Boston Globe's Scores

For 7,945 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 0.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7945 movie reviews
    • 66 Metascore
    • 63 Reviewed by
      Ty Burr
    Tales, which (as the title suggests) is an "Arabian Nights"-style omnibus, has similarly eye-bending backgrounds but a creatively monochromatic foreground that comes to feel like a limitation.
  1. This fifth and mercifully final installment features so much idle anticipation that it's unclear whether we're watching a movie or an Apple product launch.
    • 49 Metascore
    • 63 Reviewed by
      Ty Burr
    A big, sorrowful, dramatically trite period epic about a bleak chapter in the history of modern France.
    • 61 Metascore
    • 75 Reviewed by
      Ty Burr
    This isn't a great movie, but it is a special one. And Penn is something to see.
    • 87 Metascore
    • 88 Reviewed by
      Ty Burr
    It makes politics exciting again.
  2. These are truly tedious stakes for an action movie. The franchise isn't worried about world safety. It's fretting over whether to start wearing Depends.
    • 77 Metascore
    • 63 Reviewed by
      Ty Burr
    A less than inspiring documentary about extremely inspiring individuals, High Ground is worth seeing for what it shows rather than how it shows it.
  3. Lacks the creepy immediacy of even the most misbegotten of the found-footage genre.
    • 67 Metascore
    • 63 Reviewed by
      Ty Burr
    The performances are worth a look, especially since Christopher Walken so rarely gets to play a sane person.
  4. Manages to be both compelling and unsatisfying. But what limits it isn't lack of execution. The movie is many things, but a mess isn't one of them. Estes knows exactly what he wants. Whether it's worth wanting is another matter.
    • 77 Metascore
    • 75 Reviewed by
      Ty Burr
    I'm wary of implying that it's your civic duty to see The House I Live In, but - guess what - it is. And see it with someone whose views are different from your own. We're going to need everyone to help get us out of this mess.
  5. The film has sprung from the mind of the Frenchman Leos Carax and ought to be seen to be believed, on the largest screen you can find, and probably sober, too, since it becomes its own narcotic.
  6. The movie captures a kind of tragedy of self.
    • 72 Metascore
    • 50 Reviewed by
      Ty Burr
    It's pure plastic product from plot line to the pro forma 3-D to the tidy moral lessons - ersatz family entertainment as disposable as it is diverting. It made me want to go read a book.
  7. Flight is a so-so movie with Denzel Washington as a commercial-airline pilot who crash-lands a plane while drunk, high, hung over, and horny. It doesn't do much that you couldn't anticipate just by seeing the trailer - the trailer is more exciting than the movie itself.
  8. But when there's such a lighthearted, boys-at-play manner about the story's established aspects, it creates an odd disconnect from the World War II tolerance lessons that the filmmakers seek to add. War and persecution are bad, kids - except when it's all in good fun.
  9. The most interesting thing about Smashed is the way Kate, the movie's alcoholic schoolteacher, never looks drunk - at least, not the way drunk people do in the movies.
  10. It's done persuasively enough that you wonder how you'd feel under similar circumstances.
    • 71 Metascore
    • 75 Reviewed by
      Ty Burr
    The movie feels loose and unpredictable. You're never sure where Paul or the story is going, and while that makes The Big Picture unexpectedly gripping for much of its running time, the shapelessness ultimately wins out.
    • 79 Metascore
    • 88 Reviewed by
      Ty Burr
    The achievement of this simply told, exceptionally fine film is the clarity with which it portrays the drama of a good soul in an inert body.
  11. Come for the surfing. Stay for the sainthood.
  12. All over the map in the details it throws at us, and the level of immaturity it aims for.
    • 55 Metascore
    • 63 Reviewed by
      Ty Burr
    Unlike "Tree" or "2001," Cloud Atlas offers more answers than it does questions, and by the end of its nearly three-hour running time - which flies by surprisingly fast, all things considered - it feels like the most feverishly expensive late-night college bull session ever. There are glories here, but they fade in the light of day.
  13. The ending steals actionably from "The Blair Witch Project," the movie that helped spawn these first-person chillers.
  14. It's delicately made, yet forceful in its delicacy.
    • 62 Metascore
    • 75 Reviewed by
      Ty Burr
    The movie's sharp-tongued and softhearted, a Sundance kind of film that mostly sidesteps generic Sundanceyness.
  15. Knowlton has landed on four stories that deserve to be told, and she's told them in a straightforward way that gets the job done, with obvious dedication and love.
  16. The comedy in Robelin's movie veers from wacky and overwritten to truly, beautifully sad, especially the whimsical final sequence, which is as apt an existential tribute to the afterglow of Fonda's fabulousness as you'll see.
    • 70 Metascore
    • 63 Reviewed by
      Ty Burr
    If the new Wuthering Heights makes you uncomfortable, that's part of Andrea Arnold's game plan.
    • 72 Metascore
    • 50 Reviewed by
      Ty Burr
    An amiable if not especially urgent celebration of the life and work of Wayne White.

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