It is terrible. ... The First Lady will draw viewers in who want to see great actresses play great women, but unfortunately the show’s abysmal writing lets us all down. The scripts are honestly insulting to the real women The First Lady is about.

Gunther’s Millions presents an unbelievable story that goes from ridiculous to insane, but in a way that keeps the audience on its toes.

The series is enjoyable though extremely forgettable.

While we’re hoping that the TV version of True Lies gets better as it concentrates on the chemistry between Howey and Gonzaga, the rest of the show feels like an artifact from another age of network dramas, and not in a fun, Poker Face kind of way.

The Woman In The House Across The Street From The Girl In The Window is a smart parody of a very parody-ripe genre, but it also works well because Kristen Bell plays the main role with the right degree of seriousness.

If the cases of the week get a little better, and the backstories of the regular characters — especially the biggest one — are written well, Found has the potential to be an above average network procedural.

Mulligan is derivative. You can’t avoid that truth. But it shows some promise, and is just funny enough to warrant your attention for another episode or three.

Yes, it’s an infomercial and yes, the NBCU ads during the “commercial breaks” are pure puffery. But there are more than enough funny moments to keep you watching. Just keep your finger poised over that one-minute skip button; you’ll need it.

Even if you’re a fan of the Kardashians, the whole more-of-the-same vibe of The Kardashians is just a crashing bore.

There are parts of Last Days Of The Space Age that we liked, but the storytelling is too much of a shambling mess to keep our interest.

Right now, it’s more of the two of them feeling each other out, and how the very experienced and skilled Mary and her friends will train the newbie in how to keep themselves safe. ... This isn’t This Is Us, after all. But given how quickly the “Scooby gang” of this show has been established, The Winchesters is off to a decent, albeit familiar, start.

While acting and visuals in the first episode are excellent, and we have some hope that Lisey’s Story will go beyond just imagery and symbolism and give us an actual story, it feels like it will ultimately end up being a bit too frustrating to follow week-to-week.

Those About To Die is too muddled, with too many characters, to even enjoy for the sex and violence, of which there’s quite a bit.

There are enough good things about the show to think it’ll work eventually, but it might never click on all cylinders like the parent show did at its peak.

The great cast of Suspect saves the show from being a leaden disaster, but the story underpinning all that capital-A acting isn’t all that interesting.

It’s one of those shows that has us hovering towards the “meh” end of the review spectrum. There was nothing inherently wrong with the first episode, but nothing really drew us in, either.

It feels like Suspicion is a bunch of espionage scenes in search of a cohesive story. The story may reveal itself at some point, but right now, the whole operation feels bland and generic, to the point where we don’t think we’ll be engaged with the story in subsequent episodes.

If the first season can clear up some of the confusion and expand the world beyond the recruits, we expect things to get very interesting.

As much as we couldn’t take our eyes off Gugu Mbatha-Raw during the first episode of Surface, her performance can’t save a show that doesn’t seem to have enough story to justify an 8-episode series.

There is a germ of a good overall show there, especially because Kyla-Drew is already a mature comedic performer at the tender age of 17. The relationship between Sasha and Brian will be the key to whether Dad Stop Embarrassing Me! becomes anything but a showcase for Foxx to do his shtick.

None of the cast is interesting enough to want to follow, even after watching the first two episodes. It also doesn’t help to see rich people buying massive houses during a summer where none of us can go anywhere and many of us don’t have jobs anymore.

Fred And Rose West: A British Horror Story does a good job of utilizing the audio and video recordings that are the docuseries’ centerpiece, while not getting in the weeds of what is a very complex story about the Wests and their victims.

Despite the performances in the first episode, this remake of American Gigolo just doesn’t have enough going on to justify an 8-episode series, and it’ll likely get really boring and frustrating before it gets interesting.

Despite the ever-charming presence of Cuoco and fantastic European vistas, Vanished just feels slight and predictable, and even borderline implausible.

This workplace comedy feels more silly than sharp.

While we saw some flashes of that potential in the first episode, we’re not sure how hard the show will strive to take advantage of those flashes.

We’re recommending Turner & Hooch mostly for the dog. ... Without Hooch, the show is mostly a generic basic-cable mystery series; if it can’t develop better relationships between its characters, the dog will still be the only thing keeping us watching.

Dollface gives viewers one of the coolest experiences of all: watching someone find their passion. This season is littered with little moments like these, honest parts of everyday life that only feel profound because we never see them portrayed.