Chicago Sun-Times' Scores

  • Movies
  • TV
For 8,156 reviews, this publication has graded:
  • 73% higher than the average critic
  • 2% same as the average critic
  • 25% lower than the average critic
On average, this publication grades 6.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 71
Highest review score: 100 Falling from Grace
Lowest review score: 0 Jupiter Ascending
Score distribution:
8156 movie reviews
  1. Rohmer elegantly seduces us with people who have all of the alarming unpredictability of life.
  2. Not just a cute romp but an involving story that has something to say.
  3. Has a kind of calm, sneaky self-confidence that allows it to take us down a strange path, intriguingly.
  4. A sly little comic treasure.
  5. After seeing Gere and Roberts play much smarter people (even in romantic comedies), it is painful to see them dumbed down here. The screenplay is so sluggish, they're like Derby winners made to carry extra weight.
  6. In its quiet, dark, claustrophobic way, this is one of the best films of the year.
  7. After slogging through the predictability of countless would-be action thrillers, I admired the sheer professionalism of this one, which doesn't transcend its genre, but at least honors it.
  8. The plot was an arbitrary concoction.
  9. The script must have been a funny read. It's the movie that somehow never achieves takeoff speed.
  10. The story is a mess, but for long periods of time that hardly matters. It's beside the point, as we enter one of the most striking spaces I've ever seen in a film.
  11. Feels a little uncertain, as if it's moving from present to past under the demands of a screenplay rather than because it really feels that way. But the growing-up stuff is kind of wonderful.
  12. The reconciliation at the end of the film is the one scene that doesn't work; a film that intrigues us because of its loose ends shouldn't try to tidy up.
  13. At a time when digital techniques can show us almost anything, The Blair Witch Project is a reminder that what really scares us is the stuff we can't see.
  14. The movie is pretty bad, all right. But it has a certain charm. It's so completely wrong-headed from beginning to end that it develops a doomed fascination.
  15. Maybe Muppets from Space is just not very good, and they'll make a comeback. I hope so. Because I just don't seem to care much anymore. Sorry, Miss Piggy. Really sorry.
  16. A conspiracy thriller that begins well and makes good points, but it flies off the rails in the last 30 minutes.
  17. It is not inspired, but it's cheerful and hard-working and sometimes funny, and--here's the important thing--it's not mean.
  18. Lee has a wealth of material here, and the film tumbles through it with exuberance.
  19. All concept and no content.
  20. I laughed. I did not always feel proud of myself while I was laughing, however.
  21. Big Daddy should be reported to the child welfare office.
  22. I saw Tarzan once, and went to see it again. This kind of bright, colorful, hyperkinetic animation is a visual exhilaration.
  23. A well-made thriller with a lot of good acting, but the death of Elisabeth Campbell is so unnecessarily graphic and gruesome that by the end I felt sort of unclean.
  24. I would not want to see a sequel to the film, and at 81 minutes it isn't a second too short, but what it does, it does cheerfully, with great energy, and very well.
  25. The two leading men, Northam and Everett, are smooth and charming.
  26. There really is a little something here for everyone: music and culture, politics and passion, crime and intrigue, history and even the backstage intrigue of the auction business.
  27. There is an underlying likability to Austin Powers that sort of carries us through the movie.
  28. If there's anything worse than a movie hammered together out of pieces of bad screenplays, it's a movie made from the scraps of good ones.
  29. It is a touching story, and the musicians (some over 90 years old) still have fire and grace onstage, but, man, does the style of this documentary get in the way.
  30. Sayles has started with a domestic comedy, and led us unswervingly into the heart of darkness.

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