Boston Globe's Scores

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For 7,947 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 0.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
  1. Positive: 5,229 out of 7947
  2. Mixed: 1,553 out of 7947
  3. Negative: 1,165 out of 7947
7947 movie reviews
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  1. Marci X
    Clueless and sad.
  2. Corky Romano
    The most dumbed-down mob comedy in years. It's the kind of movie you tie around the ankles of a stiff you're tossing into deep water and never want to see again.
    • Boston Globe
  3. Digimon: Digital Monsters
    A video game barely disguised as a movie. Violent, and the monsters are scary for younger children.
    • Boston Globe
    • 19 Metascore
    • 12 Reviewed by
      Ty Burr
    The Cat in the Hat
    If the producers had dug up Ted Geisel's body and hung it from a tree, they couldn't have desecrated the man more.
  5. All the Queen's Men
    A throwback war movie that fails on so many levels, it should pay reparations to viewers.
  6. Thomas and the Magic Railroad
    A train worth catching.
    • 19 Metascore
    • 12 Reviewed by
      Ty Burr
    Underclassman
    Saved from total puff only by the obnoxiousness of its star, who seems to be laboring under the delusion that he's the next Eddie Murphy.
    • 19 Metascore
    • 12 Reviewed by
      Ty Burr
    Old Dogs
    It wouldn’t be Thanksgiving without a turkey, and in Old Dogs, we have the season’s blue-ribbon gobbler.
  9. Good Luck Chuck
    This is less an affront to women than it is to comedy.
  10. Grown Ups 2
    Grown Ups 2 offers a bittersweet paean to childhood and youth and their inevitable loss. Take the case of Adam Sandler. Didn’t he use to be funny?
    • 19 Metascore
    • 38 Reviewed by
      Ty Burr
    The Covenant
    The Covenant is dopey, formulaic stuff for the Friday night fright crowd. Worse for them, it's never remotely scary.
  12. Dumb and Dumberer: When Harry Met Lloyd
    Yes, I've seen Dumb and Dumberer, so you don't have to. As good deeds go, this is about as significant as getting a cat out of a tree, but believe me, you're better off at home, alphabetizing your old comic books, talking to your parents, or watching paint dry.
  13. Wild Orchid
    It's a movie Playboy spread, with irksome misogynist overtones. And, as the camera swoops liberally along the tropical seaport, it's hard to imagine how such a lovely spot was made to seem so tawdry and so tedious. [28 April 1990, p.8]
    • Boston Globe
  14. Ballistic: Ecks vs. Sever
    Banderas slums through this dollar-bin action flick wearing the same look of wiped-out exasperation that Danny Glover's Sergeant Murtaugh sports in each installment of ''Lethal Weapon.'' And like Murtaugh, Banderas might be too old for this, too.
  15. Surviving Christmas
    It's the sort of stupid swill that gets spewed out by a studio committee, slapped together without a brain, a heart, or a good idea about where to put a camera or when to cut a scene.
  16. Valentine
    A flagrantly retro example of a tired genre that would vanish in a puff of smoke if anger management classes were to enter the picture, or if it would ever occur to any one of its endless stream of victims to reach for a light switch before proceeding into a spooky place.
    • Boston Globe
    • 18 Metascore
    • 25 Critic Score
    Ultraviolet
    Jovovich is bad, and not in a good way. She turns in an epically expressionless performance (maybe she thought it was one of her modeling gigs?) but she sure looks great.
  18. Company Man
    It's not that the film is devoid of honestly earned laughs here and there. The problem is that there are too few of them and that the film can't connect them.
    • Boston Globe
    • 18 Metascore
    • 0 Reviewed by
      Ty Burr
    Gigli
    An overlong, joyless, and inconsequential affair, full of dead air, and possessing only a few moments of jaw-dropping bad taste. It's a dull disaster.
  20. Swept Away
    At its best, Swept Away is like a scrapbook of postcards starring two lovebirds with great tans.
  21. Who's Your Caddy?
    As it develops, Who's Your Caddy? just becomes depressing. You want to alert the United Negro College Fund: A mind has terribly gone to waste.
    • 18 Metascore
    • 75 Critic Score
    The Wash
    This real-life alliance is part of what makes the slice-of-life comedy The Wash work as well as it does, despite a somewhat skimpy though often crassly amusing script written by the film's director, D.J. Pooh.
    • Boston Globe
    • 18 Metascore
    • 25 Reviewed by
      Ty Burr
    Serving Sara
    How inept is Serving Sara? It makes even Elizabeth Hurley seem graceless and ugly.
    • 18 Metascore
    • 25 Critic Score
    The Darkest Hour
    Once upon a time, you'd go to see a grade-C genre movie like this willing to trade consistency and artfulness for a few stray thrills or oddball charm. But Darkest Hour doesn't have even as much character as those Discover commercials.
  25. Kickin It Old Skool
    Probably as tolerable as it can be for a comedy with no obvious creative aim. You can imagine the crew cracking up on some outtake reel, which honestly is what this movie feels like.
  26. The Devil Inside
    No one onscreen was actor enough to make us believe we were watching actual people commit or require actual exorcisms.
    • 18 Metascore
    • 38 Reviewed by
      Ty Burr
    Movie 43
    The line between gross-out humor that's inspired and the kind that's witless is fine indeed, and Movie 43 obliterates it with poop and movie stars.
  28. Boat Trip
    Even 007 is a big old queen. Yes, Roger Moore's on board as a lusty codger, who, unlike the rest of us, can't get enough of Sanz.
    • 18 Metascore
    • 25 Critic Score
    Mr. Magoo
    Since a film like Mr. Magoo relies - literally and figuratively - on sight gags, they ought to be hilarious and razor-sharp. But the film's gags couldn't work their way through melted butter. [25 Dec 1997, p.C6]
    • Boston Globe
    • 18 Metascore
    • 0 Reviewed by
      Ty Burr
    The Nutcracker
    This is first-degree cultural homicide.
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