End Times may be a tunnel with no light at the end of it, but the bleakness is beautiful.

Clocking in at less than 33 minutes to ensure your left gagging for more, Sweet Heart Rodeo is a near faultless blend of Landes’ country roots and the urban savvy of her Brooklyn base.

There isn’t much of a sense of flow to the album; the songs stand on their own as the poems were meant to stand on their own.

With a mix of frantic and scrappy pop songs alongside blankets of processed peacefulness Contra is a fun and always intriguing listen.

Bursting with promise, OK are more than their name suggests.

Starting with offbeat rhythms and minor key vocals the album is not as accessible as "Has A Good Home" and less adventurous than "He Poos Clouds"--yet there’s something that draws you into Heartland.

The album showcases Veirs’ warm vocals, deft guitar picking and country-inflected songwriting. It’s not all so stripped down as to be dull, however, and songs like the title track are intricately woven tapestries of strings, woodwind and cooing backing vocals.

This debut album from the Manchester trio is a captivating Gothic Americana creation.

Angie Stone’s fifth album, is her strongest to date, as she delivers an LP that effortlessly combines the finest elements of Neo Soul with old-skool R&B.

It’s great fun, and clearly a Bay Area attempt at the big league. Like hip-hop used to sound. Praise be.

Tribal chanting and desert parties meet drum machines and electrifying guitar riffs in an album that is consistently inventive, mesmerising and incredibly danceable.