CineVue's Scores

  • Movies
For 1,771 reviews, this publication has graded:
  • 48% higher than the average critic
  • 4% same as the average critic
  • 48% lower than the average critic
On average, this publication grades 6.3 points higher than other critics. (0-100 point scale)
Average Movie review score: 71
Score distribution:
1771 movie reviews
  1. Franco has a hardlined style and a kind of story that play like an apprentice Haneke. However, as each film arrives, the power diminishes, because the stories are now easily predictable.
  2. There is much to enjoy here - especially at the beginning - and Östlund's ambition and vision are to be applauded. However, The Square would have been greatly improved had the director taken his scalpel and his demanding critical eye and applied it to the film itself.
  3. A dry and surprisingly dull film, it is a comedy which doesn't induce a single laugh and a drama that doesn't engage emotionally or pull on the heartstrings at all.
  4. From its first moments, The Red Turtle is a captivating ultra-sensory experience; sounds are crisp and images are hand-drawn perfection.
  5. The pint-sized simplicity of this acutely well told and acted tale should not be underestimated.
  6. While Chastain, and the surrounding cast, drive the narrative there is no denying that as time runs on it begins to unravel frustratingly, reaching an unsatisfying conclusion. Yet, Chastain's performance is one that lingers in the mind.
  7. The journey through a nighttime New York is rich in realistic characters, observational details and some original locations.
  8. Fans of Kawase will likely enjoy this delicate tale of people finding their way in the dark.
  9. In Farrell and Kidman, he has found two performers who are utterly willing to go the whole hog and their performances are brilliant deadpans.
  10. It has a powdery dryness, a sly wit which is indeed beguiling.
  11. Baumbach writes his dialogue with a sharp pencil and the film bursts with non-sequiturs, put downs and hilarious lines.
  12. The fraudulent nature of the mystery makes Wonderstruck feel like a technical exercise: albeit one which is enlivened by some great visuals and excellent performances, particularly the wonderful Millicent Simmonds.
  13. Though it can't bear too much comparison with Sicario, Wind River is far better than its title suggests and a promising directorial debut.
  14. It's hardly original nor necessary, but it's a fun and absorbing escapade on the Seven Seas.
  15. Okja is exuberant and wild filmmaking.
  16. Sidestepping the question of whether or not shamanic methods 'work' in a scientific sense, Caraballo and Norzi directly depict the psychedelic experience of Ayahuasca itself by seamlessly blending dream and reality into a single stunning whole.
  17. For all of the perfection of the period-detail browns and greys, Afterimage could have done with a touch more colour.
  18. By focusing on the family, James makes Abacus about resilience and humility rather than the mechanics of litigation and in doing so underscores - perhaps more strongly than in other louder films on similar subjects - the injustice of the situation.
  19. The Commune is a film built around the intangibility and melancholy of childhood memories. What should have been a gritty work about a generation confronted with the implausibility of their beliefs is ultimately a banal and self-absorbed drama.
  20. Mindhorn is a ridiculous comic creation taken to extraordinary, laugh-a-minute heights.
  21. As a return to the dark, primal and transgressive terrors of the original movie, Alien: Covenant is a success.
    • 57 Metascore
    • 40 Critic Score
    Whilst Sutherland gives an impressive and powerful performance as an American on the run, the lack of substance and originality leaves you feeling somewhat unsatisfied.
  22. The superb editing of news footage, the home video recording of the King beating and a dizzying amount of imagery from the heart of darkness during the riots throws us into the unfolding disturbances with minute-by-minute immediacy.
  23. Their Finest by no means reinvents the wheel but in the hands of Scherfig - who previously directed An Education - it looks wonderful, has enough substance to back up its gleaming charm and is a very enjoyable period piece that wears its heart and intentions firmly on its well starched sleeve.
  24. There's a wry comic sensibility that sees Hughes himself as an absurdity who seems half aware of his own ridiculousness.
  25. Quillévéré has created a poignant exploration not just of death, but of life, love and fragility.
  26. Oldroyd has made a film here that's incredibly tied to its nineteenth century setting, yet modern at the same time in the way it addresses femininity - more importantly, the power women have no matter how they're viewed by society or expected to behave by their male counterparts.
  27. Led by a trio of tremendous performances from its female leads, Wright, front and centre as Jamie, is the stand-out.
  28. The choice soundtrack, accompanied by the candyfloss aesthetic make for moments of fun, but it ultimately lacks the originality of the first.
  29. Though it may tell of one family's story in the late nineteenth century, and the superb costume and period attention to detail are firmly rooted in its time and place, the case that Tommy's Honour makes for breaking tradition, being true to oneself and challenging authority establishes thematic ties that are timeless.

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