Chicago Sun-Times' Scores

  • Movies
  • TV
For 8,156 reviews, this publication has graded:
  • 73% higher than the average critic
  • 2% same as the average critic
  • 25% lower than the average critic
On average, this publication grades 6.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 71
Highest review score: 100 Falling from Grace
Lowest review score: 0 Jupiter Ascending
Score distribution:
8156 movie reviews
  1. Awful in so many different ways.
  2. Both a distraction and a revelation.
    • Chicago Sun-Times
  3. They are, in fact, likable. That's why their comedy is so sad.
  4. This whole movie is about manners. There is sex and violence, but the movie is not about giving in to them; it's about carrying on as if they didn't exist.
  5. There is a lack of drama and telling detail. When events happen, they seem more like set pieces than part of the flow.
  6. Essentially just a promotional film for Jordan as a product. It plays like a commercial for itself.
  7. It employs depression as a substitute for personality, and believes that if the characters are bitter and morose enough, we won't notice how dull they are.
  8. Sharp-edged, perfectly timed, funny and thoughtful.
  9. Likely to appeal to the fans of "The Sixth Sense," "Ghost" and other movies where the characters find a loophole in reality. What it also has in common with those two movies is warmth and emotion.
  10. An ideal first movie for infants, who can enjoy the bright colors on the screen and wave their tiny hands to the music.
  11. I'm glad I saw the film. It challenged me.
  12. So heavy on incident, contrivance, coincidence, improbability, sudden reversals and dizzying flash-forwards (sometimes years at a time) that it seems a wonder the characters don't crash into each other in the confusion.
  13. The point of the movie is not the plot, but the character and the atmosphere.
  14. Chop off the last two or three minutes, fade to black, and you have a decent film.
  15. I'm not sure the movie should have pumped up the melodrama to get us more interested, but something might have helped.
  16. You can enjoy U-571 as a big, dumb war movie without a brain in its head.
  17. [Coppola] has the courage to play it in a minor key.
  18. Not as taut as it could have been, but I prefer its emotional perception to the pumped-up sports cliches I was sort of expecting.
  19. We're swept up in the story's need to find a happy ending.
    • Chicago Sun-Times
  20. The movie gets a little confused toward the end, I think, as its writer and director, Lea Pool, tries to settle things that could have been left unresolved.
  21. Christian Bale is heroic in the way he allows the character to leap joyfully into despicability.
  22. Bullock brings a kind of ground-level vulnerability to 28 Days that doesn't make her into a victim but simply into one more suitable case for treatment.
  23. A preposterous plot, but it's not about a plot, it's about acting.
  24. If there is a weakness in East Is East, it's that Om Puri's character is a little too serious for the comedy surrounding him.
  25. The movie as a whole lacks the conviction of a real story. It is more like a lush morality play, too leisurely in its storytelling, too sure of its morality.
  26. To see this film's footage from the '70s is to see the beginning of much of pop and fashion iconography for the next two decades.
  27. There is anguish here that makes "American Beauty" pale by comparison.
  28. Works splendidly as a courtroom thriller about military values as long as you don't expect it to seriously consider those values.
  29. It is what it is, without apology or compromise. It made me smile a lot.
  30. The plot is easily summarized: "Dumb and Dumber Meet Dumbbell."

Top Trailers