Boston Globe's Scores

Select another publication »
For 7,945 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 0.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
  1. Positive: 5,227 out of 7945
  2. Mixed: 1,553 out of 7945
  3. Negative: 1,165 out of 7945
7945 movie reviews
view
per page
    • 50 Metascore
    • 63 Reviewed by
      Ty Burr
    Armored
    A movie like Armored has been done better in the past. But it has also been done much, much worse, and Antal knows enough not to mess with the sturdy bones of the thing.
  2. Everybody's Fine
    Once it’s clear the movie won’t be deviating at all from its formula, Frank’s journey gets tedious.
  3. The Strip
    The Strip makes you appreciate what hard work effortless comedy is.
  4. Until the Light Takes Us
    Talking heads are overused in documentaries, but in this case a dose of perspective, a point of view or two, would have a gone a long way toward turning a pageant of unreliable voices and morbid images into a portrait of the artists and their deadly scene as something more than misunderstood.
  5. Home
    Meier’s soft touch with the offbeat material is surprisingly mature, to the point of maybe being a bit too reserved.
    • 64 Metascore
    • 63 Reviewed by
      Ty Burr
    The Road
    Everything about the film is a welcome rebuke to the happy-face apocalypse of “2012,’’ a movie that turns mass extinction into the Greatest Show on Earth. In The Road, what has been lost is recognized as infinitely precious; what’s left is bitter and our due.
  7. The Princess and the Frog
    The voice actors are also excellent, especially Michael-Leon Wooley as a bouncy trumpet-playing alligator and Jim Cummings as a lovelorn Cajun firefly.
    • 19 Metascore
    • 12 Reviewed by
      Ty Burr
    Old Dogs
    It wouldn’t be Thanksgiving without a turkey, and in Old Dogs, we have the season’s blue-ribbon gobbler.
  9. Ninja Assassin
    It’s like Bob Fosse night at the martial-arts studio. Most of the killing here is done with bladed throwing stars that, like the ninjas themselves, arrive from nowhere. They appear to have been used to edit the film as well.
    • 73 Metascore
    • 75 Reviewed by
      Ty Burr
    Me and Orson Welles
    The British actor Christian McKay resurrects the young Welles as a magnificent mountain of talent, ego, and unsliced ham. He, and he alone, is reason enough to see this movie. The problem is the “Me’’ - Zac Efron.
  11. The Blind Side
    Bullock’s levelheaded acting frequently saves the movie from emotional garishness.
  12. The Bad Lieutenant: Port of Call - New Orleans
    Frankly, the story isn’t remotely as interesting as Cage. Nothing is. In Ferrara’s movie, Keitel emptied himself out. But there’s a hellion’s joy in Cage’s cop.
  13. Broken Embraces
    It’s both ridiculous and ridiculously romantic, which is an apt description of a work shaped like a heart and structured like a pretzel.
    • 44 Metascore
    • 50 Reviewed by
      Ty Burr
    The Twilight Saga: New Moon
    Where the first film’s director, Catherine Hardwicke, plugged into Meyer’s vision of supernatural teenage lust with abandon, Chris Weitz is stuck with a sequel that’s a morning-after mope-fest.
    • 39 Metascore
    • 38 Reviewed by
      Ty Burr
    Planet 51
    Young children and adults with high pain thresholds will enjoy the movie during its brief pause on the way to your On Demand menu.
    • 58 Metascore
    • 75 Reviewed by
      Ty Burr
    Defamation
    In its sneaky, cheeky way, Defamation is a mitzvah, an act of kindness.
  17. The Sun
    This emperor verges on dementia, having no apparent clue how to function.
  18. Red Cliff
    Even at 148 minutes (and viewed twice!), you still feel as if you’re watching the longest coming attraction ever for a John Woo movie.
    • 83 Metascore
    • 88 Reviewed by
      Ty Burr
    Fantastic Mr. Fox
    By forgoing actual human beings, the director has made his most charming, least annoyingly fey film - a thing of lovely comic wisdom.
    • 49 Metascore
    • 50 Reviewed by
      Ty Burr
    2012
    The result is a state-of-the-art multiplex three-ring circus whose special effects stagger the senses and play like a video game, whose human drama aims for the cosmic and lands waist-deep in the Big Silly.
  21. The Messenger
    The scenes between Montgomery and Stone in plainclothes would seem to be tangential to Moverman's movie, but they're very much its point. Only in uniform do these men make sense to themselves.
    • 58 Metascore
    • 63 Reviewed by
      Ty Burr
    Pirate Radio
    Writer-director Richard Curtis (“Love Actually’’) has made a party, not a movie, and if the party goes on much too long, at least the guests are great company and the host’s taste in music is impeccable.
  23. William Kunstler: Disturbing the Universe
    This engrossing and provocative documentary is also about a tragic kind of liberal guilt.
    • 49 Metascore
    • 50 Reviewed by
      Ty Burr
    Ten9Eight: Shoot for the Moon
    If Ten9Eight brings NFTE to the attention of you, your child, or your school administrator, that’s probably all that matters.
  25. Precious: Based on the Novel 'Push' by Sapphire
    This movie catalogs a wealth of human ugliness. It’s even been made to look ugly, presumably to underscore the horror movie that is Precious’s life.
    • 54 Metascore
    • 50 Reviewed by
      Ty Burr
    The Men Who Stare at Goats
    You can’t make this stuff up, but you can botch the telling of it, and that’s what sinks this satiric drama.
  27. The Box
    The Box is the work of a visionary flirting with commercialism after having so grandly flouted it with “Southland Tales.’’ He doesn’t give in completely. Several trips to the megaplex might be required for The Box to make complete sense.
  28. The Fourth Kind
    The Fourth Kind doesn’t build, instill, or maintain an audience’s fear. It just spends 98 minutes trying to prove that what you’re watching actually happened.
    • 55 Metascore
    • 75 Reviewed by
      Ty Burr
    A Christmas Carol
    Shockingly, the new film turns out to be very good, at times close to brilliant: a darkly detailed marvel of creative visualization that does well by Dickens and right by audiences - when it’s not trying to sell them a theme park ride.
    • 24 Metascore
    • 50 Reviewed by
      Ty Burr
    The Boondock Saints II: All Saints Day
    The result isn’t art but it is an improvement: a scurrilous, lowdown, sub-Tarantino action comedy that, unlike the original, doesn’t make you want to claw your eyes out. How’s that for praise?
Page:

Top Trailers

See all »
See all trailers »