Thoughtful, compassionate, heartbreaking and more, it's a record that is above all, deeply human. [Jul 2023, p.84]

For better and for worse Rancid have never been overly concerned with progress. Yet there's undeniable evolution on the early-Pogues-style stomp of both Hellbound Train and the near hoe-down Devil In Disguise. [Jul 2023, p.82]

Rip-roaringly emotionally vivid stuff with myriad tropes and devices cherry-picked from the rich tapestry of alt.rock past. [Jul 2023, p.87]

A set that casts a smoky haze over a remarkable event were characters from the shadow kingdom of Dylan's past come out to play one more time. He'll be a hard act to follow. [Jul 2023, p.91]

On the darkly groovy Crowded Rooms Hart is joined by singer-songwriters Eska and JGrrey to bolster Dury's spoken narrative as he grapples with successfully finding his place in the here and now. [Jul 2023, p.87]

The likes of Crocodile Smile and Love Is Like Gravity seem to teeter on the brink of chaos, but these seasoned players hang these pieces together faithfully and beautifully, jutting and jagging every which way, conjuring up the vivid abstractions of Thomas's lyrical visions. [Jul 2023, p.87]

Earns its place. [Jul 2023, p.87]

He doesn't disappoint as he smatters the bulk of this new record with orchestral strings. The pick of the tracks here are the pulsating Pretty Boy, the string-laden I'm Not Giving Up Tonight and the soaring Open The Dorr, See What You Find. [Jul 2023, p.84]

Sublime harmonies rule on You Don't Have TO Cry and The Lee Shor, both featuring guest Daid Crosby. But once the Memphis horns kick in during the show's second half, Stills seems to be fighting for pace, resulting in an overwrought For What It's Worth and Bluebird Revisited. [Jul 2023, p.92]

The rollicking barroom swager of Undone And Unashamed, complete with sax solo, is similarly appealing, as is the sardonic strut of Centennial Perspective. [Jul 2023, p.84]

The music is mostly luminous and spellbinding, but the slender 33-minutes us disappointing, a mini-album when such huge cosmic themes deserve deeper, broader consideration. [Jul 2023, p.78]

As determinedly quirky as its title, The Girl is Crying In Her Latte is a very strong collection of vintage Sparks moods, plus a few new left-field twists. [Jul 2023, p.84]

As albums go, But Here We Are might be the Foos’ most cathartic, but it’s also one of their best, and a fitting tribute to the late, great Taylor Hawkins. [Jul 2023, p.82]

Thirty-four years and 16 albums in, Therapy? still sound as vital and hungry as they did when they dropped their debut. [Jun 2023, p.72]

Magical. [Jun 2023, p.74]

The album reveals it's the breadth of his influences - Latin as well as Led Zeppelin - that accounts for his own style. But you will need to be a drum fan. [Jun 2023, p.74]

High Flyin' is fine, a romp, a moment captured in time. ... It remains more a curiosity than a necessity, though. [Jun 2023, p.82]

Young's voice is plaintive and cracked, the guitars whip up a veritable thunderstorm, nd the mood is stormy and reflective. Another treasure. [Jun 2023, p.82]

This is simply stunning. [Jun 2023, p.79]

A smacker. [Jun 2023, p.78]

It's the veteran's session, and with that stentorian voice Sweet Georgia Brown and I'm Just A Lucky So And So are highlights that warm any room you play them in. [Jun 2023, p.77]

While this album isn't quite as impressive as the record in its original guise, it's still an interesting shift in gears by the Mars Volta. [Jun 2023, p.77]

This album feels like musicians bouncing ideas off of each other in the same room. [Jun 2023, p.75]

That The Church remain so vigorous and vibrant is a delightful surprise indeed. [Jun 2023, p.75]

All told, Darkadelic is a vital and reassuringly pugnacious return. [Jun 2023, p.74]

It's elegiac, claustrophobic and contagiously disturbed. [Apr 2023, p.79]

It's the sixties end of the nineties again, yet repurposed with significant flair. [May 2023, p.81]

What's surprising is that Anderson can kick up more menace with his flute than any number of hoarse roaring voices and thrashing guitars. ... The music lightens up when Anderson moves on to the sagas themselves, but the intricacies remain. As do the idiosyncratic allusions. [Jun 2023, p.78]