Critical Hit's Scores

  • Games
For 1,210 reviews, this publication has graded:
  • 52% higher than the average critic
  • 6% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.1 points higher than other critics. (0-100 point scale)
Average Game review score: 75
Highest review score: 100 Sekiro: Shadows Die Twice
Lowest review score: 20 Giana Sisters: Dream Runners
Score distribution:
1218 game reviews
    • 72 Metascore
    • 75 Critic Score
    You can't go wrong with this strangely addictive puzzle game. It's without a doubt the best AR game on the PS Vita - with enough charm to offset the potential ache in your muscles.
    • 58 Metascore
    • 50 Critic Score
    Despite looking the part, and having some of the best voice work in a third person shooter, Lost Planet 3 turns the gun on itself with bad gameplay design, terrible boss battles, and a story that never delivers on its promises.
    • 85 Metascore
    • 85 Critic Score
    Well-paced, straight-forward game play combines with vivid storytelling to make into a fantastic game. More than a tale of bureaucratic spot the difference, Papers, Please is a game of intrigue and excitement balanced by fear for your family.
    • 83 Metascore
    • 70 Critic Score
    Spelunky is a well-designed game, ideal for a gamer who loves platformers and variety. However, it is a rogue-like platformer with randomised levels, and gamers looking for constant progress or easy rewards will not find them here.
    • 87 Metascore
    • 95 Critic Score
    The full Diablo 3 experience has landed on the consoles and it has lost none of its fantastic shine and depth of gameplay.
    • 50 Metascore
    • 55 Critic Score
    The problem with Flashback is that despite having faults that can be overlooked, the remaining execution feels flat and average. There is absolutely nothing special about Flashback. And that in itself is one of the worst sins that a game can commit.
    • 78 Metascore
    • 65 Critic Score
    Despite being the prettiest game on the Wii U that has plenty of charm, poor gameplay design and frequently unnecessary spikes in difficulty make this a game that will only appeal to the most die hard of Platinum fans. Not so wonderful, after all.
    • 38 Metascore
    • 59 Critic Score
    Intrinsic problems with some of the basics; collision detection, dodgy camera, and sloppy graphics ruin what could have been a far more polished experience.
    • 90 Metascore
    • 90 Critic Score
    Rayman Legends takes everything that was great about Origins, and using a combination of black magic and near faultless design, manages to make it better.
    • 82 Metascore
    • 80 Critic Score
    Through Splinter Cell: Blacklist, Ubisoft has reminded us of what a force of nature, Sam Fisher truly is. The take-home message is that there's still life in the old dog. While, the game may be a compromise of sorts, with a merger of concepts and ideas, its true success lies in how flexible and rewarding the gameplay is.
    • 70 Metascore
    • 60 Critic Score
    But if you are one of those who find the zombie mode better than anything else then you won’t want to miss this part of the long running convoluted story.
    • 77 Metascore
    • 90 Critic Score
    Simple, straightforward and brilliant indie game. Pick it up at a bargain, or even pay full price; it is worth every penny. So well executed - a definite must play for any and everyone.
    • 74 Metascore
    • 75 Critic Score
    Disney Infinity aims high, but a prohibitive cost barrier and a few bugs prevent the game from really soaring. Still, compared to previous Disney attempts at breaking into the video game market, this is their best effort to date.
    • 76 Metascore
    • 75 Critic Score
    Unfortunately, it ended up feeling like it was trying too hard. Begging me to laugh at jokes, to remember references to old characters, and to find that Scottish accent charming. While the game has its moments, it just isn’t the retro gold that I was hoping it would be.
    • 66 Metascore
    • 50 Critic Score
    Overall, TBXD makes a reasonable shooter with some quite clever tactical stuff thrown in. The interface for Combat Focus is great; the combat itself grows stale quickly and the squad never feels as cohesive and essential as it did previously. It’s almost as if the game was scrapped halfway through and then rushed through production.
    • 86 Metascore
    • 77 Critic Score
    After reading the above, you may think this game is terrible. Here’s the thing though, it really isn’t. Its Saints Row, looking better than ever with some work done under the hood. The trademark humour is there, delivering some hilarious one liners and some genuinely funny dialogue.
    • 78 Metascore
    • 75 Critic Score
    Charlie Murder is an uneven, yet decidedly fun hybrid of brawler and RPG with a kick-ass punk rock soundtrack.
    • 86 Metascore
    • 80 Critic Score
    If you’re looking for something a little bit different, and that can be easily and quickly consumed over two or three days, then Brothers A Tale of Two Sons might be one of the biggest and most pleasant surprises of the gaming year so far.
    • 87 Metascore
    • 85 Critic Score
    Pikmin proves that you don't need sex, violence or gimmicks to make an incredible game.
    • 76 Metascore
    • 90 Critic Score
    Toki Tori 2+ is an incredibly fun platformer, but don’t let its cute exterior deceive you. It’s a hell of a brain teaser, for even the manliest man.
    • 81 Metascore
    • 83 Critic Score
    It might not quite hit the highs of Bowser’s Inside Story, but it’s still essential; yet another must-have title to the 3DS’ ever-increasing library of incredible first party games.
    • 72 Metascore
    • 65 Critic Score
    MotoGP 13 is a fast and light racer that’ll please plenty of purists with its solid take on the sport. Newcomers on the other hand, might be left out in last place once the race has finished.
    • 78 Metascore
    • 70 Critic Score
    It’s a game that could have used some more polish. The experience gets clunky at times, the user interface can be needlessly complex, gameplay can be unbalanced and the general visual appearance can be decidedly uglier. But there is more than meets the eye here; State of Decay does offer value for money, in a way that few modern blockbuster-budgeted games can, for a mere third of the price that you’d usually pay in the end.
    • 85 Metascore
    • 75 Critic Score
    If you’ve played through Civ 5 more times than you care to admit, this expansion definitely freshens things up and adds a whole new level of game play.
    • 80 Metascore
    • 80 Critic Score
    Company of Heroes 2’s weakness is its strength, as much as some aspects of the game disappoints, others make up for it tenfold. This masterpiece is an opiate of World War II themed strategy, it will have you coming back for more.
    • 69 Metascore
    • 60 Critic Score
    As a whole, Vengeance will most likely satisfy diehard fans, but it’s still missing that spark of creativity and fun that made Revolution such a great DLC pack.
    • 62 Metascore
    • 65 Critic Score
    Deadpool could have been a lighter take on superheroes in an age of gaming dominated by dark and gritty vigilantes, but it completely wastes that opportunity.
    • 61 Metascore
    • 55 Critic Score
    A terribly disappointing collection of recycled minigames that don't have the spirit of ingenuity of previous Wariowares. There's some fun to be had, but it feels like a tease; a mere experiment in video game comedy more than a game.
    • 58 Metascore
    • 49 Critic Score
    It may be free to play, but the cost of actually spending time with Marvel Heroes is too damn high. The idea is solid, but completely lacking the spirit of what makes these timeless heroes so popular over multiple decades of action.
    • 95 Metascore
    • 98 Critic Score
    I was transfixed by the game, truly loved playing it. It is definitely my game of the year, if not my game of the PS3. That said, there were some very, VERY minor things that irritated me.

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