Chicago Reader's Scores

  • Movies
For 6,312 reviews, this publication has graded:
  • 42% higher than the average critic
  • 2% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 4.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 I Stand Alone
Lowest review score: 0 Old Dogs
Score distribution:
6312 movie reviews
  1. Writer-director Mark Brown ruptures and restores the realism in this romantic comedy with ease, dispensing earnest wisdom with a little tongue in cheek instead of undermining it with a lot of irony.
    • 73 Metascore
    • 80 Critic Score
    Has its faults, but it's Barbet Schroeder's most relevant and interesting film in over a decade.
    • 50 Metascore
    • 50 Critic Score
    Two interesting asides: the director and most of the cast aren't gay, and the film is based on a true story from 1996 -- the real Iron Ladies are shown, too briefly, during the closing credits.
    • 54 Metascore
    • 30 Critic Score
    The music could have been better in this spineless drama, which has several angles but no perspective.
  2. Elegant flamenco tragedy.
  3. Realist fairy tale.
  4. Hassan Yektapanah's first film attests to the deceptive simplicity of Iranian cinema, transforming the most minimal of props, scenes, and stories into a complex journey of discovery.
    • 51 Metascore
    • 80 Critic Score
    Mott Hupfel II's noirish photography, Pete Beaudreau's smooth editing, and McAbee's wry script are all wonderful, and Dawn Weisberg's costumes are especially killing.
  5. The story (what there is of it) doesn't make much sense, but this is a very scary horror thriller that should keep you either on the edge of your seat or halfway under it.
  6. The film does offer a good deal of engaging dark humor.
  7. The script, which infantilizes one of the older siblings as much as the father does, undermines its own admonitions against parents and adult children meddling in one another's lives.
  8. A wonderfully complex examination of sexual and material politics that's full of bravely provocative, gently funny, and warmly human encounters.
    • 60 Metascore
    • 80 Critic Score
    Best of all, and unusual for a screenwriter, Anderson handles the science consistently (maybe even scientifically).
  9. This kind of wheel spinning comes from having the desire to speak but nothing much to say, and Smith, who's made a slight movie about his being a slight filmmaker, seems to know this.
  10. Awful light drama.
  11. This Farrelly brothers "hommage" replicates the mechanics of their work without echoing its spirit or complex tone, and many of the deliberate offenses fail to transcend mere exploitation.
  12. One thing I especially like about it, apart from the flavorsome 40s decor in color, is that it's silly in much the same way that many small 40s comedies were.
  13. Tedious mockumentary.
  14. It's all so overdetermined -- each encounter of the present-day lovers mirrors some moment from the long-ago day when they parted -- that it reduces their whole affair to a matter of last-minute revisionism.
  15. Sumptuously hued in its emotional and visual tones, this drama is also a fairy tale, its plot contrivances beautifully justified by its minimalism.
    • Chicago Reader
  16. Strives for comprehensive coverage of its theme of forbidden love.
  17. Jas lots of action, drama, comedy, and corn -- and few pauses, which is striking.
  18. Inspired, elaborately plotted, and unusually satisfying variable-speed chase comedy.
  19. Surprisingly, this didactic and self-consciously clever romantic comedy isn't annoying -- it's refreshing, moving, and at times quite funny.
  20. The simple premise of one scene of table-turning voyeurism is brilliant.
  21. Cathartically disgusting adventure movie.
  22. Gardos -- treats it competently, though without much freshness or imagination.
  23. The payoff matters at least as much as the setup, and this story's secret is way too easy to guess.
  24. Watchable enough on its own terms.
  25. Though I hate to ruin the complex experience of following a rather calm story about a lonely widower as it becomes something else, I feel obliged to point out that the hard-core gore and soft-core surrealism of this baroque morality play may not support any theme.

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