Blender's Scores

  • Music
For 1,854 reviews, this publication has graded:
  • 39% higher than the average critic
  • 3% same as the average critic
  • 58% lower than the average critic
On average, this publication grades 7.9 points lower than other critics. (0-100 point scale)
Average Music review score: 65
Highest review score: 100 Together Through Life
Lowest review score: 10 Folker
Score distribution:
1854 music reviews
    • 70 Metascore
    • 60 Critic Score
    Expert, tuneful and profoundly inoffensive. [Dec 2004, p.134]
    • Blender
    • 66 Metascore
    • 70 Critic Score
    As eclectic as these 13 songs are, they all sound of a piece: Experlty cut and finished with fine details. [Nov 2004, p.135]
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    • 80 Metascore
    • 70 Critic Score
    [Case] settles into a relaxed dive-bar groove. [Nov 2004, p.130]
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    • 54 Metascore
    • 60 Critic Score
    With help from someone who’s been through it all and had time to think about it twice, Carlton has made music for growing-ups that is neither cloying nor pretentious.... Yet a sneaking sense remains that she can reach deeper.
    • 65 Metascore
    • 60 Critic Score
    Picture a protest of the World Trade Organization led by Bananarama. [Nov 2004, p.131]
    • Blender
    • 58 Metascore
    • 60 Critic Score
    The samey, smothering beats make it inaccessible to anyone without a pacifier in their mouth. [Jan/Feb 2005, p.111]
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    • 62 Metascore
    • 60 Critic Score
    Around the midway point, just as APC seem handcuffed to despair, they remember that a good protest song should stir the spirit rather than sink it. [Dec 2004, p.140]
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    • 74 Metascore
    • 80 Critic Score
    Dear Heather is top Cohen. [Nov 2004, p.131]
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    • 65 Metascore
    • 80 Critic Score
    Disparate dance genres mesh with impressive (and infectious) ease. [Oct 2004, p.113]
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    • 82 Metascore
    • 60 Critic Score
    The results range from stupid to sexy to irresistably stupid. [Jan/Feb 2005, p.103]
    • Blender
    • 60 Metascore
    • 40 Critic Score
    Key
    Despite their surface similarities, Knapp's wide-eyed songs lack the unnerving distinction and eccentricity that are [Conor] Oberst's stock-in-trade. [Nov 2004, p.142]
    • Blender
    • 88 Metascore
    • 80 Critic Score
    The kind of boiling, roiling blues the Bad Seeds haven't cooked up in years. [Nov 2004, p.131]
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    • 66 Metascore
    • 60 Critic Score
    The pulse underscoring the album keeps it hopping when the songs meander. [Nov 2004, p.142]
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    • 74 Metascore
    • 80 Critic Score
    The real hero is Sean Eden, whose lyrical lead guitar--a bit Harrison, a bit Morricone--makes even the silliest songs sound majestic. [Nov 2004, p.138]
    • Blender
    • 70 Metascore
    • 80 Critic Score
    Here, their frustration with scheming girlfriends and negligent boyfriends boils over into a cathartic froth. [Nov 2004, p.132]
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    • 86 Metascore
    • 70 Critic Score
    The proceedings get a little bit samey, but the band's fearless optimism and knack for a bookish groove are hard to deny. [Dec 2004, p.140]
    • Blender
    • 65 Metascore
    • 60 Critic Score
    If Borrell's originality ever equals his confidence, Razorlight might be as good as he thinks they are. [Nov 2004, p.141]
    • Blender
    • 66 Metascore
    • 60 Critic Score
    Every song has hooks so polished you can see your reflection in them. [Dec 2004, p.142]
    • Blender
    • 68 Metascore
    • 40 Critic Score
    Von
    Slower into its stride, with tune-free twittering and dull homages to FX-pedal rock making up the first half. [Jan/Feb 2005, p.123]
    • Blender
    • 79 Metascore
    • 80 Critic Score
    Much of [Sheets] sounds like a pop-punk update on Springsteen. [Nov 2004, p.137]
    • Blender
    • 73 Metascore
    • 80 Critic Score
    [Frontman Jim] Adkins loosens the reins with darker themes and longer songs... but the guitars and harmonies have never been brighter. [Nov 2004, p.139]
    • Blender
    • 66 Metascore
    • 30 Critic Score
    They just sound cranky here, and their beats are mostly perfunctory. [Nov 2004, p.137]
    • Blender
    • 65 Metascore
    • 80 Critic Score
    Beans's themes may be everyday, but thankfully his wit isn't. [Nov 2004, p.129]
    • Blender
    • 57 Metascore
    • 60 Critic Score
    As hipsters, the Yorkshire quartet are still total non-starters, but [North] sees producer Brendan O'Brien honing their gonzo essence to more sizeable effect. [Nov 2004, p.138]
    • Blender
    • 88 Metascore
    • 80 Critic Score
    His bleakness was never this naked or all-consuming. [Nov 2004, p.143]
    • Blender
    • 73 Metascore
    • 70 Critic Score
    Weird, hook-filled, and irresistible. [Nov 2004, p.146]
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    • 52 Metascore
    • 30 Critic Score
    The default setting is funk-pop bombast augmented by horribly dated electronica. [Nov 2004, p.128]
    • Blender
    • 77 Metascore
    • 70 Critic Score
    [Dents] is, by Buckner's standards, gentle. [Nov 2004, p.130]
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    • 85 Metascore
    • 70 Critic Score
    Strangely compelling. [Nov 2004, p.129]
    • Blender
    • 82 Metascore
    • 70 Critic Score
    The best of Shadows lives in murky half-light where texture matters as much as melody. [Oct 2004, p.112]
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