Dallas Observer's Scores
- Movies
For 1,518 reviews, this publication has graded:
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48% higher than the average critic
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3% same as the average critic
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49% lower than the average critic
On average, this publication grades 5.6 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Final Destination 3 | |
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| Lowest review score: | How to Lose a Guy in 10 Days |
Score distribution:
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Positive: 678 out of 1518
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Mixed: 604 out of 1518
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Negative: 236 out of 1518
1518
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Robert Wilonsky
An utter drag, a tepid and sterilized telling of Susann's life.- Dallas Observer
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Reviewed by
Luke Y. Thompson
Particularly unsuitable for cinematic adaptation, but when has that ever stopped anyone.- Dallas Observer
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Reviewed by
Andy Klein
All the new plot stuff is way old hat, as though straight from a textbook chapter called "Conflict Drives Your Narrative!" And at times the motivations are either unclear or senseless.- Dallas Observer
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- Dallas Observer
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Reviewed by
Gregory Weinkauf
An affecting film, but it just may not be everyone's cup of cyanide.- Dallas Observer
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- Dallas Observer
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- Dallas Observer
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Reviewed by
Luke Y. Thompson
The makers of this film are clearly fans, and they've put more heart and genuine humor into this piece than Paramount has into the original franchise in years.- Dallas Observer
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- Dallas Observer
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Reviewed by
Robert Wilonsky
A football film made by a man who apparently has seen little of the game outside of movies, and not very good ones at that.- Dallas Observer
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Reviewed by
Gregory Weinkauf
A sharp and pungent distillation of the book. However, as far as the theme of childhood under duress goes, I found "My Life as a Dog" or the stridently Irish "Into the West" to be significantly more fulfilling.- Dallas Observer
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Gregory Weinkauf
If this movie is a pedestal, it is far too tall and wide for a performer of Kaufman's stature.- Dallas Observer
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Bill Gallo
This badly muddled adaptation of a complex novel chases after Guterson's many skeins and themes with no unifying principle in mind.- Dallas Observer
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Jean Oppenheimer
Doesn't come close to matching the emotional depth and power of Frank Perry's 1962 "David and Lisa," the most involving and affecting film I've ever seen about teenagers and mental illness.- Dallas Observer
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Gregory Weinkauf
A masterful film about the magic of performance and the foibles of the artists behind it.- Dallas Observer
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- Dallas Observer
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Reviewed by
Gregory Weinkauf
Forces its snuggly weirdo upon us and instructs us from the get-go to love him.- Dallas Observer
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Reviewed by
Jean Oppenheimer
Proves only intermittently engaging as its twisted plot loses energy and becomes confusing in the latter half.- Dallas Observer
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Reviewed by
Andy Klein
It's not really a kids' film, nor it is particularly funny, by either design or execution. It is, rather, Columbus' latest attempt at a comically tinged tearjerker.- Dallas Observer
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Andy Klein
For those with a taste for epics that integrate the historical and the intimate.- Dallas Observer
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Robert Wilonsky
A brilliant piece of garbage -- mesmerizing, but only because you can't believe someone has the temerity to put so much into so little.- Dallas Observer
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- Dallas Observer
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Reviewed by
Jean Oppenheimer
Rich in story, character, and design, The Cider House Rules is obviously a collaborative effort, but above all it is a triumph for director Hallström.- Dallas Observer
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Reviewed by
Andy Klein
In the end, it's all just too damned much. It's more exhausting than edifying.- Dallas Observer
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Luke Y. Thompson
As by-the-numbers as VCR instructions. And, inexplicably, it's also a blast.- Dallas Observer
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Gregory Weinkauf
A loud and ghastly movie to sit through and not short on gratuitous hideousness, but Darabont has also done his best to baste it with humanity and sweetness.- Dallas Observer
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Reviewed by
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- Dallas Observer
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- Critic Score
The scares early on are potent and get Stir of Echoes off to a chilly horror-movie start.- Dallas Observer
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Reviewed by
Luke Y. Thompson
Those needing their Irish fix will be satisfied and no doubt will leave the theater in far greater spirits.- Dallas Observer
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Reviewed by
Gregory Weinkauf
Satisfying in its setup and execution, and the Catholic guilt streaked through its dank, rainy atmosphere serves it well. Nonetheless, the story's subtleties in this version are often outweighed by melodrama, sometimes verging on sap.- Dallas Observer
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