Boston Globe's Scores

For 7,947 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 1 point lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7947 movie reviews
  1. Kennedy doesn't take the character any deeper than a caricature of rich, nonblack fans of hip-hop culture. But as a caricature, he's fantastic.
  2. The movie may feel tonally consistent with the first, but it’s also overlong and thoroughly routine.
  3. For all its wide, open spaces, City Slickers II is mostly smoke and mirrors, but thanks to its humor and generosity of spirit, it's an enjoyable diversion in this summer of brang-yer-twang films. [10 June 1994, p.49]
    • Boston Globe
  4. Romero's Hatfields-and-McCoys setup feels more random than creative, and the idea that they're all Irish -- or cowboys! -- is more desultory still.
  5. Larger Than Life is a thin, disjointed road comedy that contains a few laughs despite itself. No matter how loosey-goosey and silly the script gets, and no matter how contrived the premise is, Bill Murray manages to sneak in a number of typically zany actions and reactions. [01 Nov 1996, p.E7]
    • Boston Globe
  6. The neatness of the plotting becomes almost comical after a while. Construction is one thing; contrivance is another.
    • 43 Metascore
    • 50 Critic Score
    Don't roll your eyes just yet. Step Up Revolution, enhanced by 3-D and set in glitzy Miami, is not as cringe-worthy as you would expect from the fourth "Step Up" installment.
  7. There are times when "Star Trek V" seems padded and low-impact, but there are things to like, too. [9 June 1989, p.81]
    • Boston Globe
    • 43 Metascore
    • 38 Reviewed by
      Ty Burr
    A new movie based on Roth’s 1997 novel “American Pastoral” offers proof yet again that this writer’s great literary gifts are almost impossible to translate to the screen. Roth is a protean American inner voice. The movies, sad to say, remain better at exteriors.
    • 43 Metascore
    • 50 Reviewed by
      Ty Burr
    There's a funkier and more interesting movie in Maureen, a character played by Juliette Lewis. Maureen is a single mom, a massage therapist, and a dimwit California follower of every new-age theory out there. She's a nasal, needy wreck, and Catch and Release is torn between adoring her and making ruthless fun of her.
    • 43 Metascore
    • 50 Reviewed by
      Ty Burr
    A comparison to Baz Luhrmann is useful: Where Taymor self-consciously aestheticizes pop vulgarity, a movie like "Moulin Rouge!" just dives right in.
  8. It's a terrible sign for a movie when the sole reason for its existence is a satanic opening date.
  9. Dad
    The film is mostly Lemmon's in a quietly stunning performance you frankly didn't know he had in him. [27 Oct 1989, p.29p]
    • Boston Globe
  10. Isolated offbeat moments aside, The Mexican mostly fires blanks.
    • Boston Globe
    • 43 Metascore
    • 25 Critic Score
    Through it all, Rob Schneider comes off as a jackass in The Animal.
    • Boston Globe
  11. Eloquent and unapologetically cute.
  12. Robin Williams and Billy Crystal don't quite hit a dream team level of hilarity in Fathers' Day. They don't send you home empty-handed, either. [9 May 1997, p.C7]
    • Boston Globe
    • 43 Metascore
    • 50 Reviewed by
      Ty Burr
    It's a smart, provocative idea for a movie. I wish 9 Songs was that movie.
    • 43 Metascore
    • 63 Reviewed by
      Ty Burr
    It's quite watchable date-night cheese - the kind of movie you can simultaneously snort at and enjoy.
  13. Bob Marley: One Love opts to print the legend, but it will just make you want to listen to “Legend.”
  14. If the movie weren't so playfully dumb -- did you ever think you'd see Ian McShane throw Andy Samberg through a basement shelving unit? -- this would be exasperating.
    • 43 Metascore
    • 50 Reviewed by
      Ty Burr
    It’s refreshing to see Monáe show what she can do as a lead, and her performance as Veronica possesses a wit and savvy that complement the performer’s natural poise.
  15. What starts out as a lowbrow gag very typical of a pedestrian ’toon gradually balloons into absurdity that Mel Brooks would probably love. Here, at least, the Angry Birds fly.
  16. Usually a French comedy such as this requires some crude modifications before a studio like Touchstone can remake it for American audiences. In this case, though, they just need to lose the subtitles and dub in the voices of actors like Rob Schneider or Adam Sandler. Until then, bon appetit!
    • 43 Metascore
    • 38 Reviewed by
      Ty Burr
    And that’s what The Girl in the Spider’s Web is: soulless, bloodless product. Subtitled “A Dragon Tattoo Story,” it exists almost solely to drive a stake in the ground for the further franchising of author Stieg Larsson’s “The Girl with the Dragon Tattoo.”
    • 43 Metascore
    • 50 Reviewed by
      Ty Burr
    All thing considered, MacGruber’ is a lot better than it should be. That still doesn’t mean it’s all that great.
    • 43 Metascore
    • 75 Critic Score
    What The Shaggy Dog feels like, more than anything, is an old-fashioned Disney movie.
  17. This franchise might be all about shedding light on lost details, but “Mistress of Evil” sometimes leaves us in the dark.
    • 43 Metascore
    • 50 Critic Score
    You’d think the 3-D effects would bring the action closer, but the kooky optics often have the opposite effect, turning the athletes into GI Joe and Boba Fett action figures zipping around a dollhouse set.
  18. Light It Up isn't a great movie, but it's a cut above most so-called urban thrillers.

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