Blurt Magazine's Scores

  • Music
For 1,384 reviews, this publication has graded:
  • 57% higher than the average critic
  • 3% same as the average critic
  • 40% lower than the average critic
On average, this publication grades 0 points lower than other critics. (0-100 point scale)
Average Music review score: 73
Highest review score: 100 Let It Burn
Lowest review score: 20 The Machine Stops
Score distribution:
  1. Negative: 7 out of 1384
1384 music reviews
    • 76 Metascore
    • 80 Critic Score
    If Provider was Webb reveling moment-to-moment in a new life, Free Will comes to terms with the fact that the more you live, the less you know.
    • 74 Metascore
    • 80 Critic Score
    Shovels & Rope displays a firm grip on its craft on Swimmin’ Time, and a willingness to use it in service of any stylistic boulevard it chooses to walk.
    • 78 Metascore
    • 80 Critic Score
    This is more, almost more than you can take, and it’s better than less any day.
    • 80 Metascore
    • 80 Critic Score
    A musical journey through spiritual and physical emotions, Electric Word will stir and soothe the soul.
    • 68 Metascore
    • 80 Critic Score
    Their strongest collection by far.
    • 66 Metascore
    • 80 Critic Score
    As far as songcraft is concerned, this may be Benson's most consistent record, and What Kind of World will induce ecstasy in the faithful and shocked delight in newcomers.
    • 79 Metascore
    • 80 Critic Score
    I like the tumult and ferocity of the album’s first half, though I’m not sure the world needs another “Everybody do the [insert dance move here]” song or anything else entitled “Rock and Roll Baby,” ever again.
    • 79 Metascore
    • 80 Critic Score
    LaVette is in incredibly fine form, squeezing every amount of emotional resonance out of every track, her voice a well burnished, emotionally charged instrument that she plays like a master.
    • 80 Metascore
    • 80 Critic Score
    At any rate, Behind the Parade lobs another handful of Keene klassiks into the katalogue.
    • 76 Metascore
    • 80 Critic Score
    The Devil's Walks minimal electronic landscape is mesmerizing and perfect for a quiet, rainy day of contemplation.
    • 76 Metascore
    • 80 Critic Score
    It’s quite a gift to fans, too. Live in Memphis—which has a corresponding DVD available separately--finds Chilton, particularly, in good voice, his obvious playfulness all the more engaging given that he’s performing before a hometown crowd.
    • 78 Metascore
    • 80 Critic Score
    Strong Feelings sums up the sentiments, but it’s the eloquent execution that makes this so sublime.
    • 75 Metascore
    • 80 Critic Score
    Fondness for Jackleg only grows the more time you spend with it.
    • 75 Metascore
    • 80 Critic Score
    Like a reincarnated Big Star, complete with sweet melodies that last for days and hooks sharp enough to piece flesh, the band's latest Foolish Blood (their seventh if you loop in EPs), is one of their strongest efforts to date.
    • 74 Metascore
    • 80 Critic Score
    Lung of Love come[s] across like another breath of fresh air.
    • 69 Metascore
    • 80 Critic Score
    This is a well-crafted album that manages to reach some rare sonic ground save for a few missteps. The band works best when it is allowed to let the songs build and layer over one another.
    • 77 Metascore
    • 80 Critic Score
    [The] excellent Faithful Man is a product of the dream team of producers, arrangers, songwriters and players (the house band called the Expressions) at Brooklyn's Truth & Soul Records, whose history parallels Brooklyn's better-known Daptone.
    • 81 Metascore
    • 80 Critic Score
    His vocals are delivered with such breezy casualness, you almost miss the poetry in the words. Pair that with the brilliant musicianship and it’s simply confounding that Bare and his band aren’t as big as groups like Arcade Fire and My Morning Jacket at this point.
    • 79 Metascore
    • 80 Critic Score
    Some of the names here will already be known by fans, including White, Charles, Gentry, Dale Hawkins, Link Wray and Larry Jon Wilson; while others, such as Dennis The Fox, Gritz, Cherokee, Jim Ford and John Randolph Marr, may only be familiar to collectors. It's all great, though.
    • 76 Metascore
    • 80 Critic Score
    Cut for cut, Big Station is as strong a record as he's ever made.
    • 61 Metascore
    • 80 Critic Score
    A band that started with Can's hypnotic propulsion has ended up floating in Tangerine Dream's weightless free formity, but it's gorgeous stuff.
    • 66 Metascore
    • 80 Critic Score
    Accessible to a fault, and exceedingly mellow to boot, it flows with a natural ease usually accomplished by those with far more track time under their belt.
    • 74 Metascore
    • 80 Critic Score
    Let's Go Eat The Factory proves that the pioneers of lo-fi still do it best.
    • 84 Metascore
    • 80 Critic Score
    The combination of hardcore punk songwriting and a pop tunesmith's sense of melody and composition gives the latest venture for this DC scene giant an appeal entirely unique to its branch on the family tree.
    • 63 Metascore
    • 80 Critic Score
    Hamilton writes very nice folk rock songs, the way a 1,000 song writers do, but he, unlike most of his completion, he also wires them with dynamite and blows them sky high.
    • 78 Metascore
    • 80 Critic Score
    [A] gorgeous outing from one of rock's best pop-smiths.
    • 70 Metascore
    • 80 Critic Score
    Last Patrol is easily Monster Magnet’s strongest LP in years.
    • 77 Metascore
    • 80 Critic Score
    Seventeen tracks makes for an extended listening experience, but there’s enough variety that you’re never bored. In fact, the second half seems to hit a little harder than the first.
    • 79 Metascore
    • 80 Critic Score
    Taken as a whole, Sukierae is a much different experience, exhibiting a labor of love in the truest sense--a family affair that bridges the generational gap to offer a little something for everyone.
    • 72 Metascore
    • 80 Critic Score
    More Is Than Isn’t balances vocals with lyricless tracks but at the heart of it all is RJD2’s strength in producing impressive music.