Boston Globe's Scores

For 7,948 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 1 point lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7948 movie reviews
    • 39 Metascore
    • 38 Reviewed by
      Ty Burr
    The results are -- there’s no other word for it -- a disaster.
  1. A more convincing star could make this a degree more tolerable, although in Cyrus’s defense not much more.
  2. While never heavy-handed about its politics, the film makes no effort to disguise its strong anti-Chinese bias.
    • 63 Metascore
    • 63 Reviewed by
      Ty Burr
    Depressingly, and in keeping with the stringent rules of bad-boy shock-comedies, all the women here are bimbos, shrews, and slutburgers except for one cool chick -- Cusack’s love interest, played by Lizzy Caplan -- who acts like a guy.
  3. It can’t be recommended even to people who mostly just want to see Amanda Seyfried naked.
    • 67 Metascore
    • 63 Reviewed by
      Ty Burr
    Above all, the film is lucky to have one of the better character actors in recent movies in a lead role: Ciarán Hinds as Michael Farr.
  4. Finds DreamWorks Animation looking to Viking territory for its next Shrek-sturdy comedy tentpole. By Odin, they make it work.
  5. Vividly captures a period of movie history. It’s just that the period seems less vital -- sleepier, if you will -- than it once did.
  6. Breillat’s film can seem at times like a far less opaque version of another story set in the 17th century about sex and power: Peter Greenaway’s “The Draughtman’s Contract.’’
  7. Well-meant though it may be, the movie has an advertorial gloss.
  8. The movie Bonifacio and Famiglietti have made is much better as a bittersweet family portrait. But those in search of a mirror for their own weight issues will find a deluxe one here.
  9. There is a mild pleasure in the sight of Jude Law pirouetting with a hacksaw through gangs of extras, but the amusement is notional. I actually don’t find him terribly interesting as a kinetic object.
  10. The Bounty Hunter does give Christine Baranski, as an Atlantic City entertainer and Mama Aniston, another opportunity to enthrall us with her drag-queenliness.
    • 56 Metascore
    • 38 Reviewed by
      Ty Burr
    Diary of a Wimpy Kid the movie returns Kinney's tale to live-action reality, and the party's over.
  11. The movies rarely gives us a woman as fascinatingly complex as Lisbeth Salander, and the happiest news about the two sequels is that she’ll be back.
    • 76 Metascore
    • 75 Reviewed by
      Ty Burr
    Noah Baumbach makes nature documentaries disguised as indie comedy-dramas.
  12. Is it being a spoilsport to suggest that the Hubble’s original 2-D images are a lot more stupendous than all the IMAX 3-D hurly-burly?
    • 65 Metascore
    • 75 Reviewed by
      Ty Burr
    In rock, it's about the attitude as much as the music. In some cases, more so. And the Runaways were all attitude.
    • 66 Metascore
    • 63 Reviewed by
      Ty Burr
    A strident, contrived, surprisingly lovable Noo Yawk City family farce.
    • 83 Metascore
    • 63 Reviewed by
      Ty Burr
    The movie’s not all glorious noise.
  13. Setting aside, just for a moment, his general loathsomeness, there is a case to be made for a less apparent aspect of Benito Mussolini: He was once really hot.
  14. The movie is a perfect blend of calm execution and uninflected farce.
  15. While Baruchel is fun to root for and watch flail about like a pipe-cleaner in the wind, this movie encourages a sick desire in me -- to see Michael Cera and all the runners-up in the Mr. Puniverse Contest knocked down a peg by a bully with a neck the size of a tree trunk.
  16. Green Zone is somewhere between a blockbuster and a tract -- a traction movie. It whizzes and bangs and sizzles as it chases the truth like a dog off its leash.
    • 79 Metascore
    • 88 Reviewed by
      Ty Burr
    You never know where Mother is going to go next. All you know is that you're in the hands of a master with an appreciably bent sense of humor.
  17. The movie is made livelier by its bit players -- King, Murphy, Lupe Ontiveros as Lucia’s bigoted grandma, Anna Maria Horseford as Marcus’s grandmother, Shannyn Sossamon as one of Whitaker’s airhead girlfriends, and, best of all, Anjelah Johnson as Lucia’s car-mechanic sister.
  18. The movie crassly repurposes tragedy to excuse its cliches.
  19. This is not “Death of a Salesman’’ or “Save the Tiger’’ (in the case of the latter, thank God). But how refreshing to see a movie about a mother’s struggles that doesn’t culminate in her lying on her back to make ends meet.
    • 53 Metascore
    • 50 Reviewed by
      Ty Burr
    Where Burton and his screenwriter, Linda Woolverton, go astray is turning this new 3-D version - a sequel, really, about a grown Alice returning to the psychic dreamworld of her childhood - into a fantasy adventure that looks like every other CGI epic out there.
    • 43 Metascore
    • 50 Reviewed by
      Ty Burr
    What’s missing is the assurance of tone that a Lumet would provide.

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