Chicago Tribune's Scores

For 7,599 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.5 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Autumn Tale
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
7599 movie reviews
  1. The movie's sole selling point turns out to be its sweetness. Sandler, Segal and writer George Wing obviously like all of the characters despite the constant ribbing, and Sandler and Barrymore are as cuddly as a pair of love-struck walruses. But only a sucker would get too close.
  2. Solid acting anchors "Laughter," but it's Margret Vilhjalmsdottir and Ugla Egilsdottir as Freya and Agga who carry the load.
  3. While some pedestrian camerawork and spotty acting from supporting players deflate Love Object, it has enough juice - and a surprising twist - to keep fans of the slow-burn horror genre enthralled.
  4. You watch the movie with an ongoing feeling of dread, and it's not a feeling that ever dissipates.
  5. A wry romantic comedy set among Bruno's targets, the Grenoble bourgeois.
  6. This time around, the razors are a little duller, the clicks not as slick, the patter not as snappy.
    • 33 Metascore
    • 38 Critic Score
    It's a juicy premise, but the enactment is so dumbed-down -- by turns preposterous and predictable -- that you couldn't possibly fault your jaded children for yawning and rolling their eyes.
  7. While the movie's heroes lay everything on the line, Miracle is too content to skate along the surface.
  8. Ablaze with poetry and danger, and suffused with an odd kind of intellectual kitsch.
  9. The Russian film The Return is a stunning contemporary fable about a divided family in the wilderness - a simple, riveting film that almost achieves greatness.
  10. Like all B-movies (or in this case, pseudo B-movies), "Skeleton" contains sparkling moments of promise and camp performance.
    • 78 Metascore
    • 75 Critic Score
    The lead actors, Li Yixiang and Wang Shuangbao, are completely believable, sucking us into their casually cruel world.
  11. In addition to being a good-looking movie with a pumping Foo Fighters anthem, "Score" is actually a philosophical argument against our culture of tests.
  12. An odd mix itself, of contemporary sexual realism and unabashed romantic fantasy. If "Days" works, it's mostly on a sheer fantasy level.
  13. The sheer stark speed and measured violence of On the Run catch us up quickly--and the film becomes a searing portrait of a killer-idealist lost out of time.
  14. Like the frosty tropical drinks the people keep sipping here, it's refreshing and icy-cool, a sinful pleasure mixed by experts.
  15. When a movie keeps repeating its title, you know it's a stinker.
  16. Should please its core audience, which includes anyone who might actually want to win a date with Tad Hamilton. Others may opt to wait for another date with Kate Bosworth -- or Nathan Lane.
  17. Kutcher delivers a credibly serious performance as Evan, and he's surrounded by a skilled supporting cast.
  18. German emigre Dupont directs all this with the style, flair and tension he brought to his 1925 Emil Jannings classic, "Variety." But it is Wong, shimmering with charisma, who gives Piccadilly its unforgettable center.
  19. So well cast and well captured is Touching the Void that it suspends disbelief, making us feel as if we're actually watching Simpson's own icy version of Dante's "Inferno."
  20. Some movies run out of gas. This one could use an alternate fuel source.
  21. It may entertain you if you don't mind senseless stories and screaming soundtracks.
  22. A spellbinding piece of Japanese anime from one of the form's new masters, director-writer Satoshi Kon.
  23. First-time director Timothy Bjorklund, who also shepherded Teacher's Pet on television, conducts some inventive, devilish sequences.
  24. Though one can question the movie's quality as a documentary -- Broomfield is a dogged but often annoying interviewer, and Churchill's photography is sometimes slapdash -- Aileen raises such troubling issues that it stays, hellishly, in your mind.
  25. As it turns out, "Liberty," a likable, light-as-air road comedy, is a much better movie than its sour-pun title.
  26. Trashy porno pretending to be deep.
  27. A movie with surprises, some of which you should discover for yourself. But its main surprises may be the power of Collette's performance and the beautifully controlled mood and atmosphere Brooks creates.
  28. This Civil War epic romance is exquisitely shot, lovingly designed and populated with talented name actors. In terms of pedigree and sheer, lush filmmaking, the movie has class written all over it. And that's part of the problem.

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