Chicago Reader's Scores
- Movies
For 6,312 reviews, this publication has graded:
-
42% higher than the average critic
-
2% same as the average critic
-
56% lower than the average critic
On average, this publication grades 4.9 points lower than other critics.
(0-100 point scale)
Average Movie review score: 60
| Highest review score: | I Stand Alone | |
|---|---|---|
| Lowest review score: | Old Dogs |
Score distribution:
-
Positive: 2,983 out of 6312
-
Mixed: 2,456 out of 6312
-
Negative: 873 out of 6312
6312
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
J.R. Jones
Bowdon makes a compelling argument against the defensive maneuvers of teachers' unions and in favor of vouchers and charter schools, but his documentary is no exercise in free-market cant. It merely explodes the fiction that funneling more money into the same highly bureaucratized and politicized system will fix our deepening education crisis.- Chicago Reader
- Read full review
-
Reviewed by
-
-
Reviewed by
Bill Stamets
As a director, Singleton shares with Furious a didactic streak. Singleton is no demagogue, but his fast-action style tends to erase the nuances of interracial dynamics.- Chicago Reader
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Rosenbaum
Chen Kaige clearly intended this Chinese fantasy-action spectacle to top Zhang Yimou's "Hero," and I must admit that I prefer it to the earlier movie: the digital effects are sometimes excessive, yet Chen's story of a loyal slave, his master, and a wealthy, seemingly doomed princess is more affecting, especially in the closing stretch.- Chicago Reader
- Read full review
-
Reviewed by
-
-
Reviewed by
Ted Shen
Screenwriters Paul Attanasio and Daniel Pyne stick to Clancy's sure-fire formula -- building tension from the political infighting behind a worsening crisis.- Chicago Reader
- Read full review
-
Reviewed by
-
-
Reviewed by
J.R. Jones
The epic poem Beowulf gets an imaginative, low-budget workout in this 2005 Icelandic feature by Sturla Gunnarsson.- Chicago Reader
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Rosenbaum
A rare example of a successful documentary in the mode of Frederick Wiseman made outside the United States.- Chicago Reader
- Read full review
-
Reviewed by
-
-
Reviewed by
Andrea Gronvall
Eddie Murphy strikes the right balance between silliness and pathos in this screwball family comedy.- Chicago Reader
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Rosenbaum
An impressive piece of filmmaking, with lively and suggestive depictions of pre- and postrevolutionary Cuba (shot in Mexico).- Chicago Reader
- Read full review
-
Reviewed by
-
-
Reviewed by
J.R. Jones
This fascinating video documentary covers a nine-month rehearsal of Shakespeare's final play by inmates at the Luther Luckett Correctional Complex in La Grange, Kentucky.- Chicago Reader
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Rosenbaum
Despite the thick Scottish accents, filmmaker Andrea Arnold kept me intrigued, but beyond a certain point the movie's ambiguity fades into indifference.- Chicago Reader
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Rosenbaum
This nicely made 1994 comedy-drama could be described as an Australian "Easy Rider," with Sydney drag queens instead of bikers and no apocalyptic ending.- Chicago Reader
- Read full review
-
Reviewed by
-
- Chicago Reader
- Read full review
-
-
Reviewed by
J.R. Jones
Ron Howard directed, with outstanding support from Kevin Bacon as Jack Brennan, Nixon's fierce chief of staff.- Chicago Reader
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Rosenbaum
Honest curiosity and observation are what make this work, and in this respect Christina Ricci (as Wuornos's lover, Selby Wall) is almost as good as Theron.- Chicago Reader
- Read full review
-
Reviewed by
-
-
Reviewed by
J.R. Jones
I tend to approach green documentaries with all the enthusiasm of an unemployed logger, but this hard-charging digital video about genetically modified organisms kept me on the edge of my seat with its lucid exposition and frontal assault on Monsanto.- Chicago Reader
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Rosenbaum
Provocative but also infuriating, this alarmist documentary argues that the levying of a federal income tax in 1913 was unconstitutional and set America on the road to fascism.- Chicago Reader
- Read full review
-
Reviewed by
-
-
Reviewed by
Andrea Gronvall
This video sequel to the gay comedy "Eating Out" (2004) is funnier, lighter, and faster paced.- Chicago Reader
- Read full review
-
Reviewed by
-
-
Reviewed by
J.R. Jones
With one of these two alpha males anchoring nearly every scene, Scott really can't go wrong, but the lead characters are pretty thin, a fact highlighted by generic subplots.- Chicago Reader
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Rosenbaum
The film tackles more than it can master, but it's never less than fascinating, and all three leads are exceptional.- Chicago Reader
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Rosenbaum
This shocking, violent, and unsentimental (albeit sensationalized) drama about a second-generation drug dealer (Turner) and the callous world he lives in, produced by "To Sleep With Anger's" Darin Scott, is terrifically acted.- Chicago Reader
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Rosenbaum
Conceived like a sports movie, this delivers passion, nuance, and historical insight along with unnecessary hokum.- Chicago Reader
- Read full review
-
Reviewed by
-
-
Reviewed by
Lisa Alspector
Challenges us to reconcile its snapshots of earnest entrepreneurs, colleagues, and fans with its long takes of her disillusionment.- Chicago Reader
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Rosenbaum
The deft arabesques of cinematographer Andrzej Bartkowiak juice up the suspense, and if you're not too put off by the sheer ridiculousness of the story you won't be bored.- Chicago Reader
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Rosenbaum
As long as Miller simply crosscuts between the machinations of the three mothers, the sociological and psychological parallels are intriguing, but when they're forced to share the same story line, the contrivances and coincidences begin to seem fussily elaborate.- Chicago Reader
- Read full review
-
Reviewed by
-
-
Reviewed by
J.R. Jones
It plays exactly like a Will Ferrell comedy, but better, because Ferrell's not in it.- Chicago Reader
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Rosenbaum
One of the few white vocalists to play the Apollo, O'Day does fabulous things with her hands as well as her voice when she sings. Her talent and will to survive (in the late 60s she kicked a 16-year heroin addiction) are reasons enough to see this film.- Chicago Reader
- Read full review
-
Reviewed by
-
- Chicago Reader
- Read full review
-
-
Reviewed by
Andrea Gronvall
This meticulous restoration dazzles with crisp, formally rigorous black-and-white images and a complex sound mix, as its minimalist story of three families of manual laborers unfolds against a harsh, barren peninsula.- Chicago Reader
- Read full review
-
Reviewed by
-
-
Reviewed by
Andrea Gronvall
Reeves often displays moderate to little affect onscreen; here his reserve suits the story, as the experience of acting helps the reticent loser find himself. Vera Farmiga crackles as the feisty star of the play, while James Caan, as the hero's accomplice, proves a most charming rogue.- Chicago Reader
- Posted Apr 28, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
J.R. Jones
Funny, scary, and exuberant, Kaboom delivers the goods as both a generational marker and a tale of things to, uh, come.- Chicago Reader
- Posted Feb 17, 2011
- Read full review
-
Reviewed by