For 7,599 reviews, this publication has graded:
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62% higher than the average critic
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2% same as the average critic
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36% lower than the average critic
On average, this publication grades 1.5 points higher than other critics.
(0-100 point scale)
Average Movie review score: 66
| Highest review score: | Autumn Tale | |
|---|---|---|
| Lowest review score: | Car 54, Where Are You? |
Score distribution:
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Positive: 5,104 out of 7599
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Mixed: 1,473 out of 7599
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Negative: 1,022 out of 7599
7599
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Michael Wilmington
A Christmas perennial: a witty, polished, lushly sentimental and amusingly sexless romantic comedy in which suave angel Cary Grant mixes in the affairs of troubled bishop David Niven and his lovely wife Loretta Young. [24 Dec 2004, p.C10]- Chicago Tribune
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Reviewed by
Robert K. Elder
Minor but irresistible MGM musical capturing '20s college life through the prism of the jivin' '40s era. [18 Jan 2008, p.C2]- Chicago Tribune
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Reviewed by
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- Critic Score
What makes this video really interesting and superb entertainment for viewers 5 and older is that it blends animation with live action and carries two separate, full animated features with separate human narrators. [07 Aug 1997, p.9B]- Chicago Tribune
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Reviewed by
Michael Wilmington
It just doesn't swing (or bop), but the stars always click. [15 Jul 2005, p.C8]- Chicago Tribune
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Reviewed by
Michael Wilmington
A socially conscious prison picture (written by Richard Brooks) that sometimes deliriously suggests a Brooklynesque mating of Jean Genet and Warner Bros. [20 Apr 2007, p.C8]- Chicago Tribune
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Reviewed by
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- Chicago Tribune
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- Critic Score
Lean's masterly film of the classic Charles Dickens novel of success, romance and their dark underpinnings. [18 Jun 2010, p.C3]- Chicago Tribune
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Reviewed by
Robert K. Elder
Odd Man Out is the extraordinary thriller about a botched IRA bank robbery and the badly wounded and increasingly feverish rebel, Johnny (James Mason), who wanders Belfast with both his mates and the police on his trail. [29 Feb 2008, p.C8]- Chicago Tribune
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Reviewed by
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- Chicago Tribune
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- Chicago Tribune
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- Critic Score
The great "coming home" film of World War II. [28 Nov 2008, p.C7]- Chicago Tribune
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Reviewed by
Michael Wilmington
Scripted by Ben Hecht, and with Salvador Dali's notorious surreal dream sequence as a shocking interlude, this was one of Hitchcock's most romantic and popular '40s movies [26 Nov 1999, p.A]- Chicago Tribune
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Reviewed by
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- Chicago Tribune
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- Chicago Tribune
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Reviewed by
Michael Wilmington
Based on Francis Beeding's The House of Dr. Edwardes, scripted by Ben Hecht, and with Salvador Dali's notorious surreal dream sequence as a shocking interlude, this was one of Hitchcock's most romantic and popular '40s movies; it's also the source of most of Mel Brooks' parody High Anxiety. [26 Nov 1999, p.A]- Chicago Tribune
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Reviewed by
Michael Wilmington
Curtiz holds you in his master grip, creating one of those WW II-era California noirs that keeps swinging you from darkness to sunlight, love to hatred, happiness to the pits of despair and death. [18 Nov 2005, p.C6]- Chicago Tribune
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Reviewed by
Michael Wilmington
Among the finest hours of horror star Boris Karloff. [18 Oct 2005, p.C3]- Chicago Tribune
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Reviewed by
Michael Wilmington
A successful lifestyle journalist, Elizabeth (Barbara Stanwyck) is lauded by her readers as the sweetest, most efficient homemaker in the countryside. Problem is, she is a chain-smoking urbanite in a city apartment. [05 Dec 2014, p.C2]- Chicago Tribune
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Reviewed by
Michael Wilmington
It's not all that funny -- but fascinating in a weird, knockabout way. [28 Aug 1998, p.O]- Chicago Tribune
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Reviewed by
Michael Wilmington
It's the film for which Albright painted a series of progressively decaying portraits of Dorian, climaxing in a ghastly vision of venereal rot and putrescence. [27 Feb 1997, p.11B]- Chicago Tribune
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Reviewed by
Michael Wilmington
The British hated it (because their soldiers took Burma), but this is a rock-solid Walsh actioner, with Errol Flynn, James Brown and Henry Hull. [06 Apr 2007, p.C7]- Chicago Tribune
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Reviewed by
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Reviewed by
Michael Wilmington
Among the finest hours of horror star Boris Karloff. [18 Oct 2005, p.C3]- Chicago Tribune
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Reviewed by
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Reviewed by
Michael Wilmington
Elizabeth Taylor, at 12 already a raging beauty, plays Velvet Brown -- the passionate girl who loves horses and wants to win the Grand National; it's perhaps her most perfect performance and one of her best-loved. [16 Nov 2001, p.C1]- Chicago Tribune
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Reviewed by
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Reviewed by
Michael Wilmington
The things that make me love the movie are the mood, the hardboiled but good-hearted morality, Hawks' consummately professional eye-level style and those wonderful characters. [28 Jul 2006, p.C7]- Chicago Tribune
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