The Tex Avery-style sight gags on Cat Burglar can get tiring because they’re doled out at hyper speed. But Rowdy’s deaths, and even the vignettes where he succeeds, make up for that.

The Endgame is by turns boring and by other turns generic and nonsensical. It’s story isn’t compelling enough to follow beyond the first episode, and we’re figuring that the interplay between its stars isn’t enough to keep people watching.

All American: Homecoming has some generic elements that we hope get straightened out over time, but its compelling cast and some of the potential stories set up by the first episode have us intrigued.

Abraham Lincoln is a bit more ambitious and bigger in scope than recent Lincoln-centric docuseries, but it treats its audience with respect, both via well-done reenactments and fantastic interviews.

While it’s hard to say based on only three episodes that the show is anywhere near back to the heights of the beloved first season of the series, Neal has a steady handle on what works on Killing Eve. ... The show is at its best when it’s as off-kilter as Comer’s performance as Villanelle, and the first three hours capture that tone only sporadically

Lincoln’s Dilemma take an unflinching look at Lincoln’s role in the abolition of slavery in America, and isn’t shy about criticizing him, or at least putting his role — and his conflicted politics — in the right context.

Jeen-yuhs is an exceptional, engrossing documentary that peels back the accumulated layers of Kanye West’s career and celebrity, revealing the hungry creative at his core.

Even if you’ve never seen a single episode of Disenchantment, now’s a great time to start.

The Cuphead Show! has created something more than the sum of its parts. It continues Netflix’s trend of superb video game adaptations by creating an animated world so intricate and alive that it will make any animation fan swoon while remaining fun and relatable for any age. Just put on an episode and try not to smile.

Ali Wong cuts right to the chase. She wants the chase. She misses the chase. Wong demands your attention from her opening line.

It gives me no pleasure to share that the show is now fixated on its characters complaining problems of the characters’ own making. In one episode, Midge literally thinks her biggest problem is not getting free milk. Worse, the once guillotine-sharp dialogue that made the Sherman-Palladinos favorites amongst TV snobs has been replaced with nonsensical dialogue that constantly loops back on itself.

Severance isn’t just one of the most tonally honest versions of office life; it’s an entirely new genre of corporate horror that’s a force unto itself.

It’s off to a solid start, with good performances and a story that fits well in today’s television landscape.

The Real Dirty Dancing is a mindless distraction if you’re in the mood for it. It’s got plenty of nostalgia for the film baked in, and it seems that celebs are game. But the show is about as memorable as what you had for breakfast.

If you’ve seen Ms. Pat’s previous Netflix performance or her BET+ series, you know what you’re gonna get. And if you haven’t, then this hour may serve to tease and tempt you to explore more of her work.

Dollface gives viewers one of the coolest experiences of all: watching someone find their passion. This season is littered with little moments like these, honest parts of everyday life that only feel profound because we never see them portrayed.

Love Is Blind Season 2 reveals what the show really is, what the producers want to focus on and what kind of applicants they want to cast. The result is a show that is a bit more structured but infinitely more chaotic — and yet somehow still uncomfortably genuine.

Even with an occasionally clunky script, Inventing Anna is ridiculously watchable, aided in part by another scene-stealing performance from Julia Garner and a top-notch ensemble.

I found The Girl Before frustrating, if not downright ludicrous at times.

Although I expected the docuseries to dig a bit deeper into the specific history of the showcase and how it spawned Black-themed comedy nights at clubs across America, I still appreciated all of the extra detours into the various aspects of the cultural history of the 1990s.

It feels like Suspicion is a bunch of espionage scenes in search of a cohesive story. The story may reveal itself at some point, but right now, the whole operation feels bland and generic, to the point where we don’t think we’ll be engaged with the story in subsequent episodes.

The series has a sly, puckish humor and inexhaustible bravado that more than makes up for some of the more ridiculous aspects of the plot. Reacher succeeds thanks to an abundance of charm, an interesting central mystery, a slew of exhilarating fight scenes, and dynamic performances and undeniable chemistry from Ritchson, Goodwin, and Fitzgerald.

Murderville isn’t a show you watch for any sort of story; you watch it to see how the guest stars react to what’s going on around them. And you watch it to laugh. And you’ll laugh a lot.

We Need To Talk About Cosby is definitely hard to watch, and that’s the point. It brings up many of the same feelings Bell himself is working through via his direction. But that discomfort is a big indication that Bell is doing his job.

On From The Cold is one of the worst Netflix original series we’ve seen in some time. ... We would be OK with the clunky dialogue and wooden acting in In From The Cold if the show wasn’t so ridiculous. But it’s absolutely ridiculous, and not in a good way.

Beyond the visceral thrill of watching zombies chow down on their unfortunate victims, All Of Us Are Dead puts social hierarchies and human beings’ mechanisms for survival under a microscope.

Vox Machina is a fun, chaotic ride through the world the players in Critical Role have been building upon for years. It takes the characters viewers are likely already familiar with, and establishes a story that both fans and newcomers can get into without catching up on the series.

You might not learn much that’s new while watching Getting Curious With Jonathan Van Ness, but you’ll spend an entertaining half hour watching the ever-funny JVN get his questions answered.