Indian Matchmaking isn’t too much different than other matchmaking and dating shows, except it brings thousands of years of tradition into the mix, and there’s a much better chance that the matches that are made at the end of the season will last.

I thoroughly enjoyed WWE: Unreal, but your mileage may vary based on your expectations.

While we wish Clean Slate was funnier and took a bit longer to have Harry accept that Desiree is now a woman, it feels like it’s going to be a warm show about rebuilding relationships and Southern small town life. Given the presence of Cox, Wallace and Hopkins, we’re on board for this one.

The ghost hunting part is sometimes played up for camp and at tother times taken very seriously by members of the team. Listen, those parts are going to either be wildly entertaining or come off as complete horseshit, depending on what you believe about the presence of spirits. But the emotions expressed by the team and the bond they’re forging with each other and the people they help is real.

If you approach Echo like the five-episode movie that it is, you’ll be a lot more satisfied with the pace of the limited series’ storytelling. It’s certainly darker than much of the MCU fare we’ve been seeing, but it’s also one of the MCU series that’s most grounded in reality and family, which is refreshing to see.

No Man’s Land presents an intriguing story of a man getting sucked into the fight against ISIS, joining forces with the little-known (at least in the West) YBJ.

Tension arrives quickly in the series, as they realize it won’t be like making and hustling their own content. They have to build reality show-like alliances, and factor in the opposite, a mutual agreement to oust more powerful players. It’s a different skill set, and it will be interesting to see who can best blend what made them social media influencers in the first place with the age-old concept of real life human interaction.

The Faithful: Women Of The Bible spins a compelling view of the book of Genesis that hasn’t been explored to this point, with performances that humanize the figures being featured, overcoming some clumsy writing.

Live to 100 leans away from woo-woo and self-promotion, and gives us a reasonably compelling investigation into longevity.

Yet for all that is so clearly wonderful about this show, it’s a series that can never escape its roots. The Last of Us is hands-down one of the greatest and most inspired video game adaptations brought to screen. But that’s the problem, isn’t it? No matter how sharp the writing, how inspired the visuals, how awards-worthy the performances, this will always be an interactive story forced into a passive medium.

Waco: American Apocalypse sticks mostly to the nuts and bolts of the Waco siege, making for an effective narrative about an incident that was one of 1993’s top stories.

Despite a squinchy mystery at the center of the first episode, the overarching story of Signora Volpe, with a good performance from Emilia Fox, is enough to keep us watching.

There is potential for Kindred to go awry if she show’s writers end up concentrating on the wrong side of Dana’s time travel adventure. But it’s definitely an intriguing premise that brings up so many questions that we’ll keep watching to see if they’re answered.

This version of One Piece is off the wall without being over the top, a highly necessary distinction illustrating that it’s far more watchable than not.

There are good parts to Halo, and scenes and characters that should interest to new and old fans. But at least in its first two episodes, there is also room to grow. Halo has the potential to be the big-budget, hugely-watched space epic it wants to be. It just needs to take a breath and focus on its story — instead of its backstory — to do that.

While it could be a touch funnier, Mo is very watchable because of Mo Amer as well as its cross-cultural focus.

Yes, Chef! may just be a bigger-budget version of Top Chef, but the show has gotten together a group of 12 excellent chefs and two cooking show experts as hosts/judges. It may not break new ground, but the season should be entertaining.

Anger toward the financial industry that just keeps churning, and how it broke so many regular folks in the wake of the 2008 crash and resulting twenty-nine-trillion-dollar mistake, gives some solid ground to Gaming Wall Street. It gives root to the narrative, a narrative that can occasionally feel like a printout of a particularly hyperactive online comment field.

The producers of Our Living World take a novel approach to the nature docuseries, showing different ways living beings on this planet are connected. Sometimes those connections are a bit strained, but the footage that is being used outweighs a lot of those flaws.

Watching Jerry Before Seinfeld may feel more comforting in this moment than watching 23 Hours To Kill. But whether you think he’s great or he sucks, well, you’re not far off from the truth, either way.

We hope that there will be more rule shakeups this season on Top Chef, as the show had started to become a bit rote over its past half-a-dozen seasons or so. But with the change in when immunity is won, and the new perspective Kish gives as host, Season 21 is off to a good start.

It continues to be solid as the Conners’ story comes to an end.

The way that Lightfoot has led the viewers down this path is intriguing.

If you’re as fascinated with Wood’s life and career as we are, Natalie Wood: What Remains Behind will be a font of information you may not have already known about. But it certainly isn’t a place to get the definitive account of her death, because even those most intimately involved with her have no idea what happened.

Parasyte: The Grey has enough action to hold viewers’ interest, but the story of Su-in’s mutant existence is also what’s going to keep us watching.

Because of the performances of Keke Palmer and the fantastic supporting cast, we’re all in on The ‘Burbs, despite some concerns about aspects of the plot that won’t get the attention they deserve.

It’s easy to dismiss Hoops as just curse-filled and crass. But the cast is great, and you start to root for Coach Hopkins and his team by the end of the first episode. It isn’t always funny, but it’s just funny enough and has enough heart to be a decent show.

Despite the fact that the interview portions of African Queens: Njinga feel more like window dressing than anything else, the dramatic segments are well-written and acted, making those talking head segments less intrusive.