Dallas Observer's Scores

  • Movies
For 1,518 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 5.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Final Destination 3
Lowest review score: 0 How to Lose a Guy in 10 Days
Score distribution:
1518 movie reviews
  1. An utter drag, a tepid and sterilized telling of Susann's life.
  2. Particularly unsuitable for cinematic adaptation, but when has that ever stopped anyone.
  3. All the new plot stuff is way old hat, as though straight from a textbook chapter called "Conflict Drives Your Narrative!" And at times the motivations are either unclear or senseless.
    • 74 Metascore
    • 40 Critic Score
    (Washington's) performance is halfhearted, soft.
  4. An affecting film, but it just may not be everyone's cup of cyanide.
    • 32 Metascore
    • 10 Critic Score
    A road movie trapped in a cul-de-sac.
  5. Taymor moves Titus completely out of time and into all time.
  6. The makers of this film are clearly fans, and they've put more heart and genuine humor into this piece than Paramount has into the original franchise in years.
    • 76 Metascore
    • 70 Critic Score
    Numbs as much as it unnerves.
  7. A football film made by a man who apparently has seen little of the game outside of movies, and not very good ones at that.
  8. A sharp and pungent distillation of the book. However, as far as the theme of childhood under duress goes, I found "My Life as a Dog" or the stridently Irish "Into the West" to be significantly more fulfilling.
  9. If this movie is a pedestal, it is far too tall and wide for a performer of Kaufman's stature.
  10. This badly muddled adaptation of a complex novel chases after Guterson's many skeins and themes with no unifying principle in mind.
  11. Doesn't come close to matching the emotional depth and power of Frank Perry's 1962 "David and Lisa," the most involving and affecting film I've ever seen about teenagers and mental illness.
  12. A masterful film about the magic of performance and the foibles of the artists behind it.
  13. Grand entertainment in the old-fashioned sense.
  14. Forces its snuggly weirdo upon us and instructs us from the get-go to love him.
  15. Proves only intermittently engaging as its twisted plot loses energy and becomes confusing in the latter half.
  16. It's not really a kids' film, nor it is particularly funny, by either design or execution. It is, rather, Columbus' latest attempt at a comically tinged tearjerker.
  17. For those with a taste for epics that integrate the historical and the intimate.
  18. A brilliant piece of garbage -- mesmerizing, but only because you can't believe someone has the temerity to put so much into so little.
  19. A bleak, beautiful film.
  20. Rich in story, character, and design, The Cider House Rules is obviously a collaborative effort, but above all it is a triumph for director Hallström.
  21. In the end, it's all just too damned much. It's more exhausting than edifying.
  22. As by-the-numbers as VCR instructions. And, inexplicably, it's also a blast.
  23. A loud and ghastly movie to sit through and not short on gratuitous hideousness, but Darabont has also done his best to baste it with humanity and sweetness.
  24. A strong contender for Worst Picture of All Time.
    • 67 Metascore
    • 80 Critic Score
    The scares early on are potent and get Stir of Echoes off to a chilly horror-movie start.
  25. Those needing their Irish fix will be satisfied and no doubt will leave the theater in far greater spirits.
  26. Satisfying in its setup and execution, and the Catholic guilt streaked through its dank, rainy atmosphere serves it well. Nonetheless, the story's subtleties in this version are often outweighed by melodrama, sometimes verging on sap.

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