Don’t Move is a tense but ultimately forgettable experience that will likely leave you — much like its protagonist — staring tiredly, and blankly ahead.

Road Diary: Bruce Springsteen & The E Street Band is a straightforward yet enjoyable trip with one of the best live bands ever to exist. Yet considering the story that this tour has told so far, it's a bit of a shame that Zimny's documentary doesn't explore the entirety of what this road diary had to offer.

Is Venom: The Last Dance the best film in the trilogy? I would say so, and I'd be lying if I said I didn't have quite a bit of fun while watching it.

Elliot’s stop-motion work feels authentic and unglamorized in ways that we don’t often see in many mainstream animated movies.

Thanks to Itō’s tenacity and focus, Black Box Diaries boldly tells her provocative and haunting story, resulting in a richly drawn portrait of one woman’s fight for justice that’s sure to inspire change in Japan and beyond.

Dahomey may not be for everyone. Unless you’re a history nut or anthropologist, there will be lulls when you find your concentration lagging. However, at a runtime of just over an hour, Diop makes every shot count and packs centuries of history, injustice, and triumph into a dense but vivid documentary.

Brothers is a largely enjoyable comedy, predominantly thanks to its talented central duo and smart direction by Barbakow, though it admittedly suffers from a host of issues baked into the script itself.

This isn't the scariest zombie movie you'll ever see, and the second act begins to drag as it readies itself for the finale, but if you want a highly original one that makes you feel, Die Alone is flesh worth sinking your teeth into.

In the moment it works, and despite its flaws, Goodrich is just more proof of how good we've got it that we get to witness an actor like Michael Keaton.

It plays like a late-night serial killer special on a true crime channel. It's organic, unnerving, and proficiently grounded as a modern criminal nightmare.

Michael Jai White's million-dollar presence and fancy fighting techniques aren't powerful enough to overcome dull scripting and odd performance choices.

The entity's visage is shocking, its effects personal and malevolent, and the film had some terrifying set pieces, creating a mysterious new supernatural creature to lose sleep over.

None of it would be as effective if we didn’t care about these characters, and thanks to the strong ensemble and precise direction, the film slowly reveals itself to be a film worthy of consideration.

It’s the movie’s efforts to make this as digestible as possible for the audience through its light-hearted tone and simplistic dialogue that render it a movie you watch on Netflix with your parents and probably never think about again.

The Balconettes is the announcement of a formidable comedic voice.

The destination is worth the journey, and it offers a viewing experience that feels earned in the end

The chemistry between all of the Paira family members forms the beating heart of the film, devastating the audience by reminding them how happy they used to be, but promising them that nothing can shatter their sense of spirit, because they are together.

Stranger Eyes is a cold, disjointed, and stale mystery thriller with a thin plot and no atmosphere.

Mr. Crocket is a bloody good time that takes all your favorite childhood television shows and gives them a hellish makeover.

Puzzle Box is a middle-of-the-road found footage film; not great, and not horrible, but it's the characters that make it memorable.

As a story that’s more about finding oneself than finding love, Lonely Planet is a thoughtful and heartfelt meditation on how identity and love are intertwined, and how the most unlikely connection with others can serve as a mirror to the best parts of ourselves we’ve been avoiding.

Chain Reactions finds the beauty in the despair, and how fine cinematic storytelling isn’t confined to tales of good winning over evil. It’s a love letter to horror, art, influence, and how Tobe Hooper and The Texas Chain Saw Massacre changed cinema forever, whether you can stomach it or not.

While it may not be essential viewing for fans of the anime series, there's still more than enough in My Hero Academia: You're Next to keep both longtime fans and eager newcomers intrigued.

It's trying to be a slasher movie so we ultimately have to judge it by those standards. And as a slasher, with its thin plot and flat killer, Haunt Season doesn't cut it.

It’s a crowdpleaser that will plaster a smile on your face from beginning to end with a high chance of some tears. Just when it teeters on overly saccharine territory, its hilarious script and earnest performances dial it back.

Heavier Trip is another gift to metalheads that has me hungry for a third, hopefully with a return to the more renegade nature of their original kitchen-sink odyssey.

As audience members, we experience the highs and lows of the Pelletier’s journey together, never divorced by what drove the desire to experience the world, and reminded throughout how in our own lives we must, whenever possible, make the same choices to seize the moment and make good memories as best as we can.

It would have benefitted from a greater inclusion of Pep's good times, allowing a more well-rounded exploration and understanding of the storied athlete, but thanks to a well-scripted narrative and excellent performances, it remains an excellent biographical look into the decline and fall of a featherweight empire.