Decider's Scores

  • TV
For 2,519 reviews, this publication has graded:
  • 52% higher than the average critic
  • 10% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points higher than other critics. (0-100 point scale)
Average TV Show review score: 70
Highest review score: 100 Hacks: Season 5
Lowest review score: 0 Sex/Life: Season 2
Score distribution:
  1. Mixed: 0 out of 1831
  2. Negative: 0 out of 1831
1831 tv reviews
  1. The beats of the season are rote, the characters verge on cringe-worthy cliche, and The White Lotus seems to be lazily conforming to a formula that’s already inspired countless pale imitations since its 2021 series launch. .... The biggest thing the The White Lotus Season 3 has going for it, though, is its phenomenal cast. The actors that Mike White has assembled give each character a pathos that maybe wasn’t originally there on the page. .... Ultimately, The White Lotus Season 3 is still the best at what the show sets out to do.
  2. Surviving Black Hawk Down is an engaging docuseries because it goes over the Battle of Mogadishu in an amount of detail that most people have never been exposed to before. .... While we generally rail against reenactments, the ones in this series are very well-done, so no complaint from us.
  3. Cassandra’s spirited opener is entertaining, and even though it points toward more predictable plot developments, it’s still worth sticking with for another episode or two.
  4. Despite fine performances from Dever and other parts of the ensemble, Apple Cider Vinegar is too busy scrambling around the storytelling for no particular reason than just concentrating on telling the story in the best way possible.
  5. While we wish Clean Slate was funnier and took a bit longer to have Harry accept that Desiree is now a woman, it feels like it’s going to be a warm show about rebuilding relationships and Southern small town life. Given the presence of Cox, Wallace and Hopkins, we’re on board for this one.
  6. Invincible continues to tell very human stories about Mark and the superheroes of the GDA, highlighting the main storylines of the season while keeping other stories cooking with a very good cast of celebrity voices.
  7. Given the cast and the potential for a series with some good laughs, we’ll tentatively recommend The Z-Suite. But the writers really need to take their feet off the gas when it comes to cliches about both Gen X and Gen Z.
  8. Love You To Death has the potential to be a sweet, occasionally funny, mostly emotional story of two people getting together at a strange time in each of their lives.
    • 51 Metascore
    • 80 Critic Score
    ABC’s new sitcom, Shifting Gears, is pretty damn good.
  9. We like Wild Cards because it’s a “good silly” kind of show. The things that are ridiculous about it don’t distract from our enjoyment of it, mostly thanks to a good supporting cast and good chemistry between Morgan and Gianniotti.
  10. Celebrity Bear Hunt‘s gameplay is a bit confusing, and it would be just fine as a celebrity survival competition without the presence of Bear Grylls, who just seems to slow things down.
  11. The Hunting Party is a generic action series that seems to operate on twists that either aren’t that surprising or are pretty much useless.
  12. Common Side Effects is definitely more thriller than comedy, but there are enough funny moments to lighten the mood as things get more complex and serious by the third and fourth episodes. Once we get to that point, though, it’s a surprisingly gripping thriller that keeps viewers engaged.
  13. We forgot how complex Mo is, considering that it’s ostensibly a comedy. But there aren’t many comedies that bring together three cultures, the thorny topic of immigration and personal identity quite the same way this show does.
  14. Despite its compressed format, Vietnam: The War That Changed America has remarkable footage and fascinating interviews with people who had a first-person perspective of what it was like to fight the Vietnam War.
  15. Because The Recruit is at its heart a silly action series, its success really leans on Centineo’s charm and the comedic vibe of the show’s writing, and that continues in the second season.
  16. Scamanda gets to the point of its story quickly, which is always appreciated during true crime docuseries.
  17. Even though we now know what happened to Maddie’s body, there is still plenty of mysteries to unravel in the second season of School Spirits, and the season is off to a fast start with an action-filled first episode.
  18. American Manhunt: O.J. Simpson is at its best when it collects all of the places where the LAPD and DA’s office botched what seemed to be an overwhelming case against Simpson, but otherwise it doesn’t reveal anything all that new about the case.
  19. Mythic Quest is at a stage where it can take its time exploring and evolving the key relationships between its main characters, while keeping things funny, and we see that during the fourth season.
  20. Your Friendly Neighborhood Spider-Man is a visually-stunning animated series that has a fresh take on Peter Parker’s early days as New York’s only webslinging crimefighter.
  21. Season 5 of Harley Quinn keeps the hilarity coming at a rapid-fire clip, concocts a whole host of new misadventures for its main duo – this time with Metropolis under threat – and expands on and strengthens Harley and Ivy’s love story in ways well worth shipping.
  22. What we hope is that The Catch gives us a couple of twists and turns that makes it less predictable than we think it’s going to be after watching the first episode.
  23. Wood is a consummate pro as a stand-up, not afraid of any audience. He even sticks the landing with not only one killer callback, but also an actual call back.
  24. Watson jams Holmesian mythology, quirky doctors, and complex medical mysteries into stories that can’t really handle all three at once, and it shows in how none of it feels well thought-out.
  25. Let’s just say timeline-jumping isn’t the only storytelling method Fogelman borrowed from his most successful series. It certainly sets up some intriguing possibilities, but let’s hope that it’s not the main driver of the story Fogleman and company want to tell. They’ve done a good job of setting up the personal relationships at the center of Paradise, as well as the timeline, and that’s where they should concentrate things.
  26. While the mystery in C.B. Strike: The Ink Black Heart is a bit slowly-paced, we do appreciate the elbow room the writers have to explore the lives and relationships of Strike, Robin and the other series regulars.
  27. With a top-notch host in Alan Cumming, tricky, high-level game play, and a tantalizing cross-section of reality show talent as its players – competitive Survivor styles up against Real Housewives wiles, or reality randos confronting established format schemers – Traitors is taking reality competition to stylishly outrageous new levels.
  28. While we still feel that there’s a bit of a lunkheaded feel to The Night Agent, Basso’s and Buchanan’s characters are established enough in the second season that the improved mission they’re on is something we’re looking forward to watching.
  29. Jansson-Schweizer takes what could have been a very serious Cold War tale and turns it on its ear, making the incident a product of a drunken crew and making the various world leaders involved in the negotiations into the caricatures they were portrayed as at the time. Sometimes it works, sometimes it doesn’t.
  30. We’ll give the show a tentative recommendation. But this show is the rare case where the first episode just doesn’t give viewers enough to figure out whether the show is worth watching, and what we did see didn’t get us all that excited about what’s to come.
  31. The Couple Next Door really leans on the stupidest parts of a plot that should just depend on the sexual chemistry among its four stars.
  32. SNL50: Beyond Saturday Night takes a refreshing approach to Saturday Night Live’s history, and we hope that we see more episodes going forward, even if they have to change the title to SNL51, SNL52, etc.
  33. This new version of Hollywood Squares isn’t far off from actually being a pretty good take on the original. There is room for funny lines and celebrity hijinks in each episode, as long as Barrymore and the rest of the producers find the right formula that takes advantage of their panels without grinding the gameplay to a halt.
  34. While there seems to be a lot of story to sort through in Season 2, the reason why XO, Kitty continues to work is because of Cathcart’s exuberant charm.
  35. Hard to find what counts as memorable here when so many of the premises and punchlines date back to the previous election cycle of 2020, or even 2016.
  36. I’m feeling an Odd Couple vibe pockmarked with extreme cartoon violence, which leaves me indifferent. Maybe it deserves another episode or two before we dismiss it, but it feels like only fans of the manga will hang on to compare and contrast this with the source material.
  37. Goosebumps: The Vanishing has an interesting, scary mystery at its center, as well as good performances from Schwimmer, McCarthy and Bartels.
  38. Asura doesn’t depict this family’s secrets as melodrama or a bustling mystery to be unraveled, it slowly and methodically lets us get to know these well-drawn characters. The family is not dysfunctional in an unrelatable way, like the Roys on Succession or Yellowstone‘s duplicitous Duttons, what’s so engaging is the fact that their problems, and the emotions that spill out as a result, are entirely possible and could happen to any of us.
  39. On Call has a nice pace to it, and the performances of Bellisario and Larracuente are understated and effective. Sure, it’s a police procedural, but at least its format and subject matter are a little different than what we normally see.
  40. American Primeval is an unsparing look at a segment of the American West in the 1850s that pretty much saw conflict, blood and death every single day. It’s certainly bleak, but it also reflects what it was really like for people heading West at that time, and why survival was probably their greatest achievement.
  41. They Call It Late Night With Jason Kelce had a bit of a rough start. What we hope is that Kelce and the show’s producers and writers take this first episode and tweak things so the show is geared more towards comedy — even football-related comedy — and less towards relatively dry sports talk.
  42. Doc doesn’t fail because it’s full of medical show cliches. It fails because its central premise feels like a house of cards, and there won’t be much to watch when it collapses.
  43. The reason why we’re so hard on Jerry Springer: Fights, Camera, Action is that The Jerry Springer Show, and Jerry himself, are such fascinating topics that we wanted a deeper exploration of the cultural phenomenon that the show was than what we got. It’s one of the few cases where a docuseries needs more episodes, not less.
  44. Severance Season 2 is exemplary.
  45. Lockerbie: A Search For The Truth is carried by Colin Firth, but its concentration on one man’s quest for the truth also keeps the show’s writers and producers from drifting into melodrama around a real-life terrorist act.
  46. The Pitt features clunky dialogue, ridiculous cliffhangers, and overly obvious messaging associated with easy primetime viewing. It also boasts propulsive filmmaking, endearing characters, and one seismic performance from star/EP Noah Wyle. Whatever ingredients The Pitt did or did not poach from E.R. come together to make a slight drama that nevertheless speaks to the existential angst of seeking or providing healthcare in 2025.
  47. The largely unfunny pilot of Going Dutch would normally lead us to give the show a “skip it,” but given the showrunner’s pedigree and the interpersonal potential of the father-daughter story, we’re giving the show a chance to improve.
  48. Cunk On Life is often laugh-out-loud funny, mainly because Diane Morgan plays Philomena Cunk with just the right tone; Cunk is dumb, ignorant about her own stupidity, and confident in that stupidity without being cocky. Combined with Brooker’s dry sense of humor, it’s a formula that Netflix can count on for the next number of years.
  49. Animal Control continues to be a solid workplace comedy that’s in a nice, funny groove as it enters its third season.
  50. Missing You is a solid thriller that may have you shaking your head at some of its twists. But good performances and an intriguing premise will make some of those silly twists easier to take.
  51. The seven new episodes of Squid Game are stunning, shocking, heartbreaking, and even exhilarating. Squid Game Season 2 is good! It isn’t quite as good as the spectacular first season, but coming up a smidge short of utter genius means Squid Game is still pretty great.
  52. We’re tempted to say SKIP IT, mainly because we hate that Beast Games takes advantage of people’s greed and/or desperation for drama. But the second episode shows that the game will start getting really fun as we get down to a manageable group of contestants, and a lot of that is thanks to the enthusiasm of MrBeast and his hoodie-wearing buddies.
  53. Stephanie Hsu’s dynamic lead performance is the main attraction of Laid, but the quest to figure out why Ruby’s lovers are dying and what this all means to her romantic life will be a funny and interesting journey to take with her.
  54. 1992 isn’t reinventing the wheel when it comes to thriller series. But it’s just audacious enough, especially with its use of a cartoon rooster mascot, to make it watchable.
  55. Aaron Rodgers: Enigma might be slickly-produced and tightly-directed, but ultimately–like Rodgers–it doesn't have as much to say as it thinks it does.
  56. At every turn in An Evening With, Dua Lipa finds ways to add interesting touches to her most memorable songs. .... It works wonders visually. From Dua Lipa, to the musicians, to the lively Royal Albert audience, there is palpable joy in the room.
  57. While we’re not convinced that Dexter: Original Sin will be as compelling as the early years of the original series, we’re hoping that the new cast develops their own chemistry instead of trying to imitate the dynamic of the original show’s cast.
  58. Dream Productions continues to effectively expand the Inside Out universe, which seems to know no bounds, given the fact that a preteen’s brain is so darn complicated.
  59. If you don’t love the shtick, you definitely won’t love the show. But if you stick with all three episodes, you’ll absorb the entire spectrum of the Paris and Nicole experience: the humor, the friendship, the ineptitude that masks actual professional experience and an understanding of The Biz. The end result actually does feel like a celebration of their friendship.
  60. What we’re hoping is that the one good story out of the four in No Good Deed can carry the series’ first season, at least until the others improve. The show’s excellent ensemble deserves that kind of patience.
  61. One Hundred Years Of Solitude manages to do justice to the ambitious and sprawling novel it is based on, with good performances and expert writing and directing.
  62. Even if you haven’t seen any clips of Jeselnik before, this serves as a perfect introduction to him.
  63. There’s something in the way she declares “but I got my biscuits” or “and that’s why I’m gay”or even “it’s much cheaper than a therapist, and it comes with biscotti” that might make you want to stand and cheer.
  64. It shows so much proficiency in creating these deeply-imagined addendums to established worlds, all we want is more.
  65. Polo is a mostly boring look at a sport that very few people outside of elite circles have any particular interest in.
  66. Although there are laughs to be had in this hour-plus, this is as much church revival as it is comedy special.
  67. As a skilled roaster on both Comedy Central and now Netflix, Glaser also knows how to take a joke as well as she can dish them out. You probably cannot come up with zingers about her physical appearance that’ll knock her down any more than any of the lines she delivers about her looks in this hour.
  68. The jury’s out on how many episodes Paris Has Fallen can sustain the relative juice imported from the Has Fallen movies. If there is a core HFU fanbase rising up for this small screen continuance, that contingent should be happy. But as action-thriller stuff goes, Paris Has Fallen in general feels kinda basic.
  69. An intense and funny performance by Margo Martindale is the highlight of The Sticky, but the idea that this crazy heist story could go just about anywhere is what’s the most intriguing thing about it.
  70. While the near-future shown in Tomorrow + I might be a little dystopian, it’s far from bleak, and that little sliver of hope is always welcome in a show like this.
  71. Jentry Chau Vs. The Underworld boasts a good story, a fun visual style and fine voice performances from Wong, Yang and Chinn.
  72. Churchill At War does a good job at repackaging well-examined material in enough of a new way to keep viewers engaged, and maybe even learn some things about Winston Churchill they didn’t already know.
  73. We continue to enjoy Dalgliesh because of Bertie Carvel’s grimace-filled empathetic portrayal of Adam Dalgliesh. We just wish we had more info about the detective and somewhat more tightly-written mysteries.
  74. Creature Commandos features a ton of James Gunn’s trademark wit and sweetness, lots of gleeful destruction, an adult-animation-worthy helping of boobs and butts and stuff, and for comic book heads, a shared visual aesthetic and the deliberate centering of oddball characters straight off the page.
  75. Black Doves isn’t going to blow you away with some revolutionary spy story. But the story is intriguing enough, and is improved by the chemistry between Knightley and Whishaw, with a big assist from Lancashire.
  76. Pop Culture Jeopardy! is a fun watch, with Colin Jost a natural at the hosting podium. It may not make Jeopardy purists happy, but casual fans will certainly like the show, because at least there’s a good chance they’ll be able to provide questions to most of the answers.
  77. Star Wars: Skeleton Crew is beautifully-made and sweetly innocent, making it a radically rebellious take on a franchise that sometimes seems lost in its own lore.
  78. Colman Domingo brings a veracity and intensity to his character in The Madness that elevates what is potentially a run-of-the-mill thriller. But so far, the show isn’t giving us any reason to think it’s getting ridiculous, which is a good thing.
  79. Like we said, the cast of The Agency carries the show, but we’re not sure how much the stories will hold viewer interest unless they quickly get more interesting.
  80. STREAM IT, but only for the fantastic racing scenes. If you’re looking for a show that’s got any drama that happens off the track, Senna will probably disappoint.
  81. Get Millie Black is fascinating not only because of its Jamaican setting but Lawrance’s performance as someone trying to figure out her place as much as she’s trying to figure out the case at hand.
  82. Cold Case: Who Killed JonBenét Ramsey fills in blanks in the JonBenét Ramsey case that have faded over the decades, and brings information to light that gives an indication that the case could still end up being solved.
  83. Gaffigan is a proven comedy commodity who gives just about anyone a good reason to check out Hulu if they’re not already regularly on that platform.
  84. While we still like seeing Cuoco and the rest of the cast of Based On A True Story, we’re still not buying that the Season 2 story will be as good as what we saw in Season 1.
  85. Cruel Intentions tries to be edgy but only ends up being eye-rollingly bad, with characters that are very easily hateable and stakes that are so low, you wonder why everyone is expending all this energy in the first place.
    • tbd Metascore
    • 80 Critic Score
    The Sex Lives of College Girls remains a cheeky and amusing ode to the modern-day college experience and female friendships, despite fan-favorite Leighton's (Rapp) impending transfer.
    • 75 Metascore
    • 80 Critic Score
    A Man on the Inside is a breezy and fun septuagenarian shenanigan tale from start to finish.
  86. Our Oceans is a fascinating look at the environment that takes up the vast majority of our planet, the ecosystems that exist under the surface, and the manmade threats the oceans face.
  87. We like Interior Chinatown enough to look past the “stuck in a cop show” conceit, but we just hope it doesn’t weigh the show down as the season continues.
  88. There is some inherent cheesiness to the scripted parts of Martin Scorsese Presents: The Saints, but the stories try to ground themselves in human reality, and Scorsese’s presents adds his gravitas and genuine curiosity about faith and the Catholic church.
  89. Leonardo Da Vinci breathes new life into the artist’s legend; Ken Burns, Sarah Burns and David McMahon have painted a pretty complete picture of a man who was much more than the sum of his most famous works.
  90. Landman is pretty much a standard-grade Taylor Sheridan production, but Thornton makes it very watchable, even as he spends half of the first episode making speeches.
  91. Dune: Prophecy has more than enough, between all the scheming between houses and the performances of Watson and Williams, to recommend it, but we just wish it had taken a different tack on the story of Bene Gesserit than the one it chose.
  92. I was entertained by The Creep Tapes. It all pretty much depends on Duplass to make us laugh and creep us out, and he delivers.
  93. It feels like after Silo‘s complex first season finale, Graham Yost has given viewers a chance to ease into Season 2 with the single-minded season premiere. For a series this dense in story, that’s not altogether a bad thing.
  94. Just like in Season 1, there’s a lot going on, but it’s not as clear that these stories will flow together as well as they did during season 1.
  95. Holidazed will make you dazed after the first episode, because of all the stories and characters that are introduced. But then the show should settle into what is basically a series of mini Hallmark-style holiday films, with all the feelgood scenes those films are known for.
  96. We’re expecting a lot of tension and action in The Day Of The Jackal. The performances of Redmayne and Lynch give us hope that the tension can be sustained over 10 episodes, but we’re not sure if the intensity of the first episode can be maintained.
  97. Cross is a solid crime thriller made very watchable by Hodge’s performance as the title character.

Top Trailers