Cary Joji Fukunaga's romantic thriller Jane Eyre is to 19th-century literature what "Black Swan" is to ballet: a thoroughly cinematic, occasionally exhilarating reimagining of a repertoire standard.

The perfect family film in every way, moms, dads, kids and even those Martians are gonna love this funny, warm and wonderful tale.

Hardwicke shows a strong grasp at epic fantasy with Red Riding Hood; her nemesis is not a man-eating wolf but an unsurprising script.

The romantic fable of love, marriage, art and second chances may not add up to all that much but the journey is exquisite.

A film with a big heart; it's an eccentric dramedy and a crowd pleaser.

With the stranger in a strange land motif, the movie plays a little bit like the 2007 Israeli dramedy "The Band's Visit" and Liev Shreiber's "Everything Is Illuminated" rolled into one.

Funnier, sharper and sweeter than expected.

It's only sporadically amusing and it's certainly not original.

For the most part, Olliver and Orshoski are smart enough to allow Lemmy's unique personality to come to them, as opposed to pushing a case for it.

The script is intermittently literate and frequently funny, the young cast (headed by Radnor) is highly appealing.

Plenty of people die in I Saw the Devil, but it is that first attack on Ju-yeon in the movie's opening minutes that reverberates through the epic 141-minute running time.

Wonderfully animated, witty and wildly imaginative.

The action, fantasy and suspense elements are all highly enjoyable, but if the romance didn't work this movie would fall apart.

A whimsical essay about the final days of a villager suffering from kidney failure it is undoubtedly one of the filmmaker's most accessible works.

Stylish and funny.

Almost as bad as we want it to be, which is to say, it straddles the line between campy and legit without winning over either audience.

Wilson is nicely restrained as a loving husband caught in a middle-aged crisis, while Sudeikis makes a great foil as a guy in over his head.

The film is at once clever, poignant and timely.

The film is masterfully directed by Xavier Beauvois who co-wrote the screenplay. At Cannes, Of Gods and Men received the runner-up Grand Prix. It's also France's selection for the Best Foreign Language Film Oscar.

Brotherhood moves fast, but it can't outrun its superficiality.

Starved of humor and energy, the interminable Big Mommas: Life Father, Like Son could force Lawrence and co-star Brandon T. Jackson undercover for real.

The dark is not threatening, and metaphorical darkness is even less so; as a result this movie is not particularly scary.

A superficially provocative movie that tries way too hard to be memorable. Horror aficionados will be tantalized before walking away unsatisfied.

Having spent multiple summers in Kashmir as a child, he (Tapa) knows what the average Kashmiri wants and the difficulties they encounter trying to get it. It's what makes Zero Bridge a winning example of modesty in front of the camera and intelligence behind it.

While the anthropomorphism Joubert employs to tell the lions' story may strike some as cloying, ultimately that doesn't distract from this tale of survival in an inhospitable environment.

Shadyac spins cooperation in a different direction. I Am takes the sharing instinct as proof that all living beings are interconnected.

Jones delivers her line readings so robotically that even her truths sound like lies. She's got the look of a Hitchcock blonde, and the movements of a deer in the headlights. Even her kisses look fake.

While Caruso will fail to win over adult reviewers, I Am Number Four will connect with teen moviegoers anxious for a new young adult fantasy fix to hold them until the next "Twilight Saga" hits in November.