Boston Globe's Scores

For 7,964 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 0.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7964 movie reviews
    • 49 Metascore
    • 63 Critic Score
    Big, noisy, harmless, and a little clumsy -- yep, that's Clifford, the Big Red Dog. And it's Clifford's Really Big Movie, too.
  1. In light of our recent crackdown on runaway nudity, the steady stream of exposed breasts in the gnarly Eurotrip give it a nostalgic feel.
  2. Every ounce of the film feels artificially upbeat.
    • 75 Metascore
    • 63 Reviewed by
      Ty Burr
    If you've ever staggered out of IKEA oppressed by the clean, inhuman lines of a thousand affordable dinette sets, you may get a kick out of Bent Hamer's comedy Kitchen Stories.
    • 33 Metascore
    • 38 Reviewed by
      Ty Burr
    It's a disappointingly limp small-town farce played several shades too broadly by a cast that has done better work elsewhere.
    • 73 Metascore
    • 88 Reviewed by
      Ty Burr
    A straight-up drama and thus the only film in "The Trilogy" not forced into a genre straitjacket -- suspense thriller ("On the Run") or farce ("An Amazing Couple") -- "Life" is also the finest of the three. This isn't a coincidence.
  3. Lively and beautiful filmmaking. It may leave you scratching your head, but it shouldn't leave you cold.
    • 48 Metascore
    • 63 Reviewed by
      Ty Burr
    The plot -- it's inspired and ridiculous at the same time -- is best described as "Groundhog Day" meets "Memento."
  4. In Robot Stories, technology hasn't colonized human life, it's finding ways to make living (and loving) better.
    • 61 Metascore
    • 63 Reviewed by
      Ty Burr
    Turns what sounds suspiciously like a gimmick into a concept that holds water. Or, in this case, the sparkling wine of comedy.
    • 83 Metascore
    • 88 Reviewed by
      Ty Burr
    Osama works simply as the story of one unlucky young girl.
  5. A terrifyingly cheap-looking B-movie comedy mocking terrifyingly cheap-looking science-fiction B-movies. As such things go, this one has its moments.
  6. You might cheer. You might cry. For a minute, you might even wish it were you on that medal stand.
  7. Takes a dedicated and true snapshot of African-American life. But so little of its presentation is memorable. This is a haircut movie that redefines ''fade.''
    • 33 Metascore
    • 50 Reviewed by
      Ty Burr
    Flatters its audience by dividing the grown-up world into mean idiots and nice idiots, which might be interestingly subversive if the movie had anything on its mind. Instead, it's just a Hollywood crash course: Heist Films 101.
    • 82 Metascore
    • 88 Reviewed by
      Ty Burr
    Filmed with a cold, poetic beauty, The Return slowly strips away motivation until it arrives at a place of myth both private and oddly universal.
    • 63 Metascore
    • 75 Reviewed by
      Ty Burr
    The Dreamers isn't that bad -- actually, it's funny, affecting, interestingly twisted, and seriously erotic before it heads south in the final stretch.
  8. What's unique about this documentary is that it grips history with both hands, shakes it, examines it, and exits with the entire wrinkled contents bravely in tow.
    • 78 Metascore
    • 75 Reviewed by
      Ty Burr
    Less striking for its storyline than for the world it presents -- a rural moonscape of coal-dust, casual environmental disaster, and atavistic behavior.
    • 75 Metascore
    • 50 Reviewed by
      Ty Burr
    This payback-revenge storyline, told mostly at night with minimal dialogue, is tense but familiar, and Bruno's quick-draw costume changes are fun to watch.
  9. Comes tantalizingly close to being interesting.
  10. Such a well-meaning but unambitious work that it's tempting to take it seriously even as you dismiss it.
    • 42 Metascore
    • 25 Reviewed by
      Ty Burr
    No one on the screen bothers to commit to a character.
  11. Part soap opera and part thriller, and it has the unique characteristic of being both undeveloped and overwritten.
  12. So, how's the food? The camera never even goes up close. That's the kind of restaurant documentary this is.
  13. As casually insensitive and careless as you might expect from a film of this era, but it's also surprisingly crafty about finding ways to incite discussion
    • 52 Metascore
    • 50 Reviewed by
      Ty Burr
    A pleasant puff-pastry throwback to Sandra Dee movies, ''Bye Bye Birdie,'' and other pre-Beatles effluvia.
    • 82 Metascore
    • 88 Reviewed by
      Ty Burr
    As sagas of endurance in the face of ridiculous odds go, this story is up there with Shackleton and ''Into Thin Air.''
    • 30 Metascore
    • 25 Reviewed by
      Ty Burr
    A film of singularly boneheaded conceits, Butterfly is populated by, and appears to have been made by, stoned college dudes more hung up on oh-wow twists than the need to make sense.
  14. It wants, as Kate says about her documentary, to be a "seminal work on beauty and aging." But it wears like a gauzy romantic comedy.

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