Boston Globe's Scores

For 7,964 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 0.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7964 movie reviews
    • 37 Metascore
    • 63 Reviewed by
      Ty Burr
    There are really only two kinds of big-budget action movies: stupid, and good and stupid. Surprisingly, XXX: State of the Union is good and stupid, which makes it an immediate improvement over 2002's meatheaded "XXX."
    • 72 Metascore
    • 75 Reviewed by
      Ty Burr
    Dreamlike and the slightest bit precious, the film is a beautiful, over-cultivated hothouse flower.
  1. Like all of Jacquot's movies, it's not crazy enough.
  2. A smartly observed, unpretentious, and unconventional comedy of manners -- or more properly, it's a comedy of mannerisms.
  3. A collection of beautifully acted encounters, conversations, symbols, and vignettes woven into an evocative and unforgettably surreal garment.
    • 61 Metascore
    • 50 Reviewed by
      Ty Burr
    Likably played by Bruhl, the castaway remains more dramatic device than living, breathing character. And without him truly being there, Dench and Smith are just volleying an imaginary ping-pong ball between them. That's not acting -- that's exercise.
    • 75 Metascore
    • 88 Reviewed by
      Ty Burr
    With pained gentleness, her film insists we make our homelands within us and take them wherever we go.
  4. A righteous but wrongheaded thriller, chokes on its well-meant outrage and leaves a moth-eaten plot and handful of nonsense characters on its way to a dopey finish.
    • 48 Metascore
    • 25 Reviewed by
      Ty Burr
    ''Love" doesn't have a plot so much as it has a concept, scribbled in crayon.
    • 70 Metascore
    • 75 Reviewed by
      Ty Burr
    Focuses on a parallel universe that moviegoers rarely consider: that of the invisible, hard-working craftspeople who put the illusion together.
    • 82 Metascore
    • 88 Reviewed by
      Ty Burr
    Entertaining and enraging.
  5. What the cast members lack in sharpened skill they more than make up for in raw gusto and athletic scrappiness (most of the actors have logged a lot of soccer in their pasts). These guys give a sport that is virtually nameless in the movies a good name in this one.
    • 49 Metascore
    • 63 Reviewed by
      Ty Burr
    What could have been an effervescent 90-minute experience is so in love with the sound of its own voice that it develops genre trouble and piddles on for two-plus hours.
  6. The latest cannibalization of a popular older horror film.
  7. House of D, is like the kind of sticky greeting card you'd find on CBS some Sunday nights.
  8. Isn't all wrong. But even at its very best, it's just all right.
  9. Numbing story.
    • 53 Metascore
    • 75 Reviewed by
      Ty Burr
    What makes Palindromes bearable is that Solondz has yet to come up with an answer.
  10. In the end, the thing that Cussler's fans will probably object to most is the nonsensical way Sahara manhandles his story.
  11. Effortlessly entertaining romantic comedy.
    • 78 Metascore
    • 75 Reviewed by
      Ty Burr
    Like a meal prepared by an extreme chef, ''Hustle" is more than a bit of a mess. It still tastes like nothing you've ever had before.
  12. The explicit encounters and dirty talk in Eating Out suggest a new genre -- call it porncom -- that seeks to amuse and arouse at the same time.
  13. Ultimately undercut by its fictional elements and its flat characters.
    • 58 Metascore
    • 88 Reviewed by
      Ty Burr
    Stylish and only superficially superficial, Happily Ever After plunks us down with three male friends as they dance on the edge of their 40s.
  14. Expanded, Major Dundee is still a mess of great scenes sprinkled among some fairly monotonous action.
    • 74 Metascore
    • 88 Reviewed by
      Ty Burr
    Tarantino may have nicked the title first, but this is the real ''Pulp Fiction," with all the drama and the dead ends that implies.
  15. Brown lays out his guiding philosophy up front when he says of the Baja, ''This isn't about a race, it's about the human race."
    • 72 Metascore
    • 63 Reviewed by
      Ty Burr
    Takes your angriest thoughts about urban public transportation and magnifies them into a grubby and rousingly antisocial fantasia on post-communist breakdown and bureaucracy.
  16. A marvelous, uncommonly observant, and unexpectedly rousing group portrait.
    • 53 Metascore
    • 63 Reviewed by
      Ty Burr
    Formulaic but extremely good-natured comedy.

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