Boxoffice Magazine's Scores
- Movies
For 985 reviews, this publication has graded:
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51% higher than the average critic
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2% same as the average critic
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47% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Sita Sings the Blues | |
|---|---|---|
| Lowest review score: | Date Night |
Score distribution:
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Positive: 389 out of 985
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Mixed: 513 out of 985
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Negative: 83 out of 985
985
movie
reviews
- By Date
- By Critic Score
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- Critic Score
Fischer and Messina may make a cute pair, but amidst such contrivances, they're powerless to make this RomCom seem like anything more than a creaky retread of obvious indie clichés.- Boxoffice Magazine
- Posted Apr 23, 2012
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- Critic Score
Sound of My Voice offers promise and pay off at the same time. Star and writer Brit Marling is having a rare double-whammy of a debut.- Boxoffice Magazine
- Posted Apr 21, 2012
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- Boxoffice Magazine
- Posted Apr 21, 2012
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Reviewed by
Amy Nicholson
The bad news is that if you haven't seen "Thor," "Captain America" and "Iron Man 2" - that's six hours and three minutes of homework - The Avengers won't make sense. The good news is if you're a human under the age of 45, you probably already have.- Boxoffice Magazine
- Posted Apr 20, 2012
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- Critic Score
A winning cast and solid writing from screenwriters Keith Merryman and David A. Newman (Friends With Benefits) should appeal to men and women alike.- Boxoffice Magazine
- Posted Apr 19, 2012
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Reviewed by
Pete Hammond
Kids should especially like this magnificent and heartwarming look at the life of young Oscar.- Boxoffice Magazine
- Posted Apr 19, 2012
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Reviewed by
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Reviewed by
Pete Hammond
The emotions are flat, predictable and forced when they ought to be romantic.- Boxoffice Magazine
- Posted Apr 19, 2012
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With bubbles of nascent arousal frothing at the film's feminine surface, Moth Diaries' commercial potential is likely to hinge on whether or not audiences can stand to be confronted with the confusion they felt as adolescents.- Boxoffice Magazine
- Posted Apr 15, 2012
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Stolidly maudlin, this enervating sub-middlebrow pic is doomed to well-deserved commercial obscurity.- Boxoffice Magazine
- Posted Apr 15, 2012
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Reviewed by
Pete Hammond
Sure you could just go and rent the original DVDs, but this kind of gut-busting, hit 'em in the groin humor is still funny as hell, especially in the hands of the Farrelly Brothers.- Boxoffice Magazine
- Posted Apr 12, 2012
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Reviewed by
Pete Hammond
The kids, especially Néron and Nélisse are irresistible and supporting players are well-cast. Human dramas like Monsieur Lazhar are a rare breed these days and this exceptional example is one to be cherished.- Boxoffice Magazine
- Posted Apr 11, 2012
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- Boxoffice Magazine
- Posted Apr 11, 2012
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Reviewed by
Ray Greene
Visually sumptuous and with a real literary beauty in both its narrative structure and dialogue.- Boxoffice Magazine
- Posted Apr 9, 2012
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Reviewed by
Sara Maria Vizcarrondo
Still, the fans are lovable no matter how mixed the Comic-Con bag is, and Morgan Spurlock is precisely the doc maker to tell us about it.- Boxoffice Magazine
- Posted Apr 8, 2012
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Reviewed by
Pete Hammond
The result is the best slice of Pie yet: a savvy sequel that's flat-out hilarious raunchy fun.- Boxoffice Magazine
- Posted Apr 4, 2012
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Reviewed by
Richard Mowe
Piccoli in a role that relies on looks, gestures and very few words, does not hit an off note, making him into a silent, everyman figure.- Boxoffice Magazine
- Posted Apr 3, 2012
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A gripping new documentary that's essential viewing for anybody who believes that the impact of global warming is tomorrow's problem.- Boxoffice Magazine
- Posted Apr 3, 2012
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Reviewed by
Sara Maria Vizcarrondo
It's a mixed blessing to see these dramas play out in Norwegian, surrounded by what we tend to imagine are more liberal perspectives on sex.- Boxoffice Magazine
- Posted Apr 3, 2012
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While the scenario has all the smirking charm of Stillman's earlier movies, the sobering realities of off-campus life are never even alluded to, and the humor of insularity eventually becomes stifling.- Boxoffice Magazine
- Posted Apr 1, 2012
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Graceful cinematography captures the loneliness and isolation of these kids with understatement, even when the director succumbs to twinkling piano that pulls a tad too hard on the heartstrings.- Boxoffice Magazine
- Posted Mar 29, 2012
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- Boxoffice Magazine
- Posted Mar 29, 2012
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Wrath of the Titans delivers blockbuster bluster with single-minded blandness.- Boxoffice Magazine
- Posted Mar 28, 2012
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An orgiastic barrage of violence, The Raid: Redemption is, at least in its finest moments, one of the most breathless, blistering action movies in recent memory.- Boxoffice Magazine
- Posted Mar 27, 2012
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As action, as allegory, as cinema, The Hunger Games is the best American science-fiction film since "The Matrix," and if Ross and his crew stay with the series for the next two books, we may get that rarest of things: a blockbuster franchise that earns our money through craft, emotion and execution, not merely marketing and effects.- Boxoffice Magazine
- Posted Mar 16, 2012
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Reviewed by
Amy Nicholson
Is the result - a slapstick, bizarro melodrama where Ferrell plays the Mexican born and bred scion of a wealthy farmer - meant more for Spanish speakers or stoned and giggly Americans? It's a tough call.- Boxoffice Magazine
- Posted Mar 16, 2012
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Reviewed by
Richard Mowe
It is the boy's tough exterior and lack of self-pity that binds the narrative together, making this one of the Dardennes' most appealing undertakings.- Boxoffice Magazine
- Posted Mar 12, 2012
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Drew Goddard's giddily brilliant The Cabin in the Woods has a lot on its twisted mind.- Boxoffice Magazine
- Posted Mar 10, 2012
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Reviewed by
Sara Maria Vizcarrondo
While A Thousand Words features some reverent flashes and even has the potential to touch audiences (a moment involving a mother with Alzheimer's particularly hits home), it suffers from being too broad.- Boxoffice Magazine
- Posted Mar 10, 2012
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Reviewed by
Sara Maria Vizcarrondo
A family drama that looks for answers in coincidence (is it really ever coincidence?), this endearing and breezy comic fable watches Jeff's coming of age and promises nothing after his moment of truth.- Boxoffice Magazine
- Posted Mar 9, 2012
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Reviewed by
Sara Maria Vizcarrondo
Jonah Hill is masterful at delivering an absurd story with so much sweetness, the nonsense ceases to get in the way.- Boxoffice Magazine
- Posted Mar 9, 2012
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Reviewed by