CNN's Scores

  • Movies
  • TV
For 607 reviews, this publication has graded:
  • 42% higher than the average critic
  • 4% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 3.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Come from Away
Lowest review score: 20 Dolittle
Score distribution:
  1. Negative: 44 out of 607
607 movie reviews
  1. The game is afoot (again) in Enola Holmes 2, a wonderful showcase for Millie Bobby Brown that this time manages to work the character’s famous brother, Sherlock, more organically into the mix. Throw in fact-based underpinnings about horrid working conditions during the time and you have the makings for a very polished sequel – one that makes the whole thing look elementary, and a whole lot of fun.
  2. The movie does contain an empowering message thanks to its gender distinction, which is thrown into sharper focus by the period. Yet while it's a welcome landmark, Marvel and Disney's ambitious plans will almost surely reduce that status to a historical footnote.
  3. How to Survive a Pandemic is a poor title for a mostly fascinating documentary, whose flaws reflect its slightly fragmented nature. Yet at its core this HBO presentation captures the race to produce a vaccine amid political pressures imposed by a president preoccupied with his reelection, offering fly-on-the-wall access to many of the key players.
  4. Confess, Fletch doesn’t possess a whole lot of heft, but it manages to serve as an old-fashioned and playful star vehicle, carving out a version of the character that’s distinctive from Chase’s broader, more slapstick-oriented take.
  5. Park and Wong are both innately likable, which makes the movie pleasant enough to watch, but also a bit of a slog given the ostensible inevitability of where it's heading.
  6. Wolfgang nicely demonstrates how its namesake fundamentally impacted the world of cooking – and especially how high-end food is perceived – while carving out a pretty sweet life for himself in the process. For that alone it’s worth watching, even if, as documentaries go, it’s less a main course than an appetizer.
  7. What Bombshell briskly details is how and why Fox News -- and those who possessed the grit to stand up -- came under that unwelcome spotlight, one brick, and abuse, at a time.
  8. "Elvis” has entered the theaters, but in a package that often recalls the excesses associated with his Vegas-residency years: Looking bloated, gaudy and at times bordering on self-parody. Those missteps, courtesy of director Baz Luhrmann and an ill-used Tom Hanks, squander Austin Butler’s brilliant moments in the title role, which deserve a much better movie.
  9. The film, while technically superb, feels like it wins several battles but doesn’t entirely qualify as a success in terms of the overall war.
  10. In hindsight, the most unlikely hit among Marvel’s parade of them was all about the unlikeliest of families. Guardians of the Galaxy Vol. 3 drives home that point, with a boisterous and often emotional sequel that feels very much like a true conclusion, fueled in no small part by writer-director James Gunn having migrated his talents over to rival DC.
  11. A warm if somewhat flat trip back in time that approximates the feel of the show's Christmas specials, only over-sized, and as cozy as a seat by the manor's fire.
  12. Greyhound is kind of an odd duck -- another World War II tale courtesy of Tom Hanks, who wrote and produced the film through his company in addition to starring in it. Old-fashioned and relatively small in scale, it's a sturdy if unspectacular depiction of the Battle of the Atlantic, streaming ashore via Apple TV+ instead of a planned theatrical release.
  13. While the film traffics in thoughtful ideas as well as spectacle, it doesn’t complete the vital emotional connections between its head and its heart.
    • 63 Metascore
    • 80 Critic Score
    Richard Attenborough's cast is stellar (including Anthony Hopkins, Laurence Olivier, Sean Connery, Dirk Bogarde, Ryan O'Neal and Robert Redford) and his pre-CGI achievement staggering. [28 Mar 2007]
    • CNN
  14. The Guilty is a taut, remarkably spare thriller.
  15. The story plays like a rather tired excuse to redo the first story with a few cosmetic tweaks, hoping to tap into adult nostalgia while potentially attracting a new generation of kids.
  16. While “Honk for Jesus” isn’t a perfect movie, give it praise for at least being an interesting one.
  17. Elegant, occasionally adorable and at times quite emotional, series creator Julian Fellowes still knows how to pluck the right strings – upstairs and downstairs – to play a symphony with his sprawling cast.
  18. Economically told and cleverly calibrated to maximize its claustrophobic setting, it’s among the most effective films the director has delivered since his mid-career slump, making this a door well worth opening.
  19. More an examination of human nature than a thriller, the space-faring movie deals with weighty issues but doesn't possess much pizzazz or gravity, making Netflix the logical home for its launch.
  20. This is, admittedly, a strange time related to how and where people will wind up consuming this type of small-boned movie, but there's always room for another good one. "Let Him Go" might not be super, but it's definitely a trip worth taking.
  21. Mostly, the documentary premiering on Amazon serves as a social-studies lesson in how campaigns operate, with the most candid moments coming from those other than the candidate.
  22. “Scoop” juggles so many timely balls it’s a bit of a shame the film doesn’t accomplish that task with more dexterity.
  23. “A Haunting in Venice” continues a brand of breezy entertainment that suggests whatever the detective’s goals, retirement doesn’t appear to be in the cards.
  24. While ‘Resurrections’ again offers a choice between the red pill and blue pill, the one thing that won't be necessary -- especially for those choosing the home-viewing option -- is a sleeping pill.
  25. Placing a trans teen at its center adds some heft to material that would in an earlier era would have been presented as an after-school special, but the uplifting and timely messaging can’t completely elevate this earnest but thin Amazon movie.
  26. Call Jane is a good example of how a few questionable choices can muddle an otherwise-powerful story, with the recent HBO documentary version of these events, “The Janes,” outshining this fictionalized dramatic account. The portrait of an underground abortion network pre-Roe v. Wade is obviously timely, but its slightly askew focus blunts the overall impact.
  27. Young Woman and the Sea is an exercise in the simple power of a well-told story, the kind that can wash over and uplift you all at once.
    • 62 Metascore
    • 75 Critic Score
    Cats Don't Dance is a blast.
  28. Not Okay isn’t the kind of movie that’s going to amass a vast audience (hence its debut via Hulu), but it is one of those of-the-moment ideas that makes you take inventory of where we are, and the manipulation that can play into who commands the spotlight.

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