We’re going to give Still Up a shot because we like Antonia Thomas and Craig Roberts in the lead roles. But its format feels like it will get monotonous quickly, even if the chemistry between its stars is good.

Deadlocked: How America Shaped The Supreme Court isn’t meant to be an exhaustive history of our highest court, but it does give a great perspective on just how the court went from ruling on civil rights cases in the ’50s to its conservative turn in the 2020s.

Despite the fact that Sex Education has gone through some big changes this season, it’s still very well worth a binge for the genuine laughs and heartfelt emotion that each episode brings.

Young Love is funny and heartwarming, and it doesn’t try to do more than show a young family trying their best to build their lives together, despite setbacks.

AHS: Delicate has the potential to be a good installment of American Horror Story, because of good performances from Roberts and Kim K. But there are also a lot of red flags that indicate that the season may get too weighed down in the pop culture aspect of Roberts’ character at the sacrifice of actual blood and horror.

If you’re fans of the quartet at the center of The Super Models, you’ll be fascinated at this look at their lives. If you’re looking for explosive revelations, you’re mostly going to be out of luck.

Created by Ranganathan and Benjamin Green, Avoidance is a touching, funny picture of a man trying to make himself better for the sake of his son. We don’t know how much of Jonathan’s crippling fear of confrontation is part of Ranganathan’s personal history, but he and Green have created a character that we can all relate to on some level.

If you’re interested in jumping into Neighbours, you may want to read some online wikis and other articles first. But even if you don’t, you’ll still feel like you’re somewhere warm and familiar, just by virtue of actors and characters that have been around for decades.

While there are a lot of scene of just people talking that don’t add much to the overall story, The Gold still paints an interesting picture of a massive accidental heist and its aftermath.

Wilderness isn't one of those shows that's going to challenge you with a plot full of moral dilemmas and high drama. It's a show that’s more than a bit mordant and campy, but that and the performances of Coleman and Jackson-Cohen add to its appeal.

Star Trek: Below Decks is back for more character-driven hijinks in its fourth season, and with a host of innovative new ways to assert itself alongside established canon and within the successful expanded Trek universe.

For all its manufactured conflict — the schism between Snow and Jones, the unprecedented summer tour — it’s still a largely unvarnished glimpse into a place both wonderful and strange.

The Other Black Girl definitely takes a different approach to demonstrating systemic racism, and combined with the fine performances from Daniel, Murray, Young and others, makes for a show that definitely kept us engaged.

We are hoping against hope that most of The Morning Show‘s third season will be more like the first episode’s first 45 minutes and less like the last 15. But given the evidence we’ve seen to this point, we don’t have a lot of faith that it will be that way.

The more we see of the community around the team, one that has become bigger via the series but at its core is still what binds the residents of the town together, the more we want to watch.

The first episode of The Swarm suggests that there will be a lot of throat clearing and not a whole heck of a lot of actual thrills.

Dreaming Whilst Black is a funny take on how following your ambitions is much harder when you’re Black and facing a world of institutional racism, but the show doesn’t hesitate to give its main characters their own ambition-stalling quirks, as well.

With Reedus doing his usual stellar job as the brooding but caring Daryl, TWD: Daryl Dixon is on pretty solid dramatic ground.

Thanks to a fine performance from Stanfield as well as a story that’s just starting to get spooky by the end of the first episode, The Changeling hooks in the viewer and gets them ready to follow Apollo on a journey that promises to be full of scares and surprises.

The mood is taut and tense as the final six episodes of Top Boy play out, with Dushane and Sully vying for control of the East London drug trade and the Summerhouse estate existing at the center of a changing social climate.

Never Let Him Go is an emotional, respectful, measured take on the Scott Johnson case and the forces that contributed to his killer not being found for over 30 years.

The tone and pacing of Predators is the key to what makes it a compelling watch. The cinematography is spectacular, as you might expect from a series like this. Hardy’s narration provides lots of tension without sounding foreboding.

We’re not investing in the stakes of the missions Archer and the team take on. We’re investing in all of the goofs, crass moments, and self-involved absurdities that come along with it. That’s what was funny in 2009, and it’s funny in 2023 as Archer prepares to shut it all down.

This is the triumphant return to the world of Adventure Time fans have been waiting for, and it sets the stage for one of the most interesting concepts the show has seen in some time. Whether you’re holding out to see where your favorite heroes are in this timeline or how things will shake out for our new heroines, it’s well worth settling into every week as it hits Max.

The show remains hilarious, ambitious, and binge-worthy as it carries itself to the finish line.

This version of One Piece is off the wall without being over the top, a highly necessary distinction illustrating that it’s far more watchable than not.

Live to 100 leans away from woo-woo and self-promotion, and gives us a reasonably compelling investigation into longevity.

With a wealth of archival performance footage and an intriguing visual style, Wayne Shorter: Zero Gravity is an open door to exploring the saxophonist’s legacy, but also creativity as a beacon of light.