For 7,599 reviews, this publication has graded:
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62% higher than the average critic
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2% same as the average critic
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36% lower than the average critic
On average, this publication grades 1.5 points higher than other critics.
(0-100 point scale)
Average Movie review score: 66
| Highest review score: | Autumn Tale | |
|---|---|---|
| Lowest review score: | Car 54, Where Are You? |
Score distribution:
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Positive: 5,104 out of 7599
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Mixed: 1,473 out of 7599
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Negative: 1,022 out of 7599
7599
movie
reviews
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- By Critic Score
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Reviewed by
Mark Caro
The movie's sole selling point turns out to be its sweetness. Sandler, Segal and writer George Wing obviously like all of the characters despite the constant ribbing, and Sandler and Barrymore are as cuddly as a pair of love-struck walruses. But only a sucker would get too close.- Chicago Tribune
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Reviewed by
John Petrakis
Solid acting anchors "Laughter," but it's Margret Vilhjalmsdottir and Ugla Egilsdottir as Freya and Agga who carry the load.- Chicago Tribune
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Reviewed by
Robert K. Elder
While some pedestrian camerawork and spotty acting from supporting players deflate Love Object, it has enough juice - and a surprising twist - to keep fans of the slow-burn horror genre enthralled.- Chicago Tribune
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Reviewed by
Mark Caro
You watch the movie with an ongoing feeling of dread, and it's not a feeling that ever dissipates.- Chicago Tribune
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Reviewed by
Michael Wilmington
A wry romantic comedy set among Bruno's targets, the Grenoble bourgeois.- Chicago Tribune
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Reviewed by
Michael Wilmington
This time around, the razors are a little duller, the clicks not as slick, the patter not as snappy.- Chicago Tribune
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It's a juicy premise, but the enactment is so dumbed-down -- by turns preposterous and predictable -- that you couldn't possibly fault your jaded children for yawning and rolling their eyes.- Chicago Tribune
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Reviewed by
Mark Caro
While the movie's heroes lay everything on the line, Miracle is too content to skate along the surface.- Chicago Tribune
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Reviewed by
Michael Wilmington
Ablaze with poetry and danger, and suffused with an odd kind of intellectual kitsch.- Chicago Tribune
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Reviewed by
Michael Wilmington
The Russian film The Return is a stunning contemporary fable about a divided family in the wilderness - a simple, riveting film that almost achieves greatness.- Chicago Tribune
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Robert K. Elder
Like all B-movies (or in this case, pseudo B-movies), "Skeleton" contains sparkling moments of promise and camp performance.- Chicago Tribune
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The lead actors, Li Yixiang and Wang Shuangbao, are completely believable, sucking us into their casually cruel world.- Chicago Tribune
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Reviewed by
Allison Benedikt
In addition to being a good-looking movie with a pumping Foo Fighters anthem, "Score" is actually a philosophical argument against our culture of tests.- Chicago Tribune
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Reviewed by
Michael Wilmington
An odd mix itself, of contemporary sexual realism and unabashed romantic fantasy. If "Days" works, it's mostly on a sheer fantasy level.- Chicago Tribune
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Reviewed by
Michael Wilmington
The sheer stark speed and measured violence of On the Run catch us up quickly--and the film becomes a searing portrait of a killer-idealist lost out of time.- Chicago Tribune
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Reviewed by
Michael Wilmington
Like the frosty tropical drinks the people keep sipping here, it's refreshing and icy-cool, a sinful pleasure mixed by experts.- Chicago Tribune
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Reviewed by
Robert K. Elder
When a movie keeps repeating its title, you know it's a stinker.- Chicago Tribune
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Reviewed by
Michael Wilmington
Should please its core audience, which includes anyone who might actually want to win a date with Tad Hamilton. Others may opt to wait for another date with Kate Bosworth -- or Nathan Lane.- Chicago Tribune
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Reviewed by
Mark Caro
Kutcher delivers a credibly serious performance as Evan, and he's surrounded by a skilled supporting cast.- Chicago Tribune
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Reviewed by
Michael Wilmington
German emigre Dupont directs all this with the style, flair and tension he brought to his 1925 Emil Jannings classic, "Variety." But it is Wong, shimmering with charisma, who gives Piccadilly its unforgettable center.- Chicago Tribune
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Reviewed by
Robert K. Elder
So well cast and well captured is Touching the Void that it suspends disbelief, making us feel as if we're actually watching Simpson's own icy version of Dante's "Inferno."- Chicago Tribune
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Reviewed by
Mark Caro
Some movies run out of gas. This one could use an alternate fuel source.- Chicago Tribune
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Reviewed by
Michael Wilmington
It may entertain you if you don't mind senseless stories and screaming soundtracks.- Chicago Tribune
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Reviewed by
Michael Wilmington
A spellbinding piece of Japanese anime from one of the form's new masters, director-writer Satoshi Kon.- Chicago Tribune
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Reviewed by
Robert K. Elder
First-time director Timothy Bjorklund, who also shepherded Teacher's Pet on television, conducts some inventive, devilish sequences.- Chicago Tribune
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Reviewed by
Michael Wilmington
Though one can question the movie's quality as a documentary -- Broomfield is a dogged but often annoying interviewer, and Churchill's photography is sometimes slapdash -- Aileen raises such troubling issues that it stays, hellishly, in your mind.- Chicago Tribune
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Reviewed by
Robert K. Elder
As it turns out, "Liberty," a likable, light-as-air road comedy, is a much better movie than its sour-pun title.- Chicago Tribune
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- Chicago Tribune
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Reviewed by
Michael Wilmington
A movie with surprises, some of which you should discover for yourself. But its main surprises may be the power of Collette's performance and the beautifully controlled mood and atmosphere Brooks creates.- Chicago Tribune
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Mark Caro
This Civil War epic romance is exquisitely shot, lovingly designed and populated with talented name actors. In terms of pedigree and sheer, lush filmmaking, the movie has class written all over it. And that's part of the problem.- Chicago Tribune
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