Boston Globe's Scores

For 7,945 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 0.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7945 movie reviews
  1. Easily, the best character in the film is Nazneen's tubby husband, who's been angling to take the family back to Bangladesh.
    • 63 Metascore
    • 75 Reviewed by
      Ty Burr
    The period ambience, comforting yet urgent, is the best part of Kit Kittredge - that and Breslin, who never once gets actressy.
    • 34 Metascore
    • 25 Reviewed by
      Ty Burr
    You feel like you're not watching the end of the world but the end of a career.
  2. There's a certain pleasure to be had in some of the physical blowouts.
  3. As loving and welcome as Chris & Don is, it's not well enough conceived to create equilibrium among its many parts.
    • 84 Metascore
    • 88 Reviewed by
      Ty Burr
    Maddin's Winnipeg is a rich, funky, funny stew of fears and desires, of mangled civic chronology mashed up with hothouse private emotions. This is a secret history, and it's a wonder.
    • 75 Metascore
    • 75 Critic Score
    This being a Czech film, drama, comedy, history, and social commentary are served up in equal proportion.
    • 80 Metascore
    • 88 Reviewed by
      Ty Burr
    Does Antarctica attract dreamers or create them? It's a thread that runs throughout the film.
    • 74 Metascore
    • 63 Reviewed by
      Ty Burr
    Kung Fu Panda goes nowhere surprising even as its images unscroll handsomely before our eyes. The sound could go out in the theater, and you wouldn't ask for your money back.
  4. Nothing has brought me more cheap pleasure at a movie this year than the sight of shampoo and conditioner bottles falling off a rocking wall while comedian Alec Mapa, as a fellow stylist, tries to keep a straight face. He does a much better job than I did.
  5. Even at the movie's most ridiculous (and Mongol is not without its ridiculous moments), this is a picture you laugh with more than laugh at.
  6. Argento set a standard a lot of moviemakers are desperate to surpass. It's not simply that he's crazy about gore and supernatural hokum. It's that he understands that storytelling is both an art and a craft. His filmmaking carries you along on the illusion of effortlessness; amusement, suspense, a certain elegance follow.
  7. A good, occasionally insightful workplace comedy.
    • 69 Metascore
    • 75 Reviewed by
      Ty Burr
    It spreads the punishment around, from the executive suites of Hollywood to the mean streets of Baghdad. Everyone here comes out smelling bad - that's why the film's so good.
    • 80 Metascore
    • 75 Reviewed by
      Ty Burr
    A hugely entertaining personal documentary about what steroids mean to American pop culture.
    • 63 Metascore
    • 50 Reviewed by
      Ty Burr
    The film itself suggests a sketch video on Ferrell and McKay's "Funny or Die" website, padded out to the dimensions of a character comedy.
    • 51 Metascore
    • 63 Reviewed by
      Ty Burr
    A chilly inquest into very bad behavior, Savage Grace is presented to us like an entrée at a five-star French restaurant. It's decadence under glass.
  8. For the moment, King has restored women to their rightful place in a genre that is nothing without them. But, sadly, that genre isn't romantic comedy. It's the chick flick.
  9. A horror film with a moral. No matter how nasty a gang of murderers is, the moviemaker calling the shots is ultimately worse.
    • 56 Metascore
    • 50 Reviewed by
      Ty Burr
    The movie looks great at least, and the cast includes such stalwarts of Italian cinema as Claudia Gerini and Pierfrancesco Favino.
  10. Gordon made similar lurches all over the map in his previous exercise in grotesquerie, "Edmond," which was based on a David Mamet play and starred William H. Macy as, of all things, a racist misogynist on a grisly bender. Stuck could have used some of that outrageousness.
    • 49 Metascore
    • 63 Critic Score
    What ought to be the pinnacle of the story - the orphans' odds-defying 500-mile march over snow-covered mountains toward the relative safety of the Mongolian desert - is shunted toward the end of the film and compressed to a near-footnote.
    • 37 Metascore
    • 38 Reviewed by
      Ty Burr
    All that's missing is coherence. Call it Blunderbuss Satire.
    • 65 Metascore
    • 75 Reviewed by
      Ty Burr
    Merely grand old-school fun - a rollicking class reunion that stands as the second best entry in the venerable series.
  11. With impeccable skill, Akin has made a film roiling with cruelty but guided by tough political optimism. No, we can't all get along, but some us of are trying.
    • 55 Metascore
    • 75 Critic Score
    Director Parvez Sharma, a gay Muslim himself, takes pains to show the wide range of Islam's attitudes toward homosexuality.
    • 62 Metascore
    • 75 Reviewed by
      Ty Burr
    Take away the storming music and grand vistas, and it's all a standard sword-and-sorcery adventure; director Andrew Adamson is more than a journeyman but much less than the visionary Peter Jackson is.
    • 79 Metascore
    • 88 Reviewed by
      Ty Burr
    Reprise is exceptionally smart about the crushing expectations brought to the table by those who love us.
    • 37 Metascore
    • 50 Reviewed by
      Ty Burr
    The movie demands you be a glutton for sensation and then has the nerve to ask why you're not hungrier.
    • 64 Metascore
    • 63 Reviewed by
      Ty Burr
    The Fall is what you'd get if you told a fiendishly gifted graphic illustrator the plot of "The Princess Bride" and sent him off to come up with his own version.

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