Chicago Tribune's Scores

For 7,599 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.5 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Autumn Tale
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
7599 movie reviews
  1. Cats Don't Dance is a cinematic anomaly: an animated film that could have more appeal for adults than for children.
  2. The movie Gray's Anatomy demonstrates that fully stimulating the senses isn't the same as fully engaging them. Gray still begins talking in his trademark plaid shirt with a notebook and glass of water at his table, but soon Soderbergh is sending him on a Disney ride of scenery changes, lighting effects and moody music. [1 August 1997]
    • Chicago Tribune
  3. At times Witcher leans too heavily on the familiar, with the ups and downs of the last half hour growing repetitive and wearisome. But his accomplishment is nonetheless impressive. [14 Mar 1997, p.A]
    • Chicago Tribune
  4. Jungle 2 Jungle, is a shallow, joyless show, whose family bonding comedy is as touching as its dead-bird jokes, as witty as a bowl of cat urine and as penetrating as its analysis of the Russian Mafia. [07 Mar 1997, p.F]
    • Chicago Tribune
    • 74 Metascore
    • 88 Critic Score
    The Watermelon Woman is quite smart, remarkably sophisticated filmmaking for a first-time director.
  5. It may be a bit enigmatic and cerebral for some tastes, but if you don't mind your spirituality being served from a cracked chalice, you may find Touch is exactly what you've been seeking. [14 Feb 1997, p.G]
    • Chicago Tribune
  6. The movie also features Doug E. Doug (Cool Runnings) as a bumbler of an FBI agent, a fluffy gray-and-white alley cat as D.C., and a climax overloaded with car crashes, pratfalls and forced mayhem.
  7. Between the two Murphys, "Metro" is no waste of time. But it's no life-enhancing experience either -- unless you're into trolley-hopping, perp-snuffing and vows of vengeance. "The Nutty Professor" proved Eddie Murphy still has it, 10 times over.
  8. If it's a necessary piece of history, it's a paltry piece of drama, with intentions so grand, they're absolutely deadening. [20 Dec 1996, p.C]
    • Chicago Tribune
  9. There's a gentleness and open-mindedness in that touch and throughout the film that's a little at odds with the shallower script. But, in the end, that humanity pays. [27 Dec 1996]
    • Chicago Tribune
  10. The movie has something of treasure to offer us: two great screen actors, connecting magically. Why show an unconvincing world of crime, incest and violence when, with Deneuve and Auteuil, you can open up a richer world of intellect and thwarted desire? [27 Dec 1996, p.C]
    • Chicago Tribune
  11. Pretty run-of-the-mill stuff. [20 December 1996, Friday, p.J]
    • Chicago Tribune
  12. Watching actors this good handle material this dopey is like waiting for Itzhak Perlman to pick up his violin and start playing variations on My Baby Does the Hanky Panky. It's funny. But it's also sad. The movie suggests we get the government we deserve, but do we really deserve this movie?
    • 75 Metascore
    • 75 Critic Score
    The genetic seeds of John Huston's gift are manifest in his daughter's direction of Carolina. Despite its sorrowful subject, Bastard Out of Carolina offers the deep satisfaction of material that rings true. [15 Dec 1996, p.5]
    • Chicago Tribune
  13. A hip, funny, knowing romantic sports comedy that gets a little strained when it tries to expose its heart. [13 December 1996, Friday, p.A]
    • Chicago Tribune
    • 85 Metascore
    • 88 Critic Score
    Resonates like the best of Southern fiction.
  14. Nothing in the movie is quite up to Scofield's Danforth. But what a mighty performance that is.
    • Chicago Tribune
  15. Jingle All the Way has been well shot and imaginatively designed. But somehow that makes it worse. So does the fact that all the actors, Schwarzenegger included, are skilled enough to make you watch them. [22 Nov 1996, p.C]
    • Chicago Tribune
  16. It's a thrillingly malicious visit, a gorgeous period drama. [06 Dec 1996, p.A]
    • Chicago Tribune
  17. All but sweeps you away with its dazzling technique and shattering emotion. [27 November 1996, Tempo, p.1]
    • Chicago Tribune
  18. Boasts the elements of something greater than a love story. Too bad it devotes them to something less than a great love story. [22 November 1996, Friday, p.A]
    • Chicago Tribune
  19. Compared with the most recent Disney animated features, "Space Jam" is, at times, a hoot, especially when it has fun with Michael's less-than-stellar baseball career and the way his fellow players were starstruck. [15 Nov 1996, p.A]
    • Chicago Tribune
  20. A movie about the passions of simple people, and it's done with such extraordinary empathy and commitment that it all but pulls you under. [29 November 1996, Friday, p.A]
    • Chicago Tribune
  21. This new version is quite faithful to Conrad's novel, not only in content but also in tone. [13 Dec 1996]
    • Chicago Tribune
  22. If Set It Off had concentrated on easy thrills like that well-filmed drive-through-the-walls robbery climax, it might have qualified as pulpy entertainment. Instead, it's that deadliest of beasts: an exploitation movie with pretensions to social significance. [06 Nov 1996, p.1]
    • Chicago Tribune
  23. Larger Than Life is far closer to Murray's worst than his best. It's a truly senseless, erratic, if occasionally charming comedy that manages to waste Murray, a fine cast, good location photography and a terrific actor: Tai, the 8,000-pound trained pachyderm whose considerable stuff was strutted in 1995's Operation Dumbo Drop. [03 Nov 1996, p.11C]
    • Chicago Tribune
  24. Thinner has its meaty moments, but overall, it's Stephen King lite. Less taste, less filling, less fun.
    • Chicago Tribune
  25. Doesn't really add up to much -- except a good time. But it's smart, funny and cute. With all that going for you, who needs to be money? [25 October 1996, Friday, p.H]
    • Chicago Tribune
  26. Yet the film, no more than the novel, shouldn't be described as depressing. Both of them shine with heightened vision and poetics. [01 Nov 1996]
    • Chicago Tribune
  27. The picture has such a sweet spirit, sly wit and buoyant energy that it seems to disarm potential rancor, fear or contentiousness. [16 Oct 1996, p.1]
    • Chicago Tribune

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