Boston Globe's Scores

For 7,964 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 0.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7964 movie reviews
    • 59 Metascore
    • 63 Reviewed by
      Ty Burr
    Just rent the kid ''National Velvet" when you get home. That movie's proof you don't need a true story to be inspired.
    • 62 Metascore
    • 63 Reviewed by
      Ty Burr
    Still manages to be a Steve Martin vanity project in ways that are fairly creepy.
  1. Neither thrilling nor psychological, but it's chicly shot and edited and is pretty much art-directed to death.
    • 73 Metascore
    • 75 Reviewed by
      Ty Burr
    It's a merry deconstructive delight and easily the best party in town.
    • 74 Metascore
    • 75 Reviewed by
      Ty Burr
    After Innocence isn't bravura filmmaking, and it doesn't have to be -- this is one of those documentaries where the subject is compelling enough to do the legwork.
    • 61 Metascore
    • 63 Reviewed by
      Ty Burr
    Directed in the breathless inspirational tones of an infomercial, the film's an acceptable document of a thoroughly remarkable individual.
    • 60 Metascore
    • 63 Reviewed by
      Ty Burr
    May be the most successful forgery in the history of hate.
  2. Keep your big-budget horror movie expectations locked away in a separate crawl space, because this grainy feature debut from writer-director Ti West demands that you buy into the silliness, and the cheese.
    • 51 Metascore
    • 38 Reviewed by
      Ty Burr
    The film pulls off the remarkable feat of immersing a viewer in their world without providing any insights whatsoever.
  3. One of the smartest things Kaplan does, besides getting talented Boston folk singer Catie Curtis to contribute to the soundtrack, is hang around long enough to see how this three-headed relationship plays out.
  4. His [Director Tony Scott's] pornographic lust for bloodletting, gunplay, and out-of-control camerawork far exceeds his abilities to tell a story.
  5. Audiences of a certain hipster disposition, in fact, will see Elizabethtown and pine for Zach Braff's ''Garden State," the movie to which Elizabethtown bears an unfortunate and inferior resemblance.
    • 27 Metascore
    • 50 Reviewed by
      Ty Burr
    This new Fog floats in on the fumes of the 1980 John Carpenter original, but the surprise is that it's arguably better.
  6. An erotic thriller. It is also an Atom Egoyan picture, which means any claims either to actual eroticism or conventional thrills are theoretical at best.
  7. It infuriated me. It broke my heart. It convinced me that Caro, who's from New Zealand, is a strong, clear-voiced filmmaker
  8. Finding Home is well meant and earnest but is stretched to almost twice what would have been a comfortable length.
  9. Not a happy time at the movies. It bears the distinction of bringing to the screen a dark nugget of history.
    • 62 Metascore
    • 75 Reviewed by
      Ty Burr
    Slow, unadorned, compassionate, and earnest, Loggerheads is a low-fi throwback to the independent films of the 1980s and '90s.
    • 80 Metascore
    • 75 Reviewed by
      Ty Burr
    Not all of Nine Lives clicks, but at its best it finds an inarticulate sisterly solace that makes you want to see what this director could do with one life per film.
  10. Writer-director Im Sang Soo's coolly stylized political satire doesn't provide a lot of answers, unfortunately, but it does show how the future of a nation might turn on a few drunken insults thrown around at a high-level dinner party.
  11. A sound piece of profiling that has miles of archival footage of the affable, pop-eyed Langlois enthusing.
    • 80 Metascore
    • 88 Reviewed by
      Ty Burr
    A puzzle: a hermetically sealed period piece so intensely relevant to our current state of affairs that it takes your breath away.
    • 46 Metascore
    • 50 Reviewed by
      Ty Burr
    A heartfelt but muddled melodrama.
    • 60 Metascore
    • 63 Reviewed by
      Ty Burr
    Entertaining enough, but it's more pat than provocative -- this is what makes it a bona fide audience pleaser while keeping it from drawing real blood.
  12. It's as if a version of Oliver Stone's movie has been frozen in some fraternity house beer cooler since 1987 and thawed for the age of plasma screen TVs.
    • 30 Metascore
    • 38 Reviewed by
      Ty Burr
    Teenage boys will be in heaven. All others: Check, please.
  13. Unusually compelling, even if it's treacly enough to be "The Chorus" in goose step.
    • 82 Metascore
    • 88 Reviewed by
      Ty Burr
    This is one cinematic novella that stays with you for quite a while.
    • 87 Metascore
    • 88 Reviewed by
      Ty Burr
    Even more than "Chicken Run," Were-Rabbit is a tiny plasticine masterpiece.
    • 88 Metascore
    • 88 Reviewed by
      Ty Burr
    Richly provocative entertainment, as heady as a cocktail party with the Manhattan literati and as vaguely troubling as the morning after.

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