Boston Globe's Scores

For 7,947 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 1 point lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7947 movie reviews
  1. Ultimately, the kids carry this manipulative tear-jerker. They're warm, lively charmers.
    • Boston Globe
  2. If you liked the earlier ''Mummy,'' you'll probably like this one. In fact, at many points you'll probably think you are watching the earlier one.
    • Boston Globe
  3. xXx
    As Diesel says, ''I like something fast enough to do something stupid in.'' Mission accomplished.
    • 48 Metascore
    • 38 Reviewed by
      Ty Burr
    Where "Nemo" was clever, soulful, and marvelous to look at, "Tale" is manic and surprisingly ugly, with a script that leans on the shallowest aspects of hip-hop street cred while pimping for corporate product placement at every turn.
    • 48 Metascore
    • 38 Reviewed by
      Ty Burr
    Works hard to give quirk a bad name.
  4. More storytelling and less preaching would have served those messages better.
  5. At its best, the movie is provocative, sleekly assured, and a legit showcase for its intriguingly deep ensemble
  6. Miley may vacillate, but for now her indentured servitude to Disney continues. The image that comes to mind is Princess Leia chained to Jabba the Hutt, but that's probably just me.
  7. A horror film with a moral. No matter how nasty a gang of murderers is, the moviemaker calling the shots is ultimately worse.
  8. Very little of it is as persuasive or enveloping as its beloved English counterpart. But it works very hard to distract 11-year-olds from thinking about the November arrival of “The Deathly Hallows.’’
  9. I went into Haunted Mansion expecting a hot mess on par with Murphy’s movie. Instead, I found an engaging and sweet action comedy, one that’s not only very funny but also quite touching. Much of the credit goes to the cast, specifically the lead performance by LaKeith Stanfield as Ben Matthias.
  10. Writers Nicholas Stoller and Judd Apatow remake is more devilish, hitting its targets with the reckless glee required for a round of Whac-A-Mole.
    • 47 Metascore
    • 38 Critic Score
    In this bilingual morality movie about love, family, and fate, however, the unpredictability turns out to be highly predictable.
  11. Martin makes Bilko's roguishness endearing, and entertaining enough to carry the film even if it is essentially an overextended half-hour sitcom episode. [29 Mar 1996, p.105]
    • Boston Globe
    • 47 Metascore
    • 63 Reviewed by
      Ty Burr
    A broad, bawdy, silly French farce set on the Riviera in high season, it's a diversion at best and a strained souffle at worst, but it rings enough Gallic changes on the old family-summer-gone-horribly-wrong genre to deliver some unexpectedly sharp laughs.
    • 47 Metascore
    • 63 Reviewed by
      Ty Burr
    Low of brow and pure of heart, the movie plays like "Animal House" extra-lite, and as such it's decent indecent fun.
    • 47 Metascore
    • 50 Critic Score
    The competent, at times suspenseful Before the Rains orbits us along a trajectory of innocence corrupted, domesticity infested by politics, and local tradition messed with by a powerful Westerner. Unfortunately, that trajectory feels routine.
  12. Mindless glitz-o-ramas don't get any snazzier.
    • Boston Globe
  13. Disappoints.
  14. The movie offers up too many airy spiritual lessons in the hope of crossing from farce to sentiment.
  15. There are many things that Better Than Sex is better than, although sex is not among them. It is better than a root canal, an IRS audit, or a rained-out ballgame.
  16. Cool killers - Kitano's stock in trade - do not necessarily make for cool movies.
  17. Richard Attenborough's Chaplin is little more than an illustrated crash course on Charlie Chaplin. But, while superficial, it at least avoids disgrace. [08 Jan 1993, p.25]
    • Boston Globe
    • 47 Metascore
    • 38 Reviewed by
      Ty Burr
    It might even work if In the Cut was remotely convincing as a thriller, but Campion can't help wrinkling her nose at genre.
  18. Well-meant though it may be, the movie has an advertorial gloss.
  19. It’s a happy task to report that Fantastic Beasts: The Secrets of Dumbledore is a marked improvement on “Crimes.”
  20. Nichols is a director who cleanly sculpts his scenes, leaving no intention or action vague. Maybe he should have allowed for a little more ambiguity. [10 July 1991, p.51]
    • Boston Globe
    • 47 Metascore
    • 75 Reviewed by
      Ty Burr
    A shamelessly enjoyable retread, an ode to la belle vie that has been well turned on a factory spindle.
  21. The Box is the work of a visionary flirting with commercialism after having so grandly flouted it with “Southland Tales.’’ He doesn’t give in completely. Several trips to the megaplex might be required for The Box to make complete sense.
  22. A sequel that has some snappy interplay, typically courtesy of Malkovich, but mostly feels like a cast working to manufacture what came naturally the first time.

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