Boston Globe's Scores

For 7,947 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 0.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7947 movie reviews
  1. Even by the lowest standards, this is a frightless, cynically made movie.
  2. The only chills to be found are courtesy of your theater's central air, and the suspense will come from the wait to see which disappointed kid in a hockey mask will be the first to slash the screen.
    • 32 Metascore
    • 12 Reviewed by
      Ty Burr
    I truly believe our divided nation can be healed and brought together as one by Cats — the musical, the movie, the disaster. In other news, my eyes are burning. Oh God, my eyes.
  3. As a five-minute sketch it would have been so-so. But as a 93-minute slog through witless puerility, it seems like an eternity in hell, baby.
    • 53 Metascore
    • 12 Critic Score
    Like "Blair Witch," Quarantine uses the conceit of a movie-within-a-movie to give documentary immediacy to its assorted grotesqueries.
  4. Getting to the true root of his evil may necessitate "Saw LX."
  5. Lowbrow vampire spoof.
  6. Yes, I've seen Dumb and Dumberer, so you don't have to. As good deeds go, this is about as significant as getting a cat out of a tree, but believe me, you're better off at home, alphabetizing your old comic books, talking to your parents, or watching paint dry.
  7. One Missed Call was originally a so-so Takashi Miike freak-out. Now it's a worse-worse American eyesore.
  8. Night Swim has its characters make infuriatingly asinine decisions to serve its plot.
  9. When Jamie Lee Curtis ran from a killer in 1980's "Prom Night," she was 22 and had a unique gift for belting out fear. She was the Beverly Sills of slasher flicks. That "Prom Night" was dumb, but it wasn't insulting in the way this remake is.
    • 38 Metascore
    • 12 Reviewed by
      Ty Burr
    An American Haunting sets the bar at a new low: It makes ''The Blair Witch Project" look like a masterpiece of world cinema.
    • 27 Metascore
    • 12 Reviewed by
      Ty Burr
    Who on earth is this embarrassment -- easily the worst film of the year to date -- aimed at?
  10. You want to make lemonade from this, but even the lemons stink.
  11. The writers don’t write, the director doesn’t really direct, and the actors don’t exactly act. They wait for the movie’s contraptions to impale them.
  12. Over Her Dead Body is to romantic comedy what Spam is to meat. But at least with Spam, you get cool packaging.
  13. There's no real journalism here, just the sort of appalling revisionism that can turn a bloodbath into a beach party.
  14. It's a tossup as to which element of padding is more lifeless - the labored buddy stuff between McCarthy and Silverman, the empty comedy of gangsters Tom Wright and Steve James, or the lame buffoonery of corporate sleuth Barry Bostwick. As long as the calypso beat is on, Bernie staggers ahead, a pepperpot of zombie mirth. [10 July 1993, p.22]
    • Boston Globe
  15. Cosmic slop.
    • Boston Globe
    • 35 Metascore
    • 12 Reviewed by
      Ty Burr
    For a movie to pretend, in the face of the deaths of tens of thousands of Iraqi men, women, and children directly or indirectly caused by our presence there, that we can wage war without anyone really getting hurt isn't naive, or wishful thinking, or a jim-dandy way to spend a Saturday night at the movies. It's an obscenity.
  16. People do stupid things all the time. My friend and I sat through Compliance, didn't we? But there is a level of stupidity displayed by the people in this movie that beggars belief. Their behavior is to stupidity as the Death Star is to a doughnut.
  17. Having also starred in "Dude, Where's My Car" and "Just Married," Kutcher is becoming a stoopid-comedy specialist.
  18. The movie crassly repurposes tragedy to excuse its cliches.
  19. Stunningly insipid and pretentious.
  20. They have the chemistry of step-siblings, so a movie that has them make out is, as the one of the few girls in the theater exclaimed, "so gross."
  21. Reagan is the worst kind of hagiography. It’s a wretched 2½-hour bore that’s uncurious about its subject.
  22. Although we're only two weeks into 1989, we've already got a movie so resoundingly awful that it's bound to stand the test of time and emerge as one of the year's worst. [13 Jan 1989, p.48]
    • Boston Globe
  23. In 10 years, this movie could easily take its place among cult classics like “The Room.’’ For now, it’s better left in the bowels of a Turkish cave.
  24. Really, all Six is going for, with the generous application of both hardware supplies to the skin and feces to the camera, is a tired commentary on his shallow talents: They're excremental.
  25. Argylle is a cynical cash grab that has the audacity to use that “new” Beatles song, “Now and Then” (itself a cynical cash grab pieced together with far more skill than this movie) as the basis for its score and the “love theme” for Aidan and Elly.
  26. No one onscreen was actor enough to make us believe we were watching actual people commit or require actual exorcisms.
    • 38 Metascore
    • 0 Critic Score
    With Ted Kotcheff's hackneyed direction and Joe Gayton's cliche-ridden script, this version of "Missing" for the soldier of fortune set is one of the most reprehensible exploitation films of the year.
    • Boston Globe
  27. Plummets into the realm of ludicrous failure.
    • 18 Metascore
    • 0 Reviewed by
      Ty Burr
    An overlong, joyless, and inconsequential affair, full of dead air, and possessing only a few moments of jaw-dropping bad taste. It's a dull disaster.
    • 24 Metascore
    • 0 Critic Score
    There isn't a single glimmer of intelligence in Dirty Work. It's a must-miss movie. [13 Jun 1998, p.C6]
    • Boston Globe
  28. P2
    Amid the dumbness and disgust for paying customers, the movie does manage to cough up something I didn't expect: a performance so terrible you can't quite believe it's happening: Bentley's.
  29. I save the zero star designation for movies that I think have no redeeming value whatsoever or are morally repugnant. “The Drama” meets both criteria.
    • 40 Metascore
    • 0 Critic Score
    Unfortunately, except for one raucous routine, this "Animal House" clone is an overblown, over-publicized, overwrought exploitation flick that's about as funny as the first dirty joke my father told me. [09 Apr 1982]
    • Boston Globe
    • 21 Metascore
    • 0 Reviewed by
      Ty Burr
    A live-action film based on a line of dolls, it's pure marketing chum for tweeners: a proudly shallow, purposefully bland ode to girly-girl narcissism. I could actually feel my brain stem shrivel up as I watched it.
    • 18 Metascore
    • 0 Reviewed by
      Ty Burr
    This is first-degree cultural homicide.
  30. Up in smoke, down in flames, reduced to ashes - choose your disaster metaphor for Bonfire of the Vanities. As filmed by Brian De Palma, it's "Misfire of the Vanities," the most wrongly conceived of the many popular novels brought to the screen this year. [21 Dec 1990, p.49]
    • Boston Globe
  31. There isn't a scene in Cocktail that isn't cheap and dumb, and whether its camp entertainment value compensates for its contempt for women is a question. Cocktail makes beer commercials look deep, makes "Top Gun" look like "Hamlet." [29 Jul 1988, p.21]
    • Boston Globe
    • 17 Metascore
    • 0 Reviewed by
      Ty Burr
    Easily the worst movie of the week, month, year, and Bullock’s entire career. It is to comedy what leprosy once was to the island of Molokai: a plague best contemplated from many miles away.

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