Boston Globe's Scores

For 7,947 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 1 point lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7947 movie reviews
    • 45 Metascore
    • 50 Reviewed by
      Ty Burr
    Those who love police overkill, guns, jingoistic race-baiting, guns, macho smugness, and guns will be well served.
  1. Kate Hudson and Matthew McConaughey don't simply star in this movie; they tag-team it out of the Freddie Prinze Jr. --Julia Stiles puppy-love ghetto.
  2. Too bad The Kid gets bogged down in its sentimental manipulations. It has more going for it than you might suppose.
    • 45 Metascore
    • 38 Reviewed by
      Ty Burr
    Its swooping 3-D visuals let fans briefly feel they can touch a group that barely exists behind a wall of beefy security men.
  3. Basically, talented French director Jean-Stéphane Sauvaire has too much style on his hands. His film isn't as amorally grandiose as "City of God." Nor does it achieve the hulking tragedy of "Gomorrah."
  4. Come for the surfing. Stay for the sainthood.
  5. Strenuously as it tries, and pulse-poundingly successful as the embassy rescue scene is, Rules of Engagement never engages us.
  6. For a movie with such a misplaced sense of history, The Scorpion King seems afraid to have more fun with its own stupidity.
  7. Freeman and Hunter are both overqualified for material this ponderous, but she plays along, while he appears to have made a minimal emotional investment in the oncoming avalanche of coincidences and cliches.
  8. Essentially, the film's strategy is to fight predictability with bonehead amiability, and on this level it's a crowd-pleaser. [27 Dec 1991, p.28]
    • Boston Globe
  9. This one is hollow and caves in on itself, growing wearisome and posed, ending in a burst of salvational violence and a coda of sentimentality masquerading as transcendent toughness. [13 Jan 1995]
    • Boston Globe
    • 44 Metascore
    • 50 Reviewed by
      Ty Burr
    The hair is funny, in part, because not much else is. “Burt Wonderstone” is a lazy, underwritten imitation Will Ferrell movie.
    • 44 Metascore
    • 38 Reviewed by
      Ty Burr
    Cherry is three movies in one, none of them fresh, all of them overlong.
  10. Julia von Heinz’s direction can’t handle the film’s tonal shifts, and the screenplay (co-written by von Heinz and John Quester) centers on two very poorly written leads who clash in ways that are supposed to be comedic but are mostly infuriating.
  11. If we learn nothing else about Krasinski as a filmmaker, it’s that he thinks more is more.
  12. Riggen has no shame when it comes to jerking the tears — surging music, cute children, suffering children — and sometimes her manipulations work even on the hardest of hearts.
    • 44 Metascore
    • 38 Reviewed by
      Ty Burr
    It achieves something previously thought impossible: It renders Billy Bob Thornton unfunny.
  13. A mixed bag. With such a brief running time, there are not enough high points to recommend the five shorts that make up the film.
    • Boston Globe
  14. The resulting movie is a nauseating flight of Hollywood navel-gazing.
  15. It's a charmer.
    • Boston Globe
    • 44 Metascore
    • 38 Reviewed by
      Ty Burr
    The director deserves admiration for sticking to her guns, but here's a heretical notion: Maybe the producer's cut would have been a better movie. This version may be too late, but it's also too little, and that's what hurts.
  16. Power Rangers might be the only movie that directly pays homage to “Transformers.” Sadly, it suffers by the comparison.
    • 44 Metascore
    • 25 Reviewed by
      Ty Burr
    Maybe if Mapplethorpe hadn’t been commissioned by the Robert Mapplethorpe Foundation, it would have been a batter movie. As it is, this sour, undernourished biopic is a disappointment just shy of a disaster — a portrait of a boundary-destroying artist that stays well within the safe borders of convention.
    • 44 Metascore
    • 50 Reviewed by
      Ty Burr
    Which is precisely what’s missing from Oz the Great and Powerful: that sense of emotional journey.
    • 44 Metascore
    • 50 Reviewed by
      Ty Burr
    Hot gospel singing and earnest family squabbles are all that distinguish Joyful Noise.
  17. Rush Hour 3 reminds us that Tucker is an utterly strange entertainment phenomenon: He exists only in the world of these movies.
    • 44 Metascore
    • 38 Reviewed by
      Ty Burr
    It’s clear what MacFarlane is shooting for — nothing less than the chance to be both the Bob Hope and the Mel Brooks of his generation. Be careful what you wish for.
  18. Despite moments of black comedy and some memorable images, this “debut’’ doesn’t offer a lot to love.
  19. Although Warlock doesn't muster enough of a charge to shoot for genre classic status as Sands subsides, it does have a degree of interplay uncommon in such outings. [19 Apr 1991, p.43]
    • Boston Globe
    • 44 Metascore
    • 63 Reviewed by
      Ty Burr
    "Maybe" was watchable and blandly pleasant; "Theory" is a smidgen better than that, if not the cruelly funny farce the movie's best impulses and its own trailer would have you believe.

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