It has a little bit of everything for a variety of viewers, and serious drama that’ll undoubtedly keep us on the edge of our seats. If you’re ready for something a little different, you should absolutely give Unicorn a try.

Class Of ’09 is too busy jumping between timelines to tell a cohesive story that has any kind of momentum.

The Muppets Mayhem is a funny, fast-paced show which doesn’t sacrifice story or characters for pop culture references and celebrity cameos. And the fact that it’s family friendly is a bonus.

Though we liked the experts that were interviewed for Queen Cleopatra, as well as Adele James’ performance as the famous queen, the dramatic sequences leave too much to be desired to keep us from just reading about Cleopatra online to get the information we want.

While Sanctuary moves a bit slowly at times, it’s a fascinating look inside sumo wrestling that should be of interest to anyone who has an interest in Japanese sports culture.

Jones and Oyelowo carry the first episode of Silo with great performances. But the rest of the cast, as well as the hopeful ending and Yost’s proven storytelling ability, tells us that the show won’t be a typical depressing dystopian drama.

Bupkis has some flaws, and Davidson at times suffers from the generosity he and his co-creators have given to the rest of the cast and guest stars. But it’s still a funny show that takes some surprising early emotional turns that still feel earned.

The Other Two is so dense with jokes, even if not every single one hits, it’s consistently, reliably funny. Between the industry humor, the gifted physical comedy, and the characters who are ever-evolving, the show is still reliably sharp, dark, and full of surprises.

Star Wars: Visions feels like the best Star Wars we’ve had all year. ... Star Wars: Visions may be too good. ... It makes you wish that Lucasfilm would loosen the reigns a bit. It turns out that Star Wars feels most like Star Wars when it’s defying all expectations.

Young Jedi Adventures is a fun show and a fine introduction to the Star Wars canon for kids who aren’t ready to see the smoking, charred remains of Uncle Owen and Aunt Beru. I do wish that the show was a little wittier and weirder, but it is what it is.

As a dating show, Jewish Matchmaking is very watchable, especially because Aleeza is funny and warm and because most of her clients are really keeping an open mind. But it’s not really going to give non-Jewish viewers any real insight into the traditions and mores surrounding marriage in the various sects of the community.

The Sum of It All proves adept at upholding one of the best things a music doc can do, which is reveal its subject on a personal level.

Stream it, but only because Rosselló’s story is so harrowing. The series itself is done in such a lurid manner, and is stretched out so thin, that it’s tough to wade through the BS to get to whatever new information the series is offering.

A Small Light is an extraordinary story about a historic figure people don’t know a lot about, with a compelling lead performance from Powley.

While sometimes White House Plumbers finds it hard to satirize what is already ridiculous at face value, it still gets off some big laughs and is bolstered by the performances of Harrelson and Theroux.

Tom Jones presents Fielding’s sprawling narrative in a modern way that’s funny and well-paced. The cast is stellar, but its the chemistry between its leads that will carry the limited series.

The series version of Fatal Attraction lacks the danger and tension the film had, and there isn’t enough story to compensate for expanding the two hour movie into an eight-hour series.

The Gentle Art of Swedish Death Cleaning works because of its cast. Less of a home makeover show and more of a soul makeover, the show doesn’t have big “move that bus!” reveals, but the emotional reckoning the clients often have at the end of each episode is just as moving and satisfying.

Sweet Tooth continues to be an engaging and fun story, which is pretty impressive for a show about the human race being quickly wiped out.

Citadel isn’t going to change the way you look at the spy thriller, but it is going to give you all of the genre’s most-loved tropes. If you’re looking for something knottier, move along. If you just looking for a brain-numbing thrill ride, strap in and hang on. Citadel bursts out the gate, full of swagger and sex appeal.

Queen Charlotte: A Bridgerton Story finds room to tell more complex tales of courtship, marriage, and forbidden love than the core series does. It’s the soapier aspect of Queen Charlotte that I found the most interesting, even if it took a while for all the pieces of the drama to fall into place.

Carol Burnett: 90 Years Of Laughter + Love is a pretty straightforward tribute special, but the parade of A-listers, along with the entertaining clips of Burnett’s amazing career, makes the special a fun way to spend two hours.

Saint X may successfully dance around some of the uncomfortable implications its making in its first episode, but the show’s disjointed storytelling isn’t helping its cause.

Mulaney’s magic act remains using turns of phrase as his sleight of hand. He’s just now a much creepier magician. ... We get two-thirds of the story from Mulaney, but he’s still holding back on us. Whether he’s doing that for his benefit or for ours, we may never know. But he’s still a gifted and often hilarious storyteller. No matter what story he’s selling us.

Often, the elliptical, nonlinear storytelling in Dear Mama is powerful enough to elevate it completely out of the documentary form. ... The five-part series Dear Mama feels like the Tupac Shakur documentary of record as it connects the rapper’s enduring legacy to the philosophies at work in his upbringing and presents its story in a challenging, rewarding nonlinear fashion.

Somebody Somewhere has that settled-in feeling that make good shows become terrific shows in their second seasons. Some characters may be gone, but the show’s comedic core and its heart are still there, and we’ll follow its slice-of-Midwest-life vibe for the entire season.

Slip is certainly a tour de force for Zoe Lister-Jones, but it’s also funny and touching, and it may have a more positive message about marriage and long-term relationships than it seems to have at first blush.

The supporting cast is solid, from Sewell’s smarmy Hal on down. The show has a mild sense of humor that can alleviate some of the seriousness. But there’s nothing about the show that makes it a buzzy must-watch.