Chicago Tribune's Scores

For 7,599 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.5 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Autumn Tale
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
7599 movie reviews
  1. An offbeat, poetic piece that eschews the terse, hard-boiled style of the standard cop movie or TV show for something softer-centered and more nakedly emotional.
  2. It is a black comedy, among the blackest. It is also more grueling in some stretches than anything in "United 93."
  3. Three Times is great cinema, pop romance that carries a special charge.
  4. Grant, playing a variation on Simon Cowell, resident meanie on "American Idol" and its inspiration, Britain's "Pop Idol," does what's required with seedy panache. Yet the characterization, both as written and acted, lacks a spark.
  5. Amid the nervousness Douglas and Sutherland do what they can to enliven their warring stereotypes. And now and then, blessedly, The Sentinel nudges toward camp.
  6. Erotic, poetic and light on its feet. It's a portrayal of a runaway teenager's sexual initiation, and though it comes close to being exploitive, it keeps dancing away.
  7. A tender, visually stunning comedy-drama.
  8. It has a good director, snazzy visuals and some really funny animals, and that's at least half the battle.
  9. Directed by Julian Jarrold and co-written by Tim Firth ("Calendar Girls"), the movie is quite enjoyable, effortlessly well-done on every level, even moving at times, but relatively light weight.
  10. High-minded sleaze, the film deceives you with its first 10 minutes, which are interestingly creepy.
  11. It's a joy to see so many cheerful and contented characters on screen, especially on a screen that looks this good.
    • 64 Metascore
    • 75 Critic Score
    Watt's direction is stylish, and her choices feel sure-handed.
  12. This largely non-verbal picture uses only as many words (spoken in Mandarin and Tibetan, with English subtitles) as necessary, and draws you in as surely as one of his characters, in an amazing sequence, is drawn into.
  13. Some movies sell and you don't know why. With La Mujer de mi Hermano, a big-screen romantic drama with the aura of a nicely steamed telenovela, you know why: because the three stars look good in plush white bathrobes, that's why.
  14. Sam Dunn's unabashed wet kiss to his favorite genre of music, heavy metal, a.k.a. devil's music.
  15. The Sisters isn't just bad Chekhov; it's bad Chekhov modernized and then plunked in front of a camera.
  16. The talk is witty, the twists are ingenious, the look and the mood are drop-dead.
  17. The latest ballroom dance-fever picture isn't very good, but some of the dancing is fun.
  18. Acutely perceptive and slyly quick-witted.
    • 62 Metascore
    • 63 Critic Score
    While On a Clear Day can claim both a surplus of heart and adequate brains, it comes up lacking in the courage department.
    • 37 Metascore
    • 50 Critic Score
    By the time the ending rolls around, as we watch the slow unclamping of jaws from jugulars, we feel exhausted. Imagine how the actors must have felt.
  19. Sir! No Sir! honors those who fought, then questioned the morality of that fight, then joined the national protest.
  20. A confessional film that's almost too confessional--is like getting buttonholed by a casual acquaintance at a party and then subjected to a flood of highly intimate revelations that just don't stop.
  21. Once the credits are done rolling it's a dour, enervated mystery, selling the old cat-and-mouse games.
  22. ATL
    If "Roll Bounce" and "Boyz n the Hood" fell in love and had a PG-13 baby, it would be ATL.
  23. This "Ice Age" is still a good movie (especially for kids) with top-of-the-tech CGI.
  24. Aside from Henry, Gunn's cast is on a collective wavelength. Banks, whose perkiness carries a slightly demented edge, matches up well with Nathan Fillion, who plays the lovelorn police chief.
  25. Challenging to follow, at best.
    • 68 Metascore
    • 75 Critic Score
    The result: a swirling, kaleidoscopic take on a familiar concept, and a raucous, you-are-there atmosphere.
  26. A mostly bland, sporadically crude, by-the-numbers romantic comedy about two gay men in love.

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