Boston Globe's Scores

For 7,964 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 0.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7964 movie reviews
  1. What makes the film such a guilty pleasure is how Williams's righteous self-pity is perfectly matched to Collette's nuttiness and despair.
  2. We are treated to the riotous, almost David Lynchian moment in which Ferrell runs around a motorway in his undies screaming that he's on fire. He's not. Actually, come to think of it: He is.
    • 74 Metascore
    • 75 Reviewed by
      Ty Burr
    The film reveals its secrets slowly, and Chabrol tightens the screws not according to the rules of Hollywood suspense but with a cool, level gaze.
  3. At its core, Quinceañera, a modest but remarkably poignant comedy, is the story of a neighborhood.
  4. Cannon actually is funny -- not to mention funny-looking. Plastic surgery has left her physically absurd, like a vaguely glamorous R. Crumb cartoon.
  5. The movie is seriously sexy and seriously entertaining.
    • 48 Metascore
    • 50 Reviewed by
      Ty Burr
    Scoop is distinctly minor Allen, with less weight to it than one of his old humor doodles in The New Yorker.
  6. The movie is as inconsequentially pleasant as its star, and far nicer than the title lets on, too.
  7. The movie has a great time playing with ideas of scope and perspective, shifting between microscopic and macroscopic.
    • 61 Metascore
    • 63 Reviewed by
      Ty Burr
    13 (Tzameti) is an existential horror film, a violent prank, a metaphor for modern Europe, and a first-time director's startling calling card.
    • 37 Metascore
    • 38 Critic Score
    You get the impression that the cast and crew of Another Gay Movie could have made a genuinely funny film if they weren't obsessed with out-grossing the already gross "American Pie."
    • 67 Metascore
    • 75 Reviewed by
      Ty Burr
    The film is something to see, and when it addresses the mysterious bond connecting creative people, it has an urgent, ugly splendor.
    • 80 Metascore
    • 88 Reviewed by
      Ty Burr
    It looks at the all-American obsession with winning and chortles darkly. You still come out of the movie wanting to give your family a hug.
  8. According to several sojourners who speak in the film, Amma is the embodiment of love. And according to her website, it's her religion, too.
  9. A so-so documentary about another fascinating, underreported piece of Harlem history.
    • 65 Metascore
    • 63 Reviewed by
      Ty Burr
    With Clerks II, the director retreats to home turf, but is Smith playing it safe or is he really interested in seeing how the old nabe has changed? Bit of both, actually.
  10. There is a good chunk of Lady in the Water that is simply too well made and affectingly acted to dismiss as a mere exercise in arrogance.
    • 68 Metascore
    • 50 Reviewed by
      Ty Burr
    Monster House is the first horror comedy made exclusively for fourth-graders.
  11. Runs out of fresh ideas about how to make its heroine look nuts.
    • 69 Metascore
    • 63 Reviewed by
      Ty Burr
    What played as glorious period tomfoolery to European festival juries and discerning U S audiences in the early 1950s now just seems quaintly pleased with itself.
  12. I laughed at the Wayanses' movie, and I don't even hate myself for it.
  13. Unofficially, You, Me and Dupree is a companion piece to last summer's "Wedding Crashers," a movie whose lunacy is desperately needed this summer.
  14. Another gorgeous and immensely satisfying reminder that there are few better directors than Téchiné when it comes to capturing the vagaries of the heart.
  15. It's a thrill to watch Posey incorporate, at last, some true emotion into her exuberant screwball wit.
    • 67 Metascore
    • 50 Reviewed by
      Ty Burr
    Time to Leave is an unintended litmus test for lovers of foreign films.
  16. In Mamet's understanding, straight white maleness is the most powerful weapon such men have. It can also be illusory, which is why the last scenes of Edmond are so touching.
    • 79 Metascore
    • 63 Reviewed by
      Ty Burr
    The catch in Gabrielle is that the audience pays as well.
    • 53 Metascore
    • 38 Reviewed by
      Ty Burr
    A noisy and lazy stopgap movie that goes absolutely nowhere and takes 2 1/2 hours to get there.
    • 73 Metascore
    • 75 Reviewed by
      Ty Burr
    There's conspiracy here, as there is in all of Dick's books, and it wraps the film up with a moving but somewhat neat bowtie.
    • 53 Metascore
    • 50 Reviewed by
      Ty Burr
    The film is very near a comedy, and I'm not sure that's on purpose.

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