Die, My Love is further proof that no one is doing it like Lynne Ramsay, whose technique and style continue to evolve, as she draws out a career-best performance from Jennifer Lawrence in a must-see thriller spectacle that turns a single woman’s experience into a brutally honest psychological epic.

Once Arnett's Alex takes the stage, it transforms into one of the most memorable and heartfelt films you'll see all year.

Okuno is certainly not showing us anything we haven't seen before, indeed these stories are all too familiar, unfortunately. But the skill is not making the horror indulgent. Julia's dread is something we feel distinctly. Monroe, someone familiar with the horror genre, is perfect as our hero who is equal parts determined and terrified.

Although it could be debated whether this is a rom-com or not, given that the romance itself takes a back seat, it excels as a feel-good, indie dramedy anchored by Amanda Peet's career-best cinematic return.

Rosemead is an absorbing and thoroughly heartbreaking movie that deals blow after grievous blow to its audience, and Lucy Liu is just astounding.

When Late Night with the Devil casts off the tenuous bindings it is using to hold back chaos, it arrives at something more frightfully fun.

Eileen is an intriguing little story that shifts and alters the further it goes, playing with the audience, and giving them the opposite of what they’re expecting. Eileen isn’t going to be everyone's cup of tea—especially those who think they know exactly what they're getting themselves into—but Eileen is an admirable bit of defiance that is a joy to live inside for 90 minutes.

It lacks the electricity of his past works but, as we come to see, the lifelessness of it all, is, in many regards, the point of the whole thing. It's about carrying on when nothing makes sense.

For me, it’s the film to beat this year, easily taking the crown as my favorite scary movie of the last several years — even if all the scares come from the idea of what might happen when your closest friends turn on you.

The only real downside to Prey is the streaming format through which it'll be released, with the 20th Century movie being shuttled over to drop on Hulu later this week. It's no hyperbole to say that this is a film that demands to be seen on as big a screen as possible, if only in order to thoroughly appreciate one of the best action movies of the year thus far, let alone one of the best Predator movies since the first.

For all the promise of its main cast and sturdy thriller premise, The Menu is a work that seems destined to slip from your mind.

Every scene of Holes is risky since it avoids easy answers and exposes some uncomfortable truths about the justice system.

There’s a lot to like about Seeking Mavis Beacon, and the documentary is at its best when it feels like a celebration and tribute to the technology and its elusive cover model. Overwhelming and chaotic editing choices, however, detract from its overall impact, and what makes the film authentic and special threatens to get drowned out.

Heretic is a clever twist on the religious horror genre, bolstered by three strong performances, particularly Grant’s gregarious yet haunting Mr. Reed.

The Long Walk exceeds even optimistic expectations to easily become one of the best Stephen King adaptations.

The Ring is a silent melodrama that remains surprisingly watchable, and like all 1920s Hitchcock movies, it's certainly a historical curiosity for those interested.

While it may not be for everyone, it is a love letter to and for genre fans, demanding the same kind of twisted, unconditional love it plays around with.

If a film like this were to have anything less than perfection from its leads, it would likely fall to pieces. Thankfully, the story comes to life in the hands of two veteran performers at their very best.

Does Exit 8 work as a film on its own? Yes, it does, but it likely works best for those who've played the game before and are familiar with the concept. Otherwise, the tedious nature of the game that is duplicated in the film can feel like more of a chore than entertainment. As a lover of the game, it felt like the perfect adaptation, but, much like the game, the film isn't going to be to everyone's taste.

From the careful casting of Navajo actors — vital not only to representation but when it comes to speaking the language — to its honest look into rez life without any Hollywood spin, Frybread Face and Me isn't just a joy to watch but spells a bright future for Luther after this narrative feature debut.

National Anthem may at times feel a bit too simple, but the craftsmanship and the core performances are enough to make it worth a watch.

Predator: Badlands might not be the shock to the system that Prey was, but it is continued proof that putting Predator in Trachtenberg's was one of the smartest moves this franchise has ever made. The writer and director continues to find brilliant, fascinating ways to explore and expand the Predator movies to an exhilarating level, making this series better than it ever has been.

It is by no means a perfectly constructed work, but there is something more immense in its thematic aspiration that provides plenty for Pugh to play around with. All that makes it unwieldy also makes The Wonder mesmerizing so that, even when the spell is broken, you can’t shake it from your mind.

While Disco Boy is gorgeous to look at, a more coherent script would have done wonders to hold the movie together.

Watchmen: Chapter 1 is a compelling curiosity, but never matches the power of its source material, and, if anything, should make people turn to the graphic novel instead of checking out yet another adaptation.

It’s a shame that such a solid set of performances are brought down by an underlying thread of jingoism, one that’s hard to put too fine a point on until the film’s final scene. The final shot of the film is a punch to the throat, a distinct flourish on Friedkin’s part that I absolutely adored, but its origins leave me feeling more than slightly queasy.

Bombach’s documentary shows that there's much more to the Indigo Girls, presenting a remarkable duo who have not only meant the world to countless people, but have used their music and their platform to change the world as best they can.

The Survivor is too frequently going through the motions of tried-and-true biopic stories that we’ve seen countless times before, or making choices that seem daring, but ultimately hold back the power of Harry’s story.