Boston Globe's Scores

For 7,964 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 0.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7964 movie reviews
    • 73 Metascore
    • 75 Reviewed by
      Ty Burr
    Thirst is deliriously bonkers and keeps getting more so; you watch it holding your breath, waiting to see where Park will zigzag next.
    • 42 Metascore
    • 38 Reviewed by
      Ty Burr
    Aliens in the Attic is conveyor-belt family product, an action/adventure/sci-fi/comedy made from the bland corporate DNA of Nickelodeon and the Disney Channel. It appears designed for families who never leave the mall.
  1. Another helping of egregious slicing and slashing.
    • 80 Metascore
    • 88 Reviewed by
      Ty Burr
    The Dardennes resist the expected cliches: The climactic scenes gather force and purpose and the movie seems headed for a breakthrough of some sort, but then it glides softly and unexpectedly to a halt.
  2. It’s as slickly enjoyable as anything you’d see on VH1.
    • 74 Metascore
    • 75 Reviewed by
      Ty Burr
    Through a fluke of release-schedule timing, it arrives as the anti-“Inglourious Basterds’’ - a story about heroic Nazi-killers in which heroism itself sinks under bewildering crosscurrents of motive and uncertainty.
  3. Is a man with Asperger’s boyfriend material? It’s difficult to determine how we wind up here, but it’s strange that a movie ostensibly about a man and his lack of social options left me depressed about a woman and hers.
    • 83 Metascore
    • 88 Reviewed by
      Ty Burr
    As a ranking cabinet minister in the brutally funny political satire In the Loop, actor Peter Capaldi unfurls dazzling verbal ribbons of the foulest language imaginable, thunderbolts of vulgarity that carry the force of precision carpet-bombing.
    • 42 Metascore
    • 63 Reviewed by
      Ty Burr
    The best part of Orphan is the outstandingly lunatic plot twist that kicks in just as you're checking your watch and hoping they'll wrap things up. This development - I'd love to tell you, but you wouldn't believe me - boosts the movie into overdrive for a final 20 minutes of happy, disreputable mayhem.
  4. The movie has embarrassingly limited ideas about both the sexes and sex. Like Sandra Bullock’s career woman in “The Proposal,’’ Abby appears to have never heard of intercourse, much less experienced it.
    • 41 Metascore
    • 38 Reviewed by
      Ty Burr
    The general consensus on this one: Rats.
  5. This movie brings to mind much better cable TV shows like the marijuana comedy "Weeds,’" the one-on-one psychodramas of "In Treatment," and the astonishingly cinematic "Breaking Bad."
    • 76 Metascore
    • 75 Reviewed by
      Ty Burr
    It's an "Annie Hall" for the iPod generation: über-designed, pleasing to the touch, making up in generic sweetness what it lacks in bite.
  6. Installment six of the Harry Potter’ series, The Half-Blood Prince, merely gets us one movie closer to the finale, which, apparently is so big (and by big, I mean “$$$$’’) that it’s being split into two parts.
    • 77 Metascore
    • 88 Reviewed by
      Ty Burr
    Somers Town, is a trifle: A short black-and-white lark with sharp edges and a soft center. It has its raptures, though, and then some. A disarmingly slight tale of adolescent friendship, Somers Town is one of those rare movies that seems to discover itself as you watch it.
  7. Brüno is what "Borat’" was too well-done to be: a publicity stunt about publicity stunts.
    • 74 Metascore
    • 63 Reviewed by
      Ty Burr
    Serves up some caustic laughs before fizzling out.
  8. The finale of this tedious piece of Asian-ish action-schlock based on a popular anime series implies an intention to make more. One was plenty for me.
    • 32 Metascore
    • 50 Reviewed by
      Ty Burr
    Panettiere, I’m sad to report, is a dud as the title character, a supposed wild thang who never rises above the level of runty, obnoxious mall chick, down to the roll-on tan.
  9. The idea is to share with us that this show happened. But gluttons for these artists and for music festivals in general might wonder, as I have, whether there's any way the filmmakers might share more of the remaining 123 1/2 hours.
  10. The documentary, like the series, is haimish in the extreme - cozy, warm, homey.
    • 72 Metascore
    • 63 Critic Score
    In the end, the sparse dialogue and lengthy scenes make the film feel as leaden and listless as Juan's sputtering engine.
    • 52 Metascore
    • 50 Critic Score
    Doesn't seem to know whether it wants to be a sprightly sex comedy or an enigmatic little thriller. Unfortunately, it's neither very funny nor very thrilling.
  11. The movie is also more extraordinary than a mere scenic slideshow.
    • 70 Metascore
    • 50 Reviewed by
      Ty Burr
    The parts, in other words, promise a brilliant whole. So why is this movie one of the signal disappointments of the year? You have to go back to the basics: Public Enemies has everything going for it except a reason and a script.
  12. It's mostly flat, despite being presented in 3-D, and the writing is so unimaginative that at one point a character yells out "yabba dabba doo!"
  13. In The Hurt Locker, the thrill is unexpectedly contagious. You don't realize how riveted you are until you're back on American soil observing James in civilian life.
    • 51 Metascore
    • 50 Reviewed by
      Ty Burr
    A pall of disaster, in fact, hangs over everyone in this shapeless, hankie-wringing adaptation of the best-selling Jodi Picoult novel.
    • 78 Metascore
    • 100 Reviewed by
      Ty Burr
    One of the most hopeful and heart-rending movies I've seen this year.
    • 63 Metascore
    • 75 Reviewed by
      Ty Burr
    What makes Cheri’ worth your while is that its true subjects are women and age, and its observations apply to both 19th-century France and the modern film industry.

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