Boxoffice Magazine's Scores
- Movies
For 985 reviews, this publication has graded:
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51% higher than the average critic
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2% same as the average critic
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47% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Sita Sings the Blues | |
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| Lowest review score: | Date Night |
Score distribution:
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Positive: 389 out of 985
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Mixed: 513 out of 985
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Negative: 83 out of 985
985
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Wade Major
Offers the kind of intimate, naturalistic look at human interaction that recalls the heyday of Eric Rohmer.- Boxoffice Magazine
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Reviewed by
Mark Keizer
In his densely constructed and pretty damn brilliant film The Juche Idea, Finn takes aim at North Korean president Kim Jong-il's theories on cinema and how its ultimate purpose is to advance political ideology and party loyalty.- Boxoffice Magazine
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Reviewed by
Sara Maria Vizcarrondo
The "Fab Four's" dramadies continue for the audiences who love them. Trouble is the surrounding story and its supposedly fun sojourns are as embarrassing as granny panties.- Boxoffice Magazine
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Reviewed by
Pete Hammond
Hilarious and heartfelt from start to finish, this is the best Shrek of them all, and that's no fairy tale.- Boxoffice Magazine
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Amy Nicholson
What makes Forte so funny is that he stalks through the flick cocksure and utterly deadpan.- Boxoffice Magazine
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Reviewed by
Tim Cogshell
The central notion in After the Cup is not the obvious; we can all live and work together to our greater achievement no matter where we are from or who we are. Rather, the question here is-will we-even when we lose the football game? It's a much smarter and more interesting question.- Boxoffice Magazine
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Reviewed by
Ray Greene
Holy Rollers is mostly a marker being put down by some talents to watch, especially Eisenberg, who is greater than fans of "Zombieland" could have imagined.- Boxoffice Magazine
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Reviewed by
Steve Ramos
Boasting impressive production values, engaging storytelling and a standout lead performance by German star Ulrich Tukur, John Rabe will receive enthusiastic word of mouth from select arthouse audiences.- Boxoffice Magazine
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- Boxoffice Magazine
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Reviewed by
Steve Ramos
Curry also emphasizes the human drama of the kid drivers who face their own distinct challenges and setbacks in order to become champions.- Boxoffice Magazine
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Reviewed by
Wade Major
Notwithstanding Steven Soderbergh's name among the nine credited producers, this is strictly mid-level assembly line product, designed to ride entirely on the modest marquee value of second-tier or past-prime stars.- Boxoffice Magazine
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Reviewed by
Wade Major
It's certainly a story worth telling, but hardly as pivotal and all-encompassing as they would like to believe, all of which makes the effort far more exhausting than it ever should have been.- Boxoffice Magazine
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Reviewed by
Steve Ramos
Daddy Longlegs is a discovery destined for year-end top ten critics lists and comparisons to classics like Vittorio De Sica's "Bicycle Thieves" are expected. Hopefully, Daddy Longlegs will also introduce the Safdie brothers to the larger audiences they deserve.- Boxoffice Magazine
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Reviewed by
Pete Hammond
The entire cast is superb. Crowe's an ideal Robin Hood-born to play the role-he's fully in command but human to the core. He owns it.- Boxoffice Magazine
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Amy Nicholson
This movie believes that true love isn't supposed to be hard. A fine ideal, but it feels as flat as a pizza.- Boxoffice Magazine
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Reviewed by
Mark Keizer
So it's apropos that Forby's biggest misstep is his thin and careful script that can't carry us away on the same winds of fate that would put a sovereign republic's future in the hands of such a young woman.- Boxoffice Magazine
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Reviewed by
Richard Mowe
Veteran British director Ken Loach fields one of his most accessible and lightly-toned offerings to date with this comedy about a football fanatic trying to sort out his life.- Boxoffice Magazine
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Reviewed by
John P. McCarthy
There's nothing more irritating than a piece that strains to be kooky and eccentric, yet one reason The Living Wake ultimately gets to you is that O'Connell is not trying too hard.- Boxoffice Magazine
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Reviewed by
John P. McCarthy
An entomologist's delight, Jessica Oreck's movie about Japan's insect mania is worth watching even if you're repulsed by creepy-crawlers.- Boxoffice Magazine
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Reviewed by
Pete Hammond
The story behind brothers Logan and Noah Miller getting their movie made is almost better than what’s onscreen, but the film is heartfelt and engaging enough to be worthy of attention.- Boxoffice Magazine
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Reviewed by
Pete Hammond
Fans of the first will not be bored. This Iron Man may not be the Godfather II of comic book movie sequels critics hope for but it is a complete blast anyway.- Boxoffice Magazine
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Amy Nicholson
This documentary on one of the most universal, photographed, analyzed, opined upon and slavered over human experiences manages to astound.- Boxoffice Magazine
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Pete Hammond
A fascinating, strangely funny and remarkable film about events so incredible you'll likely have a hard time believing what you see onscreen.- Boxoffice Magazine
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Reviewed by
Amy Nicholson
We get the broad strokes of how the hippies corrupted their own movement, but there isn't a single lead character we'd give a dollar to on Haight Street.- Boxoffice Magazine
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Reviewed by
Steve Ramos
Annette Bening is the most pivotal character in the movie, both angry and scared.- Boxoffice Magazine
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Reviewed by
Pete Hammond
Channing doesn't bring any new tricks to the table but with her character's tenacious and spirited nature she's fun to have around for a few brief scenes.- Boxoffice Magazine
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Reviewed by
Pam Grady
By focusing on the human aspect of Al-Qaeda, The Oath does give the viewer something to think about, but the film is unsatisfying, raising questions and providing too few answers.- Boxoffice Magazine
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Reviewed by
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- Boxoffice Magazine
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- Boxoffice Magazine
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