Even with a few issues, though, we're still dealing with a dream of fan service wrapped around a very solid arena fighter. There's not a lot of meat in the various modes of play but the pure gameplay variety should be enough to keep fans of this sort of title coming back for a long time to come. Any fan of Gundam should have a great time and anyone who enjoys an arena fighter should have a great time as well.

A good run with a favorite weapon perks things up, but having beaten all the available bosses and only unlocking access to the third tier of goods, doesn’t leave me pushing to find out what else is there. It’s a little gripe, and one that ultimately only detracts from the game once you’ve definitely gotten through it. That aside, Neon Abyss is an absolute joy. Having put plenty of times into other games like this, Neon Abyss is the first where it felt like the deck was stacked equally between the enemies and the player. Sometimes, the random swings go the enemies’ way, and you find no bombs, no keys, and die to spikes while making what should have been a super easy jump. Other times, the screen is a solid wall of enemy eating fire and you are its master, leaving gods to cry and shudder in your wake. I like those runs.

RB: Axolotl is a multi-year labor of love from a very small team and it bravely includes some characters and emotional situations that have rarely been explored in games, but given the passive nature of the player experience, I couldn’t help but wonder if the video game format was the best, or even a necessary, vehicle for telling the story. I was at first interested in the characters and their emotional and philosophical dilemmas but I was eventually annoyed and made impatient by the pacing and presentation, repetitive visuals and lack of player input. Other than clicking to advance the dialogue and very occasionally hitting a key to start a short animation, my participation was neither necessary or rewarded so it was difficult to fully invest the the drama and lives of the characters.

The Wake: Mourning Father, Mourning Mother is too uncoordinated in the game being made and the story being told. It hits a strange chord with me because I find Somi laudable and his previous work worth investigating. The visual/audio design’s toned-down, retro ethos marries well with the saccharine storytelling and yet, obstructive gameplay frequently flatlined my drive to turn the next page.

Between the base game and the Frozen Wilds expansion, Horizon: Zero Dawn Complete Edition is a forty+ hour experience that should not be missed by fans of open world action games. Three years down the road from release, Horizon feels a little more unfocused to me than it did at launch, but the story, combat and characters are still some of my favorites from the past few years and so I was happy to return to Aloy’s world, that now looks even better. For owners of a PS4 Pro that have already played the game, buying it again on PC for the graphical upgrade alone is maybe a nonessential purchase, but PC gamers who missed Horizon on console have a great game to look forward to.

As far as puzzle-platformers are concerned, Creaks doesn’t quite break the mold. It makes a fun first impression through a neat call to adventure but it wasn’t long before I developed a wandering eye. Throwing in new obstacles injects excitement when things get overly familiar but the trick eventually loses its luster. Creaks stands out by its beautiful art style, especially when it comes to the various paintings found throughout the mansion. Amanita Design has made a puzzle game that offers just enough accessible cerebral challenges. Though by no means a poorly constructed piece of software, Creaks’ minimalist approach to gameplay is entertaining in the moment but doesn’t quite leave much of a lasting impression.

Although you are sometimes allowed to fully utilize your nano suit's superpowers, you are frequently shackled by its overly restrictive battery life. The result is a game that feels somewhat contradictory, one that is open-ended and freeing in its level design and aspirations, but somewhat restrictive when it comes down to actual combat. While this port of Crysis may not exactly play like how we remember the original, at least it largely looks the part.

Bolstered by sensuous visuals and melodic, elegant heavy metal tunes, Othercide is definitely not the case of style over substance. Both sides of the game support each other in the eternal battle between good and evil. Any fan of tactical combat and challenge should break on through to Othercide!

There are parts of Rock of Ages 3: Make & Break that I really came to enjoy. The rolling aspect of the game can be quite rewarding and the humor is consistently outstanding. I also appreciate any game that works well in a split screen local multiplayer today, something which far too many modern games overlook. The tower defense modes just keep showing up, though, and they consistently take away from the experience. Tower defense is never easy on consoles but it can be done, yet on its third try, Rock of Ages is still not where it needs to be. These issues leave us with a muddled experience that can be fun but is hard to enthusiastically recommend.

There were many times in my playthrough of Hellpoint where I had the same delicious salad of feelings that I get with Dark Souls — frustration at my own carelessness, need to try again or satisfaction at besting a challenging encounter — but these highs were balanced by some disappointments with the design that seemed to intentionally frustrate. Even more than Nioh, The Surge, or Remnant, Hellpoint goes all in with the Dark Souls model. When it’s good, it’s great; when it’s not, it just reminds you why Dark Souls is and will be a classic.

Deadly Premonition succeeded because it was fascinating to watch the story unfold through a series of arcs that would eventually involve everyone in the town by the end of the game. For the sequel, many of its characters are little more than obstacles to overcome and when you do, you barely hear from them ever again unless the story calls for them to make an appearance out of convenience. When you get right down to it, A Blessing In Disguise’s attempt to recapture lightning in a bottle largely fumbles because of its severe banality and ho-hum drama.

Origami King has the trademark humor and heart the series is known for, as well as a unique battle system. It continues the tradition of great Paper Mario games while being different enough to stand on its own. If you’re a fan of the series, you’ll most likely be a fan of this one as well.

Carrion has a refreshing — if consuming squirming helpless human lab rats can be called refreshing — and not often-enough explored premise but it’s not quite enough to elevate it to greatness.

A mostly visual remake, Destroy All Humans brings a dubious cult classic onto modern consoles and PC with most of the same issues it had to begin with. It’s a clear example of lost potential as the original game was never all that well regarded. Thoroughly reworking the gameplay could have vastly improved the game that was only passable in its time. As it is now, the remake doesn’t do enough to lift the title from mediocrity. Aside from updated visuals, the one new mission, and slightly tweaked gameplay, it’s a game that still doesn’t have much going for it besides the comedy factor. Though the remake is definitely the definitive way to play Destroy All Humans!, I still find it difficult to really recommend it.

Rocket Arena’s retro rocket romanticism aesthetics, playful music and cute and fun characters (super-freckled Rev being my favorite!) go a long way to make it easily approachable. However, despite the four main game modes, the nature of the gameplay feels limited. It’s easy to play and fun in short bursts, but that’s just it; in short bursts. Quite literally, too, as matches are over very quickly. I can’t imagine the game having the same lasting appeal as something like Overwatch with players devoting a long-term commitment to it. There’s a solid roadmap for the game with seasonal events, new free characters, and maps by each ranked season and cosmetics to be bought either with in-game currency or real money but I’m afraid it’s not enough. The game may grow outside but inside, the limited gameplay might prove too repetitive in the long run.

Bloodstained: Curse of the Moon 2 is a somewhat uneven sequel. On one hand, its new playable characters create some of the most ingenious stretches of retro platforming in recent memory. The myriad abilities at your disposal create an open-ended experience, and dismantling tricky challenges with your broad toolset is one of the game's greatest pleasures. But difficulty spikes and a few sequences that clash with the game's fixed trajectory jumps can make some stretches feel a little tedious. At its best, the game synthesizes the appeal of NES platformers with great boss fights and simple but nuanced systems. At its worst, it emulates the frustrating elements of games from this era with a little too much accuracy.

In the exhaust fumes of recent and quite brilliant F1 2020, NASCAR Heat 5 is left biting a bitter dust. The game simply lacks any thrill and excitement of its namesake, not to mention its presentation and overall vibes that cry about a budget title. Alas, it’s not such but sold at fifty bucks. I guess if you are truly and desperately in a need of a stock car racing fix, NASCAR Heat 5 could suffice as an emergency measure. Just wait for the sale and you will be much happier with your purchase.

Röki pretends to be smarter - and more emotional - than it really is. As hard as it tries to impress and touch, it left me feeling as if I had eaten a plate of stale pickled herrings. Röki has gameplay and pacing issues but the biggest annoyance is that the lovable character you will play as has not been given any humanly worth beyond her obsessive mission. Maybe I take things too emotionally but overall, when reaching the unfortunately cliched ending after 14 hours of playing, I felt I could have spent that time better. While I enjoyed the game in parts and admired its enchanting look, it left a sour taste in my mouth.

No matter how good the game is — and make no mistake, it’s great — it’s hard not to scoff at the price. Yes, if you’re a fan of Burnout Paradise or open-world racers, this remaster is worth a look. But unless you’re craving a handheld experience, it might be wise to grab it elsewhere — or wait for a price drop.

Friends of Mineral Town may not feature quite everything that the newest Story of Seasons games have, but it comes fairly close and it does so while remaking one of the series most popular titles. Fans of this long-running farming series should feel good picking the remake up and playing it whenever they can, and if you're a recent convert (from, say, the breakout success of Stardew Valley), you will also undoubtedly love this title as well. Welcome back to Mineral Town!

The Coma 2: Vicious Sisters mixes up the Lovecraftian horror with the Asian concept of netherworld to present its ghastly apparitions and locales, overgrown in tentacles and disfigured flesh. Still, the game is wise enough not to rely on jump scares even though there are some unexpected sights to behold. Like the best Asian horror, it slowly creeps under your skin and when played late in the night, you know what you will be dreaming of. Most of all, the game shows how an effective gaming experience can be made in a simple, economic way.

Overall, I enjoyed Crosscode much more than I thought I would. Despite the generic and cliched start of the game, it is full of great writing and a lot of heart. Couple that with solid gameplay, beautiful graphics and a solid soundtrack and you have an indie-RPG that is easy to recommend to fans of the genre. If you're a fan of action-RPG's and fondly remember the 16-bit era, you owe it to yourself to check CrossCode out!

All in all, if you’ve been waiting to play Xenoblade Chronicles for any reason, now is the time to do it. Having never taken the plunge with its initial release on the Wii, or its re-release on the 3DS, the Definitive Edition is just that. It’s a beautiful game with a great story that finally feels like it's found the system it deserves.

There's plenty to like in Mr. Driller DrillLand. It looks and sounds great and the same core gameplay that people loved more than twenty years ago holds up beautifully. However, it ends up being let down by a structure that doesn't make a lot of sense and glitches which don't belong in a game released in 2020. If you have a ton of nostalgia for Mr. Driller or just need a well-designed puzzle game, though, there is still fun to be had.

Ghost of Tsushima is a game I could not put down because the combat is so good, the world is fun to explore, and the stories it has to tell are rich and compelling. And I’m already anxiously awaiting a sequel.

Unfortunately, Maneater does not have very much post-game content or replayability, but it’s a tremendously epic, over-the-top open-world action RPG where you dominate the ocean as an apex predator, gaining new and improved bio-adaptations as you rank up. Kindly do yourself a favor and play it!

I like how Robert Foster is an old-fashioned game hero with no inner demons to drown or who is operating in a trendy grey area where no one is neither good nor bad. In fact, Beyond a Steel Sky is in many ways respectful of genre traditions but with modern wisdom and presentation. The game can be enjoyed without prior knowledge of Beneath a Steel Sky but obviously, it has a lot of gentle nods to its predecessor. And unlike the original game that felt too short for me at the time, Beyond a Steel Sky has a good length to it with a well over dozen hours to see it through. During your stay in Union City, you will encounter some sensible and some crazy people, solve many tricky situations with a common sense and wit alike, bump into unexpected faces of the past, get your grumpy friend Joey back, visit the old cyberspace, uncover the truth beyond, erm, the steel sky, and leave some goodbyes along the way.

The highs are very high. Conversely, the lows are quite low. For everyone else, your mileage may vary. Regardless, I did enjoy my time with Woodle Tree 2: Deluxe. It’s just a bit disappointing that there were so many technical issues on what could have otherwise been a pure expression of unbridled love for the genre.