an interesting look at something we usually only see on scripted TV shows, exaggerated to dramatic effect. It shows that the life of a ballet student isn’t nearly as dramatic as what you see on shows like Tiny Pretty Things.

This new version of The Stand is off to an intriguing start, whether you’re a fan of the book or not.

Even though the case has been settled for almost 40 years — and Sutcliffe died in November — The Ripper is fascinating to us because it will examine the underlying factors that slowed down the investigation, instead of talking about the killer himself.

While Couples Therapy: The COVID Special won’t give you as much insight into its subject couples as Season 1 of Couples Therapy does, it certainly feels like a way to see how the couples Dr. Guralnik treats are coping with lockdown just as poorly as you are.

The women of this family certainly come off well here, and that’s refreshing; they’re not fighting or gossiping, and their stories are still interesting to watch. We should see more of that on reality shows.

Stillwater is a nice Zen alternative to the noisy and grating kids’ shows out there. If you’ve got a kid who doesn’t mind calm TV, this will give both of you a break for 25 minutes.

Tiny Pretty Things will make you never want to enroll your kids in a ballet class, given how emotionally scarring the art is portrayed to be here. Between that, the cliched characters and the clunky dialogue, you’re better off watching Bunheads over and over instead.

Adult Material is a smart blend of genuinely affecting interpersonal drama, workplace comedy, and it seems like there may even be some crime elements ahead, based on that cliffhanger. It feels like a British Boogie Nights for the digital age, but with a welcome focus on a woman’s experience.

The Wilds is a show that could have been a kitschy disaster, or one that’s so grim that it turns viewers off. But the girls who have to fend for themselves on this remote island are so well-defined that we’re finding ourselves intrigued by how they’ll change during their time together.

Queue up the original 1966 Grinch special, or even one of the two movies before even considering Dr. Seuss’ The Grinch Musical! You’ll never see the Grinch the same way after watching this mess.

The Surgeon’s Cut tries to humanize the surgeons who have pioneered amazing procedures, and for the most part, it succeeds in its mission. Could it be a little less laudatory? Absolutely. But the laudatory nature doesn’t take away from the medical miracles they perform.

It is an absolute joy to watch two excellent actors bounce off each other. Zendaya rightly won an Emmy for her performance as Rue in Season 1, and it’s quite possible she could nab another nomination off this episode alone. ... As an episode that digs towards some truths, illuminates the best parts of Euphoria, shows off two seasoned actors at the height of their abilities, and provides a little bit of light in an otherwise very dark year, “Trouble Don’t Always Last” is a triumph.

Earth At Night In Color gives a fascinating look at nature in a way the human eye has never seen before, and that alone is reason to watch.

Nurses is a Frankenstein monster’s mess of piece-parts from other, better medical dramas.

Bryan Cranston puts in a typically compelling Bryan Cranston performance. It’s really the only thing saving the show from being clichéd and dull.

We think that the chemistry between Campbell and Elliot will be enough to keep people tuning into this version of The Hardy Boys. But we’re also wondering when gritty reboots of beloved kids’ literary characters is going to stop.

Whether you’re a true crime junkie or a casual viewer there’s plenty in Heaven’s Gate to interest you. Robert Balch and David Taylor’s accounts of going undercover into the organization are especially compelling.

There are still plenty of gruesome jokes to make you nearly gag, like a platoon of tampon surfers and a teenage boy’s penis that has a Long Island accent for some reason. But this time around the changes everyone is going through are a bit more abstract, for the better.

All in all, Selena: The Series is pleasantly diverting, but it feels like a missed opportunity.

It’s an intimate portrait of artists at work, and stands in stark contrast to the very public, very pop persona that has characterized Swift for much of her career.

The Saved By The Bell reboot makes the smart decision to be much more about the new kids at Bayside than about the middle-aged versions of the characters who went to the school 30 years ago. Sure, there’s going to be some self-referential jokes on the show, but Wigfield has that aspect under control so it won’t overwhelm the series.

Black Narcissus just doesn’t have enough story to latch onto and pay attention to for three hours. It’s slow and talky, and it doesn’t have any characters that you want to follow by the end of the first hour.

STREAM IT if you are just interested in seeing the dogs compete on The Pack. SKIP IT if you want to watch an interesting reality competition.

We don’t recommend watching every episode of Marvel’s 616, but there should be enough material in the eight-episode first season to keep you occupied for a few entertaining hours.

If there’s anything we need right now is something reliable to make us laugh. And Animaniacs fills that bill, just about as well as it did in the go-go ’90s.

Based on the first episode, it seems that Abrossi and Calvo can handle this back and forth pretty well, but as we expand out the universe around Cristina’s life, we’re wondering how well they’ll be able to keep track of everything.

The first episode of I Hate Suzie was an effective exercise in seeing a person’s life fall apart around them in short order. But we’re really intrigued with seeing Piper’s interpretation of how Suzie tries to put the pieces back together.

No Man’s Land presents an intriguing story of a man getting sucked into the fight against ISIS, joining forces with the little-known (at least in the West) YBJ.