Chicago Reader's Scores

  • Movies
For 6,312 reviews, this publication has graded:
  • 42% higher than the average critic
  • 2% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 4.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 I Stand Alone
Lowest review score: 0 Old Dogs
Score distribution:
6312 movie reviews
  1. Bowdon makes a compelling argument against the defensive maneuvers of teachers' unions and in favor of vouchers and charter schools, but his documentary is no exercise in free-market cant. It merely explodes the fiction that funneling more money into the same highly bureaucratized and politicized system will fix our deepening education crisis.
  2. As a director, Singleton shares with Furious a didactic streak. Singleton is no demagogue, but his fast-action style tends to erase the nuances of interracial dynamics.
  3. Chen Kaige clearly intended this Chinese fantasy-action spectacle to top Zhang Yimou's "Hero," and I must admit that I prefer it to the earlier movie: the digital effects are sometimes excessive, yet Chen's story of a loyal slave, his master, and a wealthy, seemingly doomed princess is more affecting, especially in the closing stretch.
  4. Screenwriters Paul Attanasio and Daniel Pyne stick to Clancy's sure-fire formula -- building tension from the political infighting behind a worsening crisis.
  5. The epic poem Beowulf gets an imaginative, low-budget workout in this 2005 Icelandic feature by Sturla Gunnarsson.
  6. A rare example of a successful documentary in the mode of Frederick Wiseman made outside the United States.
  7. Eddie Murphy strikes the right balance between silliness and pathos in this screwball family comedy.
  8. An impressive piece of filmmaking, with lively and suggestive depictions of pre- and postrevolutionary Cuba (shot in Mexico).
  9. This fascinating video documentary covers a nine-month rehearsal of Shakespeare's final play by inmates at the Luther Luckett Correctional Complex in La Grange, Kentucky.
  10. Despite the thick Scottish accents, filmmaker Andrea Arnold kept me intrigued, but beyond a certain point the movie's ambiguity fades into indifference.
  11. This nicely made 1994 comedy-drama could be described as an Australian "Easy Rider," with Sydney drag queens instead of bikers and no apocalyptic ending.
  12. A spirited crowd-pleaser.
  13. Ron Howard directed, with outstanding support from Kevin Bacon as Jack Brennan, Nixon's fierce chief of staff.
  14. Honest curiosity and observation are what make this work, and in this respect Christina Ricci (as Wuornos's lover, Selby Wall) is almost as good as Theron.
  15. I tend to approach green documentaries with all the enthusiasm of an unemployed logger, but this hard-charging digital video about genetically modified organisms kept me on the edge of my seat with its lucid exposition and frontal assault on Monsanto.
  16. Provocative but also infuriating, this alarmist documentary argues that the levying of a federal income tax in 1913 was unconstitutional and set America on the road to fascism.
  17. This video sequel to the gay comedy "Eating Out" (2004) is funnier, lighter, and faster paced.
  18. With one of these two alpha males anchoring nearly every scene, Scott really can't go wrong, but the lead characters are pretty thin, a fact highlighted by generic subplots.
  19. The film tackles more than it can master, but it's never less than fascinating, and all three leads are exceptional.
  20. This shocking, violent, and unsentimental (albeit sensationalized) drama about a second-generation drug dealer (Turner) and the callous world he lives in, produced by "To Sleep With Anger's" Darin Scott, is terrifically acted.
  21. Conceived like a sports movie, this delivers passion, nuance, and historical insight along with unnecessary hokum.
  22. Challenges us to reconcile its snapshots of earnest entrepreneurs, colleagues, and fans with its long takes of her disillusionment.
  23. The deft arabesques of cinematographer Andrzej Bartkowiak juice up the suspense, and if you're not too put off by the sheer ridiculousness of the story you won't be bored.
  24. As long as Miller simply crosscuts between the machinations of the three mothers, the sociological and psychological parallels are intriguing, but when they're forced to share the same story line, the contrivances and coincidences begin to seem fussily elaborate.
  25. It plays exactly like a Will Ferrell comedy, but better, because Ferrell's not in it.
  26. One of the few white vocalists to play the Apollo, O'Day does fabulous things with her hands as well as her voice when she sings. Her talent and will to survive (in the late 60s she kicked a 16-year heroin addiction) are reasons enough to see this film.
  27. Funny, smart, and complacent.
  28. This meticulous restoration dazzles with crisp, formally rigorous black-and-white images and a complex sound mix, as its minimalist story of three families of manual laborers unfolds against a harsh, barren peninsula.
  29. Reeves often displays moderate to little affect onscreen; here his reserve suits the story, as the experience of acting helps the reticent loser find himself. Vera Farmiga crackles as the feisty star of the play, while James Caan, as the hero's accomplice, proves a most charming rogue.
  30. Funny, scary, and exuberant, Kaboom delivers the goods as both a generational marker and a tale of things to, uh, come.

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