Decider's Scores

  • TV
For 2,521 reviews, this publication has graded:
  • 52% higher than the average critic
  • 10% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points higher than other critics. (0-100 point scale)
Average TV Show review score: 70
Highest review score: 100 Hacks: Season 5
Lowest review score: 0 Sex/Life: Season 2
Score distribution:
  1. Mixed: 0 out of 1833
  2. Negative: 0 out of 1833
1833 tv reviews
  1. Bodies takes what could be a confusing premise and crafts four distinctive stories that will eventually be linked together.
  2. For the most part, Ten Pound Poms is a watchable drama about the difficulties Brits had in Australia during the post-WWII immigration movement. But its sudden dark turn in the first episode, plus a couple of underdeveloped stories, make us wonder just where the show is going.
  3. With a few small exceptions, Emily in Paris Season 2 is basically just more of the same, and who could ask for anything more? ... Emily in Paris remains an undeniably watchable delight, short on substance but long on satisfaction.
  4. Standout performances by Spencer, Ejogo and more make Self Made a pleasurable watch. It’s just too bad that the story of Madam C.J. Walker isn’t given time to slow down and breathe.
  5. I just can’t stop loving And Just Like That… and I also could not stop binging the first six episodes that were sent to critics recently. It might not be good TV, but I firmly believe it is top tier entertainment.
  6. We’re sure that the storytelling of Season 3 of Yellowjackets will even out as the season goes on, but it really feels like we need to see more of the teens than the adults at this point, and that imbalance is pretty evident in the first episode.
  7. We hope the muddled first episode of Ragdoll isn’t an indication of where the series is going. The Ragdoll Killer presents an interesting case, but there’s so much thrown into the mix that we get the feeling the mystery is going to suffer under a pile of quips and contrivances.
  8. Thanks to a fine performance from Stanfield as well as a story that’s just starting to get spooky by the end of the first episode, The Changeling hooks in the viewer and gets them ready to follow Apollo on a journey that promises to be full of scares and surprises.
  9. There seems to be a disparity between the warm relationship between these siblings and the funny lines that are supposed to come out of this relationship. But the relationship is so well-established so early, we’re rooting for it to get funnier.
  10. While there are parts of Griselda that feels like a generic cartel drama, Sofia Vergara’s fierce performance in the title role demands our attention, as well as helping the show move along at a confident pace.
  11. Has the feel of a high-quality procedural to us instead of a super-serialized prestige show.
  12. Skip the first episode, go to episode two and stream it instead before you make your decision to commit to the rest of the season. The sketches in the season premiere don’t really heighten effectively past their premises, while at least the second episode, also available now, goes a bit harder.
  13. Little Demon makes sure to root most of its humor in character and situation instead of gags. Sure, there are plenty of gags, but we just love the idea of a seemingly relatable story being layered over by ridiculous circumstances.
  14. The Golden Bachelor has all the stuff Bachelor fans love. We just wish all of these sixty- and seventy-somethings acted with a touch more maturity and dignity.
  15. As long as the episodes of Trigger Point‘s second season continue to show Lana and the rest of the expo squad escape one tense situation after the other — and occasionally fail — the show will continue to be entertaining, even if the overall terrorist plot is just meh.
  16. Led by strong work from Evan Rachel Wood, Thandiwe Newton, and Aaron Paul, the sleek visual aesthetic Westworld works with allows it to coast on its own cool weirdness whenever the plotting starts to chase its own tail.
  17. Home Before Dark is a solid show that features a character inspired by a real-life kid investigative reporter.
  18. Dune: Prophecy has more than enough, between all the scheming between houses and the performances of Watson and Williams, to recommend it, but we just wish it had taken a different tack on the story of Bene Gesserit than the one it chose.
  19. Zachary Quinto is a big reason why Brilliant Minds works in its first episode. But for it to continue to work, the rest of the characters need to be developed, and Quinto’s character needs to have his flaws explored in more depth.
  20. Whether as a companion piece to Winning Time or a standalone experience, They Call Me Magic is a worthwhile look back at one of the NBA’s greatest all-time players and personalities.
  21. Duncanville is a show where normal things happen to a regular kid. Maybe the fact that it’s not trying too hard is what makes it so funny.
  22. Has Criminal Minds: Evolution changed the tried and true formula that carried its original show to over 320 episodes? Not really. But with an extended storyline and most of the cast back, it’ll feel like a refresh to the show’s longtime fans, while feeling familiar enough to keep them very happy.
  23. Despite a fine performance from Perez, we fear we’re not going to see enough of her to make suffering through the generic main characters of Now And Then tolerable.
  24. Kate Hudson is the best part of Running Point, but Kaling, Ko, Barinholtz and Stassen have built a winning ensemble around her, with a story that’s not only a workplace comedy, but one about family, as well.
  25. Tracker works mainly because Justin Hartley doesn’t try to reinvent his acting style to play Colton Shaw. And the show has just enough of a backstory, and quirky side characters, to give viewers reasons to tune in beyond the case-of-the-week stories.
  26. Halo feels more streamlined in its second season. While still based on a video game franchise with nearly 25 daunting years of established lore, it’s leaning into the autonomy within himself that John-117 has unlocked, which could very well emerge as Master Chief and his team’s biggest asset against the Covenant and threats closer to home.
  27. We like Interior Chinatown enough to look past the “stuck in a cop show” conceit, but we just hope it doesn’t weigh the show down as the season continues.
  28. While the beginning of The Sandman‘s final season is a bit of a exposition-crammed slog, it does show Dream entering a story that feels like it’ll have a lot of possibilities.
  29. The first episode of Boston Blue twists itself into storytelling knots to get Donnie Wahlberg’s Blue Bloods character working with the Boston PD, and the way the Silver family is constructed feels equally as contrived. That being said, it might still be a hit among viewers who miss Blue Bloods.
  30. Crouch and his writers aren’t trying to confuse the viewers. As far as science fiction stories like this go, it’s a refreshing approach. .... Edgerton does a good job of showing both Jasons’ motivations.

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