Blender's Scores

  • Music
For 1,854 reviews, this publication has graded:
  • 39% higher than the average critic
  • 3% same as the average critic
  • 58% lower than the average critic
On average, this publication grades 7.9 points lower than other critics. (0-100 point scale)
Average Music review score: 65
Highest review score: 100 Together Through Life
Lowest review score: 10 Folker
Score distribution:
1854 music reviews
    • 82 Metascore
    • 80 Critic Score
    Sparxxx is no producer's creation. His lexicon is deep, his diction clear and his words resolute. [Sep 2003, p.130]
    • Blender
    • 83 Metascore
    • 80 Critic Score
    Her understated grooves... ooze natural-woman sex appeal. [Oct 2003, p.122]
    • Blender
    • 71 Metascore
    • 60 Critic Score
    These songs are pleasant, stripped-down and also a little limp. [Oct 2003, p.124]
    • Blender
    • 71 Metascore
    • 60 Critic Score
    There's rambling, digital fiddling and self-indulgent sprawl here, but a sense of purpose, too, even as her lips move on autopilot. [#20, p.114]
    • Blender
    • 58 Metascore
    • 70 Critic Score
    His most relentlessly aggressive album yet. [Oct 2003, p.119]
    • Blender
    • 77 Metascore
    • 70 Critic Score
    Conley could use a few more breakups to check his sentimentality. [Oct 2003, p.126]
    • Blender
    • 65 Metascore
    • 40 Critic Score
    An energetic, derivative genre exercise. [Oct 2003, p.118]
    • Blender
    • 74 Metascore
    • 70 Critic Score
    Stone’s voice is remarkably authentic, and the atmosphere she conjures is smoky and sleazy, pure mid-’60s Detroit.
    • 79 Metascore
    • 80 Critic Score
    The Darkness play old-fashioned metal with such elan that at times they ascend to pop music's Olympian heights. [Nov 2003, p.110]
    • Blender
    • 74 Metascore
    • 70 Critic Score
    Lucid, enjoyable and occasionally full-on rockin'. [Oct 2003, p.115]
    • Blender
    • 74 Metascore
    • 40 Critic Score
    This is a classic 1970s-style headphones record that is both arty and unusually undisciplined. [Nov 2003, p.108]
    • Blender
    • 67 Metascore
    • 70 Critic Score
    Like [Norah] Jones, Mayer never lets his personality talk over his elegant melodies, but unlike her, he has range. [Oct 2003, p.112]
    • Blender
    • 78 Metascore
    • 80 Critic Score
    There are long, gloriously messy instrumental passages, and Coomes pulls off a bunch of swaggering guitar solos. [Oct 2003, p.126]
    • Blender
    • 56 Metascore
    • 80 Critic Score
    Seal remains one of the best half-dozen male pop singers drawing breath. [Sep 2003, p.129]
    • Blender
    • 86 Metascore
    • 90 Critic Score
    British Sea Power's vision makes most independent rock seem callow and weak-minded. [Sep 2003, p. 119]
    • Blender
    • 83 Metascore
    • 80 Critic Score
    At 72 minutes, the gorgeous gloom of It Still Moves lasts a bit longer than it has to--but it offers a host of tarnished gems along the way. [Sep 2003, p.126]
    • Blender
    • 71 Metascore
    • 70 Critic Score
    These tunes sound like they're built out of yard-sale detritus, salvaged and held together with masking tape, chewing gum, anger and sentimentality. [Nov 2003, p.112]
    • Blender
    • 68 Metascore
    • 40 Critic Score
    The mood is too inconsistent to connect. [Oct 2003, p.127]
    • Blender
    • 83 Metascore
    • 40 Critic Score
    Staggers under the unbearable preciousness of donkey-voiced singer Colin Meloy. [Sep 2003, p.122]
    • Blender
    • 71 Metascore
    • 60 Critic Score
    Important? No. Remarkable? Not really. [Sep 2003, p.118]
    • Blender
    • 78 Metascore
    • 80 Critic Score
    The Wolf sets up Andrew W.K.'s post-partying career as motivational speaker for the bloody-nose set. [Sep 2003, p.132]
    • Blender
    • 74 Metascore
    • 80 Critic Score
    Amid the fidgety guitars and twitchy rhythms are enough hair-raising hooks to reach far beyond the counters of independent record stores. [Sep 2003, p.128]
    • Blender
    • 70 Metascore
    • 70 Critic Score
    An utterly original if slightly queasiness-inducing album. [Nov 2003, p.109]
    • Blender
    • 74 Metascore
    • 60 Critic Score
    The dark spaciousness that boosted BRMC's uneven 2001 debut is replaced with garage-rock fist pumpers, which are all catchy but cramped. [Sep 2003, p.119]
    • Blender
    • 77 Metascore
    • 80 Critic Score
    Chain Gang of Love promises racy thrills--and delivers them. [Sep 2003, p.128]
    • Blender
    • 81 Metascore
    • 70 Critic Score
    His perkiest album yet. [Sep 2003, p.132]
    • Blender
    • 80 Metascore
    • 80 Critic Score
    Campbell and Millan use boy-girl harmonies to make a mockery of romance. [Jan 2004, p.109]
    • Blender
    • 72 Metascore
    • 70 Critic Score
    Practically every song sounds as though we've heard it before--because, well, we have. [Sep 2003, p.122]
    • Blender
    • 86 Metascore
    • 80 Critic Score
    It's not so much what Zevon says as how he says it: with an air of ragged, nothing-to-lose spontaneity. [Sep 2003, p.133]
    • Blender
    • 79 Metascore
    • 60 Critic Score
    All of this might be more satisfying if the group's lyrics were strong enough to turn caricatures into characters. [Sep 2003, p.116]
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