Chicago Sun-Times' Scores

  • Movies
  • TV
For 8,156 reviews, this publication has graded:
  • 73% higher than the average critic
  • 2% same as the average critic
  • 25% lower than the average critic
On average, this publication grades 6.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 71
Highest review score: 100 Falling from Grace
Lowest review score: 0 Jupiter Ascending
Score distribution:
8156 movie reviews
  1. The film is well-acted, with restraint, by Hoss and Sidikhin. The writer and director, Max Faerberboeck, employs a level gaze and avoids for the most part artificial sentimentality. The physical production is convincing.
  2. I admired this Harry Potter. It opens and closes well, and has wondrous art design and cinematography as always, only more so.
  3. Of the two co-stars, what I can say is that I’m looking forward to their next films.
  4. A no-holds-barred comedy permitting several holds I had not dreamed of. The needle on my internal Laugh Meter went haywire, bouncing among hilarity, appreciation, shock, admiration, disgust, disbelief and appalled incredulity.
  5. This isn't a great movie. But it's sincere as an entertainment, it looks good, it's atmospheric, and I will perk up the next time I hear Gianna is in a picture.
  6. Funny, yes, but also observant and thought-provoking.
  7. Berg was the pioneer for an indie TV entrepreneur like Lucille Ball.
  8. Casting can be the reason that one movie works and another doesn't. It is the first reason for the success of The Girl From Monaco, the kind of romantic comedy with a twist that used to star Jack Lemmon.
  9. The movie is set up as a valentine to Vardalos. She should try sending herself flowers.
  10. It involves some of the best use of 3-D I've seen in an animated feature. It also introduces a masterstroke that essentially allows the series to take place anywhere: There is this land beneath the surface of the earth, you see...
  11. This is a very good film, with Depp and Bale performances of brutal clarity. I'm trying to understand why it is not quite a great film. I think it may be because it deprives me of some stubborn need for closure.
  12. If you have never seen a single film by Agnes Varda, perhaps it is best to start with The Beaches of Agnes.
  13. The movie never says so, but it's a practical parable about the debate between pro-choice and pro-life. If you're pro-life, you would require Anna to donate her kidney, although there is a chance she could die, and her sister doesn't have a good prognosis. If you're pro-choice, you would support Anna's lawsuit.
  14. A great film, an intelligent film, a film shot clearly so that we know exactly who everybody is and where they are and what they’re doing and why.
  15. The success of Stephen Frears’ film Chéri begins with its casting. Michelle Pfeiffer, as Lea de Lonval, is still a great beauty.
  16. The Stoning of Soraya M.”has such a powerful stoning sequence that I recommend it if only for its brutal ideological message. That the pitiful death of Soraya is followed by a false Hollywood upbeat ending involving tape recordings and silliness about a car that won't start is simply shameful. Nowrasteh, born in Colorado, attended the USC Film School. Is that what they teach there?
  17. A horrible experience of unbearable length, briefly punctuated by three or four amusing moments.
  18. A dreary experience.
  19. Recycles a plot that was already old when Tracy and Hepburn were trying it out. You see it coming from a great distance away. As it draws closer, you don't duck out of the way, because it is so cheerfully done, you don't mind being hit by it.
  20. Dead Snow, as you may have gathered, is a comedy, but played absolutely seriously by sincere, earnest young actors.
  21. Documents what threatens to become an irreversible decline in aquatic populations within 40 years.
  22. Yellnikoff, played with perfect pitch by Larry David.
  23. There's not much wrong with Tony Scott's The Taking of Pelham 1 2 3, except that there's not much really right about it.
  24. I figured it wasn't important for me to go into detail about the photography and the editing. I just wanted to scare the bejesus out of you, which is what Food, Inc. did to me.
  25. Amusing without ever being break-out funny.
  26. Moon is a superior example of that threatened genre, hard science-fiction, which is often about the interface between humans and alien intelligence of one kind of or other, including digital.
  27. This documentary by Elizabeth Chai Vasarhelyi could have used more music for my taste, and fewer talking heads. But it’s absorbing all the same.
  28. Here is a film that, for all of its plot, depends on characters in service of their emotional turmoil. It feels good to see Coppola back in form.
  29. A funny movie, flat out, all the way through. Its setup is funny. Every situation is funny. Most of the dialogue is funny almost line by line.
  30. Rarely has a film centered on a character so superficial and unconvincing, played with such unrelenting sameness. I didn't hate it so much as feel sorry for it.

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