Chicago Tribune's Scores

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For 7,601 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Autumn Tale
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
  1. Positive: 5,106 out of 7601
  2. Mixed: 1,473 out of 7601
  3. Negative: 1,022 out of 7601
7601 movie reviews
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  1. Hyde Park on Hudson
    The music's the best thing ... But it isn't enough to lift this middlebrow, middleweight and middling project ... above its misjudgments and limitations.
  2. The Hobbit: An Unexpected Journey
    Extracting three generously proportioned films from Tolkien's books made sense. But turning the relatively slim 1937 volume 'The Hobbit' into a trilogy, peddling seven or eight hours of cine-mythology, suggests a better deal for the producers than for audiences.
  3. Playing for Keeps
    Only Biel and Greer lift it above the level of bleh.
  4. The Central Park Five
    An unusually good documentary about an outlandish miscarriage of justice.
  5. Starlet
    It's an odd film in some ways. The porn milieu is detailed in ways at once sparing, in terms of actual screen time, and bluntly explicit. The odd-couple relationship guiding the story has its familiarities. But where it counts, 'Starlet' ... allows its characters room to maneuver within the potential cliches.
  6. Killing Them Softly
    Killing Them Softly isn't anything major. But it's a pungent minor film only vaguely resembling the one The Weinstein Co. is advertising, and that's fine with me.
  7. Wuthering Heights
    Arnold's interpretation is taciturn, often entirely without dialogue, though it becomes increasingly conventional in its scene structure as it goes and as the actors hand off the key roles. In reality it's a bit of a slog. ... The movie plays like an idea for a 'Wuthering Heights' adaptation.
  8. Tales of the Night
    Eighty-four minutes is about right for this style of animation. Even at that trim running time, the silhouette approach won't be for everyone. Ocelot's unity of vision, though, cannot be denied. Your kids, even the preteens, will likely fall headlong into his worlds.
  9. The Comedy
    If it weren't for Kate Lyn Sheil, who has a couple of scenes as a blase Brooklyn waitress inexplicably ending up in the protagonist's bed, 'The Comedy' might well have qualified as the worst film of 2012.
  10. Hitchcock
    I prefer [HBO's Hitchcock biopic] "The Girl," not because of its salaciousness but because it gets at something underneath the great (truly, great) director's skin.
  11. Red Dawn
    Many of the original film's booby-trap scenarios are repeated here, but without Milius' grandiosity and nihilism. There's less of both in the new Red Dawn. It's not a disaster. It's just drab.
  12. Life of Pi
    Life of Pi, Yann Martel's beautiful little book about a young man and the sea and a tiger, has transformed into a big, imposing and often lovely 3-D experience.
  13. Anna Karenina
    At its most frantic the cutting and staging here veers perilously close to Baz Luhrmann "Moulin Rouge!" territory for comfort. ... I'd rather have seen Wright's carefully elaborated production on a stage, instead of in a movie partly on a stage.
  14. The Twilight Saga: Breaking Dawn - Part 2
    Boasts one moment, perhaps three or four seconds in length, so delightfully intense and uncharacteristically juicy that the rest of the film - most of the rest of the whole series, in fact - looks pretty pale by comparison. Not vampire pale. Paler.
  15. Silver Linings Playbook
    Cooper's performance is his best yet. As is Lawrence's (the more crucial role, in fact).
  16. Holy Motors
    Lavant is splendid in the film, and he's essentially the entire film - and yet, Holy Motors is somewhat more than a contraption built for a fearless performer.
  17. Lincoln
    It blends cinematic Americana with something grubbier and more interesting than Americana, and it does not look, act or behave like the usual perception of a Spielberg epic. It is smaller and quieter than that.
  18. Skyfall
    While the protracted third act doesn't kill the two-hour, 23-minute picture, "Casino Royale" remains the best of the recent Bonds, with Skyfall just a notch below it.
  19. Brooklyn Castle
    See it, and I dare you not to care about what happens to these kids, these Yankees of chess.
  20. Wreck-It Ralph
    I found the first 30 minutes of Wreck-It Ralph a lot of fun, the second and third 30 minutes progressively more routine.
  21. Flight
    Flight is exciting - terrific, really - because in addition to the sophisticated storytelling techniques by which it keeps us hooked, it doesn't drag audience sympathies around by the nose, telling us what to think or how to judge the reckless, charismatic protagonist played by Denzel Washington.
  22. Fun Size
    It's a soul-crusher, and when I say it may be the most dehumanizing experience since "Hostel: Part II" the comparison is not an idle one.
  23. The Sessions
    John Hawkes is wonderful as O'Brien, as is Helen Hunt as the surrogate whose sessions with O'Brien form the crux of the film. The results are extremely moving and, in general, low on egregiously yanked heartstrings or the usual biopic filler.
  24. Cloud Atlas
    The movie doesn't really work, but it's fascinating in the ways it doesn't. Then again, I enjoyed the spacey insanity of the Wachowskis' "Speed Racer," which they didn't even like in Asia.
  25. Smashed
    Feels different from most recovering-train-wreck stories. The movie is a tidy relaying of a messy situation involving two reasonably functional middle-class LA alcoholics, one of whom gets serious about cleaning up a lot sooner than the other.
  26. Alex Cross
    The sharpest five minutes in Alex Cross, by a considerable margin, belong to Giancarlo Esposito.
  27. Seven Psychopaths
    The result is a clever, violent daydream. But McDonagh's skill behind the camera has grown considerably since "In Bruges." And the way he writes, he's able to attract the ideal actors into his garden of psychopathology.
  28. Here Comes the Boom
    Once it gets going and commits to its time-worn inspirational formula, it's not half-bad.
  29. Argo
    In the populist vein of Ron Howard's "Apollo 13," Affleck's rouser salutes the Americans (and, more offhandedly, the Canadians) who restored our sense of can-do spirit when we needed it.
  30. The Oranges
    The result is a placid tale of impulses running wild. Farino is a smooth operator, but he puts little on screen that feels like life, as opposed to a middle-of-the-road indie.
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